Krishna

Hare Krishna Hare Krishna Krishna Krishna Hare Hare

One my favourite Art Of Living bhajan GURU NARAYAN.. do share if you like it.. :)
to get the mp3 of this song drop me a mail on aolpratish@gmail.com :)

Vocals/Guitar: PRATISH MHASKE
Chorus: SAGAR GADAPPA,PRASHANT NIKAM
Tabla: VASANT PATIL

Guru Narayan

Rudrashtakam (Namami shamishan nirvan roopam...)

Vanamali made this recording in my room yesterday of Sri Radha Kripkataksha Stava for the pleasure of Sri Sri Radha Vanbihari. Jai Sri Radhe!

Sri Radha Kripakataksha Stava Raja

The first chanting mantra of Album Madhuram.

Hare Krishna Hare Rama

Jahnavi Harrison - Vrikshavalli Hare Krishna feat. Gaura Vani


Moola Mantra

Om Krishnaya Namaha!

Sri Krishna Ashtakam

1. Vasudeva Sutham Devam Kamsa Chaanoora Mardhanam |
Devaki Paramaanandham Krishnam Vande' Jagathgurum ||

2. Adhasee Pushpa Sankaasam Haara Noopura Sobhitham |
Rathna Kangana keyooram Krishnam Vandhe' Jagathgurum ||

3. Kutilaalaka Samyuktham Poorna Chandra Nibhaananam |
Vilasath Kundala tharam Krishnam Vandhe' Jagathgurum ||

4. Mandhara Gandha Samyuktham Chaaru-haasam Chathur-bhujam; |
Parhipinjaa Vasoodaangam Krishnam Vandhe' Jagathgurum ||

5. Uthpulla Padma Patraksham Nilajimutha Sannibham. |
Yaadhavaanaam Sirorathnam Krishnam Vandhe' Jagathgurum ||

6. Rukmini Ke'li Samyuktham, Peethambara Su Sobitham; |
Avaaptha Thulasi Gaandharam, Krishnam Vande Jagathgurum. ||

7. Gopikaanaam Kusathvanthva Kunkumaangitha Vakshasam |
Srinike'tham Maheshvaasam Krishnam Vandhe' Jagathgurum ||

8. Srivatsaankam, Mahoraskam, Vana Maala Virayitham; |
Sanka Chakra Dharam, Devam, Krishnam Vande Jagathgurum. ||

9. Krishnaashtakam itham Punyam Praatha Ruththaaya Ya:pade'th|
Ko'ti Janma Krutham Papam Smaranaath Thasya Nachyathi. ||

Prayer Slokas on Sri Krishna

Namasthubhyam Jagannatha Devakeethanaya Prabho' |
Vasudhe'va sutha-anandha-a'nandha Yaso'dhanandha-varddhana ||
Govindha Go'kuladhaara Gopikaantha Gunaarnava |
Paahimaam Padhmanayana Pathitham Bhavasa'gare' ||

Sri Balakrishna

Paahi Paahi Jaganmohana Kr.shna Paramaanandha Sri Kr.shna
Devaki Vasudeva Nandana Kr.shna Dhivya Sundhara Sri Kr.shna
Nandha Yasodhaa Nandhana Kr.shna Indhu Vadana Sri Kr.shna
Kundha Radhana Kutilaalaga Kr.shna Mandhasmitha Sri Kr.shna

