Great remix!! Check it out on our brand new mix: Studio M - Mix #3 by Studio M Peace

NICE WORK  Check out my songs Show the same respect & support   LEAVE A COMMENT !!!!!

Harari´s "I´m waiting" turn into a cosmic disco re-work

Enjoy the vocal version using the original lead vocal of Sipho Mabuse and an uptempo dj friendly alternative version.
credits

I´m waiting (Ilya Santana uptempo Inst. Version)

Holy Ghost! - Wait & See (CFCF Remix)

5 Songs

Superstar (feat. Mutado Pintado)

Pre-order the vinyl: https://lnk.to/0YlyPDib

Marcus Lambkin aka Shit Robot is, in many ways, as pure DFA as anyone else. He’s been here since before the beginning, a centrifugal force pulling everyone together, an anchor of no-nonsense style and humor that is as core to our being as the fucking lightning bolt.

We’ve put out a lot of Shit Robot records. They’re all great. But it’s been a minute since the last one. (Life happens.)

Earlier this year, the drought ended when Marcus sent us some demos he’d been toiling away on in the attic. We loved them immediately. They were raw and rudimentary tracks that felt completely unbothered with where they might fit in and what year it was. They were sharp and smart, the sound of the party where we wanted to be.

He went to Al Doyle’s place in London to finish them off, and then James mixed everything here at DFA. Bob mastered it in Chicago. Somewhere along the way, Suzi Horn from Prinzhorn Dance School and Mutado Pintado from Warmduscher added two incredible vocals as only they could.

It’s 5 Songs, both the name of it and the thing itself. Nominative determinism. 5 complete belters.

Credits:
Marcus Lambkin: synths, drums, and vocals
Al Doyle: additional synthesizers
Kenny Space : electric bass

Recorded at the No Hassle Castle in Riet by Marcus Lambkin and RAE in London by Al Doyle
Additional recording at DFA Studios in Brooklyn by Korey Richey
Mixed by James Murphy for the DFA
Mastered by Robert "Sparklebear" Weston
Photography and hair by Mary Lambkin
A DFA Design product

Breathe (Looking At Gibraltar) (feat. Suzi Horn)

Milano-based producer Eluard graces Slow Motion Records once again with his debut album ‘Dirty Hall’. A release filled with his distinctively nostalgic tone, blending West Coast synth funk and Italo Disco with appropriate, seamless grit. 

‘Dirty Hall’ opens with ‘Die Erste Musik’,  a chiming track with a wide, captivating vocal sampler riff that delicately dances off fizzing percussion. Creamy, glistening chords sit beautifully within this arrangement effortlessly complementing the bassline. This approach is taken a step further in the following ‘Carlo E Daria’, with an instantly attention-grabbing swirling synth motif.  

‘Dirty Hall’ shows the breadth of Eluard's innate talent for harnessing the best out of the analogue machine, creating a rich sonic palette that never fails to warm the ears. The thundering lows of ‘Comic Bad’ are met with a mind-bending augmented synth line and a beautifully enigmatic vocal riff. 

Eluard’s sound design throughout this LP masterfully pushes the retro into the present realm, retaining the characterful intrigue of the instruments recorded. Intelligently placed harmonies in ‘Dancers Are Thin And Pretty’ and ‘Funny Jasmine’ help to raise the instrumental sequences, allowing the listener to be transported to a more reflective, existential space. 

The slick flare of elegant floor filler ‘Phonemes’ solidifies Eluard as a visionary within the Italian Dance Wave Movement, layering distinguished instrumentals with perfectly placed melodics.

‘Dirty Hall’ eloquently concludes with the sophisticated sleaze of ‘In The Next Room’. A masterful nod to the golden era of the vocoder with a stomping, percussive groove and a cleansing chordal sequence. ‘Dirty Hall’ is an LP charged with a mind-bending evocation instilling Eluard as a forward-thinking force within the sonic sphere. 

Radondo, Berlin 2023

Dirty Hal

Eluard - Dancers Are Thin And Pretty

BUBBLEGUM

BUBBLEGUM (Jürgen Paape "Frutti Di Mare" Remix)

Ahead of the release of their much-anticipated debut album, Nandakke?, Belgian-Japanese duo Aili serve up a brand new single, Tako Yaki. Named after the Japanese street food, Tako Yaki continues Aili Maruyama & Orson Wouters' hot streak of irresistible songs, marrying new wave funk rhythms and sparkling electro-pop to Maruyama's distinctive vocals and surreal storytelling.
Like the rest of the new album Tako Yaki is sung in the unique version of Japanese that Maruyama and her father created to stay connected when she left Tokyo for Europe aged seven. But if you're wondering what it all means Maruyama is on hand to explain.

“On the Japanese side of my family, some family members have surprisingly large big toes," she confides. "We used to call these toes takoyaki after the Japanese dish because they resembled it!"

Oyayubi wa takoyaki! Toe or takoyaki! Seems obvious really, and if that's made you hungry then you're in luck as Tako Yaki also features a guest appearance from Aili's dad as he lists off his own takoyaki recipe which, for those who want to try this at home, you'll need octopus, flour, dashi, and an egg. Eet smakelijk!

Making their debut with the critically acclaimed Dansu EP, Maruyama and Wouters quickly established themselves as one of Belgium’s most exciting new acts. Following a series of ecstatically received shows across Europe and Japan, an appearance on the Belgian TV show Roomies and support from the likes of Rolling Stone and tastemakers radio stations like KEXP and KCRW in the US and Nova in France the band's debut album is due for release Februay 23rd, 2024 on Eskimo Recordings.

