TR187 - The Mermaid Café - Alice

Performed by Kyla Matsuura-Miller
Winner of the Homophonic Pride Prize 2022
Recorded at La Mama Theatre

Dream-state for solo violin

everything is everything

performed by Jonathan Powell, piano, on 14 January 2014 in Oxford.

Adam de la Cour - Triptych III: Menage a quatres

Ceol na Fidhle, for violin and percussion (1999)
1 Prologue
2 Hornpipe
3 The Boatman
4 Reel
Sarah Oates, violin; Claire Edwardes, percussion (live recording)

Ceol na Fidhle (pronounced ‘kee-OL na fiddle’), for violin and percussion, is based on Celtic bagpipe and fiddle tunes.  The Gaelic title means “tunes for highland fiddle.”  Some of the tunes are obvious while others are almost hidden. Prologue starts with a bang, and is followed by Hornpipe where a familiar tune dances and then scurries away beneath a disguise of accompanying notes and rhythmic displacement.  The Boatman slows the pace and melodic decoration suggests the sound of bagpipes playing this rather wistful song.  Finally, Reel returns to the highly-charged drive of the Prologue with a frantic and virtuosic ending.
Ceol na Fidhle was written in 1999 for musicians Rachel Bremner and Tom O’Kelly and has received many subsequent performances, most notably by the Thornton School of Music Contemporary Music Ensemble at the Walt Disney Concert Hall, Los Angeles.

Ceol na Fidhle (pronounced ‘kee-OL na fiddle’), for violin and percussion, is based on Celtic bagpipe and fiddle tunes.  The Gaelic title means “tunes for highland fiddle.”  Some of the tunes are obvious while others are almost hidden. Prologue starts with a bang, and is followed by Hornpipe where a familiar tune dances and then scurries away beneath a disguise of accompanying notes and rhythmic displacement.  The Boatman slows the pace and melodic decoration suggests the sound of bagpipes playing this rather wistful song.  Finally, Reel returns to the highly-charged drive of the Prologue with a frantic and virtuosic ending.
Ceol na Fidhle was written in 1999 for musicians Rachel Bremner and Tom O’Kelly and has received many subsequent performances, most notably by the Thornton School of Music Contemporary Music Ensemble at the Walt Disney Concert Hall, Los Angeles.

Ceol Na Fidhle

Low Sheen for solo piano with electric keyboard. 

Performed by Ansel Luk on 17.02.24 at The Eleventh Hour, Melbourne. 

Recorded and mixed by Mish Szekelyhidi.

A video of the performance can be found here: https://youtu.be/ydVzYcGYVqc

This project was made possible by the Australian Government Regional Arts Fund, which supports the arts in regional and remote Australia.

www.domiflyn.com

Low Sheen (2022) - 17.02.24

Live recording of the premiere at 29-07-2025, Tokaj, played by Tádé Csapodi (violin), Bálint Bognár (cello), Barnabás Kincses (piano) - students of the Crescendo Summer Institute 2025.

Haydn is Leaving England for Good

Performed by Edinburgh Contemporary Music Ensemble, conducted by James Lowe on 11th June 2011 at Reid Concert Hall, Edinburgh.

Oppressed Vibrations

Piano Piece

"from scratch" performed by BBC Scottish Symphony Orchestra, Owen Green (live electronics) and Shiori Usui (vocal improvisation), conducted by Ilan Volkov at Tectonics Glasgow Festival on 7th May 2017 in Glasgow, UK.

from scratch

Premiere of Action Music - Erik Griswold 2013
Claire Edwardes - percussion
Erik Griswold - prepared piano
Jason Noble - bass clarinet
Erkki Veltheim - violin
at "The Listening Museum," Urban Art Projects
20th April 2013

Low Sheen (2022) - 17.02.24

Dominic Flynn

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