Shri Krishna Mantra - Ashit & Hema Desai

Śrī Sūkta, also called Śrī Sūktam, is a Sanskrit devotional hymn (set of shlokas / Śloka-s) revering Śrī as Lakṣmī, the Hindu goddess of wealth, prosperity and fertility. Śrī Sūkta is recited, with a strict adherence to the Chandas, to invoke the goddess' blessings. The hymns are found in the Rig Vedic khilanis, which are appendices to the Ṛkveda that probably date to pre-Buddhist times.
The goddess Śrī appears in several earlier vedic hymns, and is the personification of auspicious and royal qualities. Śrī Sūkta is perhaps the first text in which the homology between Śrī and Lakṣmī is drawn, and the goddesses are further associated with the god of fire, Agni. Since the later epic period (ca 400 CE), Śrī-Lakṣmī is particularly associated with Viṣṇu as his wife or consort.
The Śrī Sūkta describes Śrī as glorious, ornamented, royal, lustrous as gold, and radiant as fire, moon and the sun. She is addressed as the bestower of fame, bounty and abundance in the form of gold, cattle, horses and food; and entreated to banish her sister alakṣmī (misfortune), who is associated with need, hunger, thirst and poverty. The hymn also associates Śrī with (agrarian) fertility and she is described as the mother of Kārdama (mud), moist, perceptible through odour, dwelling in cowdung and producing abundant harvest. 

The Śrī Sūktam assumes specific significance because of Śrī Mahālakṣmī's presence on Lord Śrī Venkaṭeśvara, at Tirumala, or Viṣṇu's chest, at the Heart. Lakṣmi is the embodiment of Love, from which devotion to God or Bhakti flows. It is through Love/Bhakti or Lakṣmī that the Ātmā or soul is able to reach God or Viṣṇu.

Śrī or Lakṣmī is also the personification of the spiritual energy within us and universe called kuṇḍalinī. Also, She embodies the Spiritual World or Vaikuṇtha; the abode of Lakṣmī-Nārāyaṇa or Viṣṇu, not to be confused with Heaven, as The Heavenly Planets are still part of the Material Universe. Vaikuṇtha-Dham is purely spiritual, eternal and self illuminating. She is also supposed to have the Divine qualities of God and the soul. Lakshmi is God's superior spiritual feminine energy or the Param Prākṛti, which purifies, empowers and uplifts the individual. Hence, She is called the Goddess of Fortune.

The Śrī Sūkta uses the motifs of lotus (padma or kamala) and elephant (gaja) – symbols that are consistently linked with the goddess Śrī-Lakṣmī in later references. The lotus is thought to be symbolic of purity, beauty, spiritual power, life, fertility, growth or, in Tantra, the entire created universe. It is a recurring motif in Hindu (as well as Buddhist and Jain) literature and a lotus growing from Viṣṇu's navel is said to mark the beginning of a new cosmic creation. The elephants are symbolic of royalty and, in Hindu mythology, are also related with cloud and rain; they thus reinforce Śrī-Lakṣmī's stature as the goddess of abundance and fertility.

Later Hindu iconography often represents Śrī-Lakṣmī in the form of Gaja-Lakṣmī, standing on a lotus, flanked by two elephants that are shown showering her with water with their trunks. 
The Śrī Sūkta is one of the Pañca-Sūktam (5 Suktams) recited during the 3-hour long Abhiṣeka of Venkateswara, at the famed ancient Hill Shrine of the Tirumala Venkateswara Temple in Andhra Pradesh, India. The Abhiṣekam to the main deity is performed every Friday. Śrī Sūkta is also recited during the daily Arjitha Vasanthotsavam seva.

Sri Suktam

Jai jai radha raman hari bol

Damodarastakam

 दामोदराष्टकं


नमामीश्वरं सच्-चिद्-आनन्द-रूपं
लसत्-कुण्डलं गोकुले भ्राजमनम्
यशोदा-भियोलूखलाद् धावमानं
परामृष्टम् अत्यन्ततो द्रुत्य गोप्या ॥ १॥ 

namāmīśvaraṁ sac-cid-ānanda-rūpaṁ
lasat-kuṇḍalaṁ gokule bhrājamanam
yaśodā-bhiyolūkhalād dhāvamānaṁ
parāmṛṣṭam atyantato drutya gopyā ॥ 1॥

रुदन्तं मुहुर् नेत्र-युग्मं मृजन्तम्
कराम्भोज-युग्मेन सातङ्क-नेत्रम्
मुहुः श्वास-कम्प-त्रिरेखाङ्क-कण्ठ
स्थित-ग्रैवं दामोदरं भक्ति-बद्धम् ॥ २॥

rudantaṁ muhur netra-yugmaṁ mṛjantam
karāmbhoja-yugmena sātaṅka-netram
muhuḥ śvāsa-kampa-trirekhāṅka-kaṇṭha
sthita-graivaṁ dāmodaraṁ bhakti-baddham ॥ 2॥

