Name: like whoo out on all platforms by Devils SPIRITUALLY RESURRECTED
Duration: 3 min 16 s
Description: Prod by Devils RESURRECTED like whooo out now on all platforms Rip Devils RESURRECTED

I Do Not Own The Beat It Is Made By EngelH01  @ https://www.youtube.com/@EngelH01

Smoke It Up (Prod. EngelH01)

Apologies

Prod by Devils RESURRECTED like whooo out now on all platforms Rip Devils RESURRECTED

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Bits and Pieces

I'll Give My Pain  (Maxter)

The first vocal track of Mъdrъ / Mudru draft album.  A mix of playing an instrumental before writing the lyrics (which is a departure although has been done a little recently), and also later my older style of writing chord-per-syllable to already-written lyrics toward the end of the piece.

Overall I write pretty naive lyrical pieces.  This guy is kind of a paranoid douche but with the best intentions.  She's like absconding off to (heaven forfend) a different little splinter group than his thing but it turns out to be benign and he inflicts some minor annoying damage by sneaking into their outing.

Lyrics:

Somewhere in the past someone set us up the bomb
Culture shifted so fast that 30 Rock is now a right wing sitcom

Somewhere in Ulster's bowels
Were heard the pangs of an alarm
A girl's heterofatalism was giving her an ulcer
The ginger with a minge
Had had enough of Hinge
Since the latest respondent's saccharine charm 
Was rather laid on with a trowel
The states seemed the right place to flee
And that's how she hooked up with me

How have I hated instruction, 
And my heart despised reproof 
It was the nagging ineluctable
Erosion of fitness under our roof
And what came of it was standing aloof
As i witnessed its destruction

After being the fall guy i was focusing on
Survival in the strange waters that i was swimming
Much like tall guys have no idea 
That they are at war with short guys
Normal women have no idea they are at war with crazy women

I saw our coming doom 
Through the bloodshot glass 
At the bottom of a marinara jar
The girls had started having breadsticks parties
And a lot of gossip got said
And pretty soon our burgeoning movement
Was given up for dead
But one can take theorizing too far
Particularly if you're too well-read

And so at the risk of assaulting my intestines
I engaged in a clandestine infiltration
And the leader of her congregation
Served a sumptuously appetizing oration
On the fiscal dangers of being an oversnacker
At the end of the presentation
One presumptuously testy cracker
Pointed out that one of the high watermarks 
Of our civilization
Is the Domino's pizza tracker

You can imagine their reaction
When I said the most frugal drug
Was constant distraction
In sunshine or rain
It lessens the pain
Of trudging dissatisfaction

We got to a really dark place
And the tipping point began
Around when i was being really crass
And implied that the high priestess was an also-ran
She was really about to kick my ass
I think it was the rage of Caliban
Not seeing her own face in a glass

After several mint juleps
She went and staggered amongst the tulips
magniloquent miss molly
Chided me on my vindictive folly
She asked what are you stupid
What's the point of all this skullduggery for me

Well I am genuinely attracted to you
Having walked too close by Cupid
And that is a pretty stupid thing to be

Magniloquent Molly's Mozzarella Jolly


First time in harmonic minor. Begins with the classic theme and superimposed chords on the 3rd and 5th on your right speaker. I had to give the mixer (unlimited revisions) some degree of freedom. I would have done it 1 sweep to the left  and 1 right. For each section some theory use. So 1st verse, the violins are playing lydian b3 cos’ the vocals sounded empty on it’s own and I wanted some ‘out of the box’ stuff. The chorus ends on D7 which is an outside chord. That was a chord I accidentally hit on guitar and when it returns to Eminmaj7 it’s a deceptive cadence. Double harmonic minor and whole tone on 3rd degree for the trumpets. The ‘through the gaps part’ I did on 5th improv. Wasn’t happy with the chorus I had written and just improvised over the chorus on Logic. That’ s some of my best flow. 2nd verse I did counterpoint for Bond motif. 2nd chorus, the first line you hear was taken from my original improv. It sounded more fitting as the start of a chorus. I had to write an extra violin line for the chorus to keep it aligned with my ‘every chorus line has different orchestration’ philosophy. The bridge has the drums in mostly half time as well as beginning in the key of G. First time I placed a secondary dominant in the middle of a phase cos’ usually I put it at the end. Then, a chromatic chord sequence. Last chorus I complete my strings cos’ I had violins 1/ 2 and I thought I’d finish it off with violas and cellos. It is polyphonic cos I prefer it when composers write lines that don’t match vocal melody.