BUY on BANDCAMP

PREMIERE : Aili - Tako Yaki

Pianopella Mix
**Available to buy from our Bandcamp page 5/4/24**

We Love Spacemen (Pianopella Mix)

He's back. After a break that felt like an eternity, @Cuthead has finally awoken from his creative beauty sleep to check up on his home base Uncanny Valley with his new album THE DETOUR. To avoid overexciting everyone’s attention span, the album is spread over four parts. And he's definitely not coming back as a cheapskate since the album is full of gifts that true Cuthead fans desire. In other words, he does what he does best: Blasting out slick tracks that oscillate between laid-back underground hip-hop, sample heavy house and vintage acid, but with enough surprises along the way. The tracks were created over the last few years, including some jams from his live set that he made while travelling or in a hotel.

As soon as the typical cozy, warm chords kick in during the INTRO of The Detour Part 1, you immediately feel at home again in Cuthead's world, where it's always Saturday afternoon and laid-back jams drip out of the speakers (at least on two of the four parts). On top of that, Chester Watson from St. Louis (one of Cuthead's absolute favorite rappers) provided a feature. With his distinctive voice and dreamy flow, Chester explains in not one but two versions of PROCEED how to carry on and stay relaxed despite adverse circumstances. TOUR DE FRANCE, on the other hand, is a trapstrumental for the masses in which a hi-hat thunderstorm is intertwined with a wind sample that constantly twists around itself.

The second in Cuthead's tetralogy is what we can certainly call a house monster. It starts with a track named after one of Cuthead’s special skills: MPC JAM. With its filter attacks and unmistakable drops, the track builds on Cuthead's great house floor fillers, leaving no ass standing still. SUNDAY 5 PM enters the floor like a bird of paradise with room-filling disco strings, before SPACED OUT follows with Theo Parrish-like grooves. MIDNIGHT ROUTE closes The Detour Part 2 with broken beats and an unusual but irresistible electronic bassline.

The opener of the third part once again praises the old promise of the House Nation, not without ZUBU being refined with the very own Cuthead spin, which definitely puts the track on a techno floor as well. POWER ACID lives up to its name and comes across as a classic warehouse acid screw that takes every rave to the edge. Understatement is also not required with PARTY LIKE IT'S 99. After all, every Saturday afternoon is followed by a Saturday night and a piano house bomb with a little ounce of acid always goes down well on such an occasion.

The final chapter of THE DETOUR opens promisingly and in typical Cuthead style with the aptly titled BONKERS and the kind of weirder head-nodding beat that only the Dresden resident can squeeze out of his samples. In LISOLEIL, Malone the Chemist drops his lines over what feels like an aquatic jazz foundation. Cuthead spotted the Canadian rapper when he posted a freestyle under a tweet from Flying Lotus. After that, the snares are turned up again in the sample fest that is FOXY. OUTRO is almost epic by Cuthead standards and could easily be the soundtrack to a modern giallo film.

The album is accompanied by beautiful animations created in collaboration between illustrator Robert Deutsch and animator Tobias Kramer.

The Detour Part 1
Release Date: 21.03.2024

The Detour Part 2
Release Date: 28.03.2024
01 Cuthead - MPC Jam
02 Cuthead - Sunday 5 PM
03 Cuthead - Spaced Out
04 Cuthead - Midnight Route

The Detour Part 3
Release Date: 17.05.2024

The Detour Part 4
Release Date: 31.05.2024

Credits

Written and produced by Robert Arnold.
Lyrics and Rap on Proceed by Montrell Haymon. Lyrics and Rap on Lisoleil by Marlon Gray.
Published by Copyright Control. Proceed published by Copyright Control and Chester Watson. Lisoleil published by Copyright Control and Hoxton Music Publishing.
Artwork by Robert Deutsch
Animation by Tobias Kramer
Mastering by Jacob Korn at Tailout Studios

The Detour Part 2

Spaced Out

Bandcamp

Bonar Bradberry and Tom Thorpe are the masterminds behind the PBR Streetgang. Together, the lads have already had their works issued in some of the most important House-meets-Disco labels out there such as Salsoul, West End, Futureboogie, Lumberjacks In Hell, Wolf Music, KURTZ, Domino, Discolypso, and Sprechen, to name a few. They are finally back to the latter with the second episode of their “Trans Pennine Express” endeavour. Named after a British train operating company that runs regional and inter-city rail services between the major cities and towns of Northern England and Scotland, the EP, like its predecessor, presents the duo flirting with their most cosmic influences, resulting in true zero-gravity-embedded cuts. On the remix duties, Gina Breeze and Massey, the label boss himself.

For their “Space Cake” recipe, instead of hash, milk, sugar, flour, eggs, and baking powder, Chiefs Bradberry and Thorpe used different but equally psychedelic ingredients: a throbbing bassline, rhythmic percussive elements, trippy synth layers, and a spot-on acid gait culminated in one of the most valuable cuts of the release.

You can find (and buy) this and other music pearls on the Beatport page of the label: https://www.beatport.com/label/sprechen/50925

Follow @pbrstreetgang and @sprechenmusic, peeps!

Holy Ghost! - Wait & See (CFCF Remix)

DFA Records

Recent comments

paul william

G213

G213

G213

Related tracks