AnyConv.com__1 Serious DnB

@phrixusmusic

Nylon Hood EP out now: 
https://hypnamusic.bandcamp.com/album/nylon-hood

BEAM REFLECTOR (Phrixus Remix)

Serious Business VOL.1

Out now - https://tomakami.bandcamp.com/album/abel-dans

Toma Kami & Sene - R.1.2.F

https://infinite-drift.bandcamp.com/album/ouroboros

The title track off Text Chunk & Sven K's new EP 'Ouroboros' on Infinite Drift. Full project incl. a jewelcase CD drops March 31st 2023.

Artwork by Tim Lindacher
'Ultramyst' mixed & mastered by TJ Hertz

@textchunk
@svenk666

Bandcamp

DRIFT011 Text Chunk & Sven K - Ultramyst

Gliding in through the Deutsche bass-biome, we gladly present label newcomer, @genus-aix (aka Jost Wessel). Welding true to the INDEX:essence™, “Heavy Metal, Solid State” is a spectrum of sonic winds. Migrating across 5 low-end rifters, Wessel sound-designs a liquefaction of moods that weave in and out of various textures and inspirations. The result is a shimmering dramaturgy that has the feel of a well plotted mini-album — a start-to-finish 'xperience and a fledgling tease into the talents of Genus Aix.

Tracklist:

1. As One So Torn
2. Yours In Haste
3. Quicksilver Tooth
4. Rail Carrier
5. Exceptional Blooming

Written & Produced by Jost Wessel
Mastered by Ike Zwanikken
Artwork by Amos Turner

Heavy Metal, Solid State

Genus Aix - Quicksilver Tooth

Ikävä Pii - Turbolento

Listen to "Ziplock Weaponry" by NIQH taken from "Familiar Rift" out digitally and on limited compact disc via Plasma Sources on 29th September

Bandcamp: https://plasmasources.bandcamp.com/album/familiar-rift

Following on from J-Shadow and Hypna’s A2I, Plasma Sources offers up Familiar Rift, the debut EP from NIQH (pronounced ‘NEE-KEEH’). Weaving together grains of garage, ambient and club, the release places a heavy emphasis on sound design like its predecessor to create an immersive world-building experience. 

The EP is a sharp juxtaposition to the label debut - where A2I was dark and heavy, Familiar Rift feels light and skittering. What links these two releases together is an emphasis on sci-fi, world building and high-fideilty, laser sharp sonics. Through these shared aesthetics, Plasma Sources intends to fully cement itself as an imprint which will not simply be tied to one sound or genre. 

NIQH’s process is determined by chaotic serendipity - Familiar Rift was fashioned into shape from a colliding together of captured sounds and experiences, before being assembled into new, mutated forms. Heavily inspired by the work of Moebius and the visual style present in Aeon Flux and many 80s/90s anime, the body of work here represents a dynamic, ever-shifting environment of sonic contortion. 

Despite the chaos at play, the release still feels focused to NIQH. “I finally feel like I’ve got to a point with my music making where ideas feel aligned, concentrated, focused, in a way they didn’t before. Each of the tracks here fuses the chaotic serendipity I love with the notion of keeping the core musical ideas and patterns simple. I’m trying to marry these two pretty disparate notions into a concentrated, highly detailed style of music-making which feels more like a flowing environment than a series of musical actions.” 

Links:
NIQH
https://soundcloud.com/niqhniqhniqh
https://www.instagram.com/niqhniqhniqh
Plasma Sources
https://soundcloud.com/plasmasourcesmusic
https://plasmasources.bandcamp.com
https://www.instagram.com/plasma__sources

Familiar Rift

bandcamp

[Premiere] NIQH - Ziplock Weaponry (Plasma Sources)

I’ve made a track and AGENDA⋮ has made a song out of it.

“Paradigms” out in 3 versions.

Ikävä Pii - Paradigms -++
Ikävä Pii - Paradigms --
AGENDA⋮ - Paradigms +-

A fancy press release text here. A big concept. The usual tags, buzzwords, adjectives. Post-facto meaning, retroactive motives. Tropes for easy consumption, categories for easy detection. Some big DJ played it out! It's forward-thinking - yet the usual.
Or, left turns, fuckups, new experiments, old loves.
Lyrics, words, good ideas, desires, tea, fears, memes, questions, wrong answers, bad ideas.
No interesting sound was ever made by playing it safe.
Have fun you coward :)

