I Mine Kåte Ungdomsdagar (In my reckless youthful days).
A traditional Norwegian folk song, here sung and played by Marianne Lihannah accompanied by nyckelharpa.
This song has been made famous by the 2 groups, Tiriltunga and Trio Medieval.
The story in this song is 'modern' for it's time where it was written and quite unusual compared to many folk songs.
The young woman, who is narrating about her life, has come to the conclusion that it is better NOT to marry, but instead just lie in your lover's arms, now and then.

I Mine Kåte Ungdomsdagar

I Mine Kåte Ungdomsdagar | Marianne Lihannah | Voice & Nyckelharpa

Street of Minarets

Flying Dervish Intro (“Omar Khayyam” Suite) [feat. Herbie Hancock & Nguyên Lê]

Electric Sufi

Mandakini

Bab'Aziz - Armand Amar, Nusrat Fateh Ali Khan & Nemes Levente Salar Aghili

This album is part of Lost Tribe Sound's 11 album series, 'Maps to Where the Poison Grows.' Subscribe to the series to receive a discounted price on the CD or digital version, here: https://lnk.to/poisonmaps

Texas-based experimental percussionist Lavatone makes a commanding entrance on the Lost Tribe Sound label, with the new double album, ‘Lunar Mining and Excavation’. LM&E embarks on a rare concept album from the artist. This is heavy, filthy, industrial workplace, Total Recall eyes-popping-out-of-your-head type stuff, only no air this time, Cohaagan. It’s the ugly side of Space Music… overworked machinery, duct taped space suits, turds hovering at low-gravity in the porta-johns, pounding, grinding, noise and catharsis. 

If all that comes across as hellish and unapproachable, rest assured Lavatone’s a master of low-frequency sound and polyrhythms. While the label first discovered his impressive back-catalog in 2021, Drew Holder, the guy behind the alias, has been making his special breed of drone and thump music since the mid 90’s. While his mechanized approach takes on structural similarities to that of electronic music, Holder doesn’t even own a synth, and the percussive elements are all created by hand before being fed into a machine for further manipulation. This lends a deep, tactile richness to the music. This electroacoustic effect was well apparent in works like 2021 ‘Elevator,’ where these steady, brutish rhythms were aided by a multitude of strangely exotic offshoots, as they tunneled their way through a steely latticework of controlled noise.

Lunar Mining and Excavation

Fire Light Star Man

Lavatone - Fire Light Star Man (From Lunar Mining and Excavation - Maps Series)

original music, Native American style flutes, piano

Deep in the Forest a Voice Calls Me Into Song

"When tragedy strikes our lives, time doesn’t heal wounds. Words of condolence are not enough to alleviate the painful heart, but once we start surrendering our wounded hearts to the magical beauty of music, we may just be able to find solace from within…" excerpt from SOLACE album notes.

Structured around 5 stages of grieving (Denial, Depression, Anger, Bargaining, Acceptance), SOLACE is a personal musical healing project I created to pay tribute to my father, who's life was taken away in a senseless gun violence on the south side of Chicago.  SOLACE stays close to my heart as I process and bring powerful closure to the past 25 years of silently grieving. I share SOLACE with millions of others suffering silently due to such unfortunate events. May the power of music bring us comfort and healing and enable us to seek compassion, forgiveness, appreciation and love for one another. Let's spread MUSIC and LOVE, not bullets and hatred, and make this world a better place. May God bless us all. Thank you!

Read More of SOLACE album notes on ISSUE: https://issuu.com/musicasolis/docs/solace_by_seunghee_lee_cd_booklet/1


Solace

SOLACE

Caccini/Vavilov: Ave Maria

Live at Radio Espace 2
Intro + Enfin
Nyna Loren : violon, guitare, voice
Dorian Fretto: vibraphone
Max Dazas : lapsteel, kaoss pad
Aurélien Ferrette : Cello
Samy Dib : guitare

Flying Dervish Intro (“Omar Khayyam” Suite) [feat. Herbie Hancock & Nguyên Lê]

Dhafer Youssef

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