There’s something so amazing about seeing big-shot musicians’ music before they became big-shot musicians. Love ya, Justin Vernon <3

Insta-Mix - 2

Freshly Laundered Linen

church st.

church st. (Revisited)

My Sweet Lord - Georg Harrison   Fan Tribut  All Instruments and Arrangments with Reason 13

Georg Harrison - My Sweet Lord

A song dedicated to the memory of a 1st cousin, twice removed, that I never had the chance to know. God bless all the young souls, lost to fighting the wars, of old men

The Ballad of Pte. John Edward Carter

Low fi acoustic, poorly recorded as always

I can’t be you

Our Endless Numbered Days

Naked as We Came

Such Great Heights

The Shepherd's Dog

Resurrection Fern

Repave

Byegone

Been Listening

The Water

A Reasonable Amount of Trouble

All That We Have Is Now

Wildewoman

Two of Us On the Run

Influenced by tomppabeats!

Sample: 
Vashti Bunyan - I'd Like To Walk Around In Your Mind

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I'd Like To Walk Around In Your Mind

Float Back To You

Be Thou By My Side

Silent Signs

Bones

DeYarmond Edison did not last so long—a few years spent making two beautiful folk-rock records in their native Wisconsin, followed by a final and transformational 12 months in North Carolina where the quartet reimagined their sound and accidentally ripped apart childhood bonds. But the work DeYarmond Edison made has had an unimagined, outsized staying power. The moment they broke up in August 2006, singer Justin Vernon, who had first tested his falsetto in the band, started Bon Iver, one of this century’s most imaginative acts. The rest of DeYarmond Edison—Brad Cook, Phil Cook, and Joe Westerlund—became Megafaun, who in turn became key to this century’s radical folk-rock reinvention. You can clearly hear the foundations of it all in the massive amount of music DeYarmond Edison produced in its short lifetime. As four friends tried to find their way beyond plaintive beginnings, they tried on gorgeous gospel and unbound free jazz, raw Appalachian folk and ecstatic minimalism, electronic abstraction and longform drone, funneling it all back into increasingly exploratory songs. Those results remain a testament to the way profound, lavishly praised art begins out of sight, when friends fully commit to one another and to their craft. And hatched in two small cities, their work also reaffirms the culture of communities beyond major metropolises, or how outsiders with a vision can make the most compelling sounds. At long last, with the release of Epoch, DeYarmond Edison lives again.

Bones

DeYarmond Edison

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