҉p҉҉a҉҉r҉҉a҉҉d҉҉i҉҉g҉҉m҉҉s҉ ҉l҉҉o҉҉r҉҉e҉҉c҉҉o҉҉r҉҉e҉ ҉d҉҉e҉҉e҉҉p҉҉f҉҉a҉҉k҉҉e҉҉s҉ ҉s҉҉t҉҉e҉҉r҉҉e҉҉o҉҉t҉҉y҉҉p҉҉e҉҉s҉ ҉c҉҉l҉҉i҉҉c҉҉h҉҉e҉҉s҉ ҉c҉҉o҉҉s҉҉p҉҉l҉҉a҉҉y҉҉s҉ ҉d҉҉r҉҉a҉҉w҉ ҉t҉҉h҉҉e҉ ҉l҉҉i҉҉n҉҉e҉ ҉f҉҉u҉҉c҉҉k҉ ҉u҉҉p҉ ҉b҉҉u҉҉t҉ ҉w҉҉i҉҉t҉҉h҉ ҉g҉҉r҉҉a҉҉c҉҉e҉

Ikävä Pii - Paradigms --

From 'Escape From the Club', out October 18th on All Centre

YOU'RE BUYING: https://alecpace.bandcamp.com/album/escape-from-the-club

@alecpace 🍾
@all-centre-504822953 🥃

I'm so proud of you. Mouthbreather. Blotchy skin. Poor coordination. Marsupial-level intellect. Slow walker on the wrong side of the airport walkways. Seweresque reek. Dull eyes, too-long tongue, club-footed bone spurs. So, so, stupid. But you've listened to Alec Pace's 'False Claims'. You've liked, engaged, shared, reposted, evangelised yourself raw. It's out on All Centre. I'm proud of you.

you're buying

Alec Pace - False Claims [MK PREMIERE]

The final katharsis release of 2024 is the 26-track compilation “Physical Force” featuring a wide range of affiliated artists from both the international and local Copenhagen electronic music scene. As the title hints, Physical Force delves into the visceral, bodily aspects of music, inviting its contributors to explore the theme of movement as a central element in their compositions. Each artist was encouraged to focus on rhythm, groove, energy, and the physicality of sound, which resulted in drum-heavy release from start to finish. While there is a consistent emphasis on rhythm and a bodily connection to the music, the tracks vary widely in style and sonic texture, ranging from big melodic anthems, gritty experimental techno, heavy jungle bangers, and beyond.

released December 23, 2024

mastering by jjjacob
artwork by jjjacob

Lefka - Mitsubishi Mistupisci

@mossambi

Mossambi starts 2025 with a bang, delivering four new tracks on Time To Quit Music. On his third EP on the label, Mossambi delivers his most melodic work yet, infusing complex dancefloor compositions with abstract, autotuned vocals and lively hyperpop-inspired synth lines.

TiSAM introduces the record with stuttering vocals and shimmering pads before propelling into a sub-driven groove adorned with playful percussion and angelic chords. Syncopated bass hits and percussion build intensity throughout before the track ends in blissful ambience.

Time To Quit Music sees abstract sound design manipulated over sub-driven percussion. Sounds whirr and transform across the frequency spectrum, whilst an addictive vocal hook lifts the track up to ethereal heights.

LLPS opens with whiplash-inducing percussive patterns accentuated by crashing cymbals. An earworm synth line morphs its way through the arrangement, with a compelling vocal sample rising and falling as the track progresses.

HDT closes the record with a stirring chord progression, interspersed by alien vocals and manipulated camera clicks. Whilst rooted in the dancefloor, the track twists and transforms in unexpected directions, locking into a firm, stepping groove before rushing forward with precision-chopped breaks.

Mossambi - TiSAM

heavily inspired by phiso - aquatic just made this for fun :)

precession.

Out now on Crosstown Rebels: https://lnk.to/CRM240

On September 11th , Bristolian futurist Krust presents ‘Constructive Ambiguity’ – plus an exclusive B-side called 'Tree of Life', released via Crosstown Rebels. 
 
Both tracks on the single appear as if beamed-in from the edge of the universe, way beyond the precipice in a metaphysical netherworld.

With disregard for structure tropes, ‘Constructive Ambiguity’ is an engrossing and unpredictable speed through various atmospheres and environments that belies its 12-minute length. A careering space-shuttle-bassline bounces through an asteroid shower at high velocity, slowing at intervals when the cosmos becomes clear, before the next onslaught.
 
‘Tree Of Life’ harnesses the power of repetition with an incessant militant beat, which eventually leads into a formidably musical passage of dark, ominously beautiful cinematic ambience that evokes the profound unknown.

It’s clear this pre-eminent electronic icon who constantly and integrally blew minds throughout the 90s and 00s is on his best ever form, having explored radical new philosophical, mental and creative
processes to return revitalised.

Krust - Tree Of Life

Undesignated Proximate

Ninnyhammer

gig bookings and all other enquiries: sarah(AT)dgohn-music(DOT)com

I'm a music fanatic. Now on https://www.beatsense.com/ISS#/ until plug dj goes back or Queup opens :)

Ninnyhammer

dgoHn

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