इतीदृक् स्व-लीलाभिर् आनन्द-कुण्डे
स्व-घोषं निमज्जन्तम् आख्यापयन्तम्
तदीयेषित-ज्ञेषु भक्तैर् जितत्वं
पुनः प्रेमतस् तं शतावृत्ति वन्दे ॥ ३॥ 

itīdṛk sva-līlābhir ānanda-kuṇḍe
sva-ghoṣaṁ nimajjantam ākhyāpayantam
tadīyeṣita-jñeṣu bhaktair jitatvaṁ
punaḥ prematas taṁ śatāvṛtti vande ॥ 3॥

वरं देव मोक्षं न मोक्षावधिं वा
न चन्यं वृणे ‘हं वरेषाद् अपीह
इदं ते वपुर् नाथ गोपाल-बालं
सदा मे मनस्य् आविरास्तां किम् अन्यैः ॥ ४॥ 

varaṁ deva mokṣaṁ na mokṣāvadhiṁ vā
na canyaṁ vṛṇe ‘haṁ vareṣād apīha
idaṁ te vapur nātha gopāla-bālaṁ
sadā me manasy āvirāstāṁ kim anyaiḥ ॥ 4॥

इदं ते मुखाम्भोजम् अत्यन्त-नीलैर्
वृतं कुन्तलैः स्निग्ध-रक्तैश् च गोप्या
मुहुश् चुम्बितं बिम्ब-रक्ताधरं मे
मनस्य् आविरास्ताम् अलं लक्ष-लाभैः ॥ ५॥ 

idaṁ te mukhāmbhojam atyanta-nīlair
vṛtaḿ kuntalaiḥ snigdha-raktaiś ca gopyā
muhuś cumbitaṁ bimba-raktādharaṁ me
manasy āvirāstām alaṁ lakṣa-lābhaiḥ ॥ 5॥ 

नमो देव दामोदरानन्त विष्णो
प्रसीद प्रभो दुःख-जालाब्धि-मग्नम्
कृपा-दृष्टि-वृष्ट्याति-दीनं बतानु
गृहाणेष माम् अज्ञम् एध्य् अक्षि-दृश्यः ॥ ६॥ 

namo deva dāmodarānanta viṣṇo
prasīda prabho duḥkha-jālābdhi-magnam
kṛpā-dṛṣṭi-vṛṣṭyāti-dīnaṁ batānu
gṛhāṇeṣa mām ajñam edhy akṣi-dṛśyaḥ ॥ 6॥ 

कुवेरात्मजौ बद्ध-मूर्त्यैव यद्वत्
त्वया मोचितौ भक्ति-भाजौ कृतौ च
तथा प्रेम-भक्तिं स्वकां मे प्रयच्छ
न मोक्षे ग्रहो मे ‘स्ति दामोदरेह ॥ ७॥ 

kuverātmajau baddha-mūrtyaiva yadvat
tvayā mocitau bhakti-bhājau kṛtau ca
tathā prema-bhaktiṁ svakāṁ me prayaccha
na mokṣe graho me ‘sti dāmodareha ॥ 7॥ 

नमस् ते ‘स्तु दाम्ने स्फुरद्-दीप्ति-धाम्ने
त्वदीयोदरायाथ विश्वस्य धाम्ने
नमो राधिकायै त्वदीय-प्रियायै
नमो ‘नन्त-लीलाय देवाय तुभ्यम् ॥ ८॥

namas te ‘stu dāmne sphurad-dīpti-dhāmne
tvadīyodarāyātha viśvasya dhāmne
namo rādhikāyai tvadīya-priyāyai
namo ‘nanta-līlāya devāya tubhyam ॥ 8॥

Shri Krishna Mantra - Ashit & Hema Desai

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