I take each part of me apart
Like you didn’t feel me
Like the air was distilled by our heart and I don’t
Show a tell because my mind is withered down
Break a sweat because pieces don’t make a sound
The lies we keep lie razor deep like stains on last nights bed sheets
Could we ever leave this life behind my eyes don’t deceive me but my heart is blind

Every bullet has our nations name on it.
In the name of the crown, with the sound of it. ( to keep it accurate cos’ the queen is dead)
I have loved you for who you are and even if you didn’t know I’d always love you. (Kind of a letter to Vesper)
I have always been so sure of this, from the moment I saw you, I knew that I would kiss you.
And even though we fell through the gaps and everything 
Always made me sure that I would be amiss.  

Somebody won’t do it if I wouldn’t do it for your lies 

Every little bit of malice that we detest
Every little bit of sadness in our breath 
Shakes the foundations of what we build to its chest
Am I not a reader of obituaries  (Skyfall reference)
Am I not the protector of sanctuaries 
I’ll lift this orphaned past into a future of service to war (accurate to Bond’s orphan upbringing)

I’d drain the rivers dry just to taste something clean
I know that you will love me.  (Yes a proper Bond pick up line)

Yes, the most accurate Bond lyrics to date. Even pays homage to the bad old Bond films misogyny by saying ‘bitch.’ 
I really like Skyfall/Casino Royale.  I did ‘meet’ Daniel on Broadway when I was at NYU. Walk passed him and should have asked  ‘what was M16 doing on Broadway?’ but in NY the cool tradition is ‘leave celebrities alone’. I think he was good and some people point out the blonde hair but he looks more like a thug than previous Bonds which is closer to Fleming’s idea. People criticise Dr. Christmas Jones for not looking like a nuclear scientist but Pierce looks more like a model than a spy. Not that I know what spies look like. I wanted to criticise the writers for sticking Vesper in every Craig film.  I was watching No Time To Die with my sister in the cinema I was thinking, “Vesper…again?”.  I finally found out she sacrificed her life for him so to mope for all of his films is fine. I did not like the ending which I thought ripped off ‘Hero’ with Jet Li except they replaced  arrows with missiles. I noticed Daniel does swim well. Then, he did the Belvedere commercial and that kind of ruined a little of his Bond image for me. 


Vesper Lynd

BOOM DEMOLIZIONI (LE ORIGINI) è la prima parte di una canzone di Pietro Labonia. É il nono singolo con l'etichetta discografica Rhoon Records. 
Mastering di Fabricio Ariel Sarmiento e foto di Tonio Carnevale.

Boom demolizioni 1 (Le origini)

Soul Eternal – a soulful hip hop instrumental with warm textures, smooth drums, and an eternal groove.  
Produced by ShaneOneThousand.  

Follow & connect:  
IG: @ShaneOneThousand  
YouTube: ShaneOneThousand  
SoundCloud: soundcloud.com/shaneonethousand  

#Soulful #HipHop #Instrumental #Beats #soulful
#instrumental

Soul Eternal – ShaneOneThousand (Prod. ShaneOneThousand

Deeper than a Motha

Becker's Tale

I am the flame that rose from its own ashes.
A powerful being. A creative force. 🌹🖤
My sound fuses beauty and darkness — pain turned into power, silence turned into rebirth.
Every track is an act of self-worship, the reflection of my evolution.
I don’t follow the light or the dark — I become both.
Welcome to the resurrection.
🍷"link to my ig and other platforms ⬇️

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