Name: Eyes Wide Open Eastern Mix by DheeraJ
Duration: 4 min 50 s
Description: This is the remix of the song by Jenny Elektrik, which I did for Indaba music competition...

This is the remix of the song by Jenny Elektrik, which I did for Indaba music competition...

Eyes Wide Open Eastern Mix

[✖‿✖] Free Download: https://www.hive.co/l/25yc  [✖‿✖]

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Free Download

WaVeZ (Original Mix)

So stoked to finally announce our new summer track is out!
Bombs Away - Sneak Out - Listen to the full version here: http://umusi.cc/SneakOut 

FULL LENGTH DOWNLOAD

Bombs Away - Sneak Out (preview)

Here is an acoustic version of Scared To Be Lonely with the amazing Dua Lipa - you can listen on Spotify and Apple Music - or watch me play guitar in the video below.

ACOUSTIC VIDEO - http://stmpd.co/STBLACv 
SPOTIFY - http://stmpd.co/STBLACs 
ITUNES - http://stmpd.co/STBLACi 
--

Follow Martijn ||
Facebook: facebook.com/martingarrix
Instagram: instagram.com/martingarrix
Twitter: twitter.com/martingarrix
YouTube: youtube.com/martingarrix
Snapchat: @martingarrix

Follow Dua Lipa ||
Facebook: www.facebook.com/dualipaofficial
Instagram: www.instagram.com/dualipa
Twitter: twitter.com/dualipa
YouTube: youtube.com/dualipa

Follow STMPD RCRDS || 
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Soundcloud: @stmpdrcrds

Scared To Be Lonely (Acoustic)

STREAM HERE

Martin Garrix & Dua Lipa - Scared To Be Lonely (Acoustic)

From the album The Kid out October 6, 2017 on Western Vinyl

Pre-Order The Kid
BLEEP https://bleep.com/release/86790-kaitlyn-aurelia-smith-the-kid
Norman Records https://www.normanrecords.com/records/166212
Bandcamp https://kaitlynaureliasmith.bandcamp.com/album/the-kid
iTunes hyperurl.co/8n4qa5
WV http://westernvinyl.com/shop/wv170

In 2017, the musical term “electronic” is nearly obsolete given the ubiquity of computerized processes in producing music.  Even so, the prevailing assumption is that musicians working under this broad umbrella must be inspired by concepts equally as electrified as their equipment.  Kaitlyn Aurelia Smith has demonstrated in her still-blooming discography that this notion couldn’t be further from the truth, and that more often than not, rich worlds of synthesized sound are born from deep reverence of the natural world.  Smith (who by no coincidence, cites naturalist David Attenborough as a contemporary muse) has embodied such an appreciation on The Kid in as direct and sincere a way as possible by sonically charting the phases of life itself.  The album, which punctually follows up her 2016 breakthrough EARS, chronicles four defining cognitive and emotional stages of the human lifespan across four sides of a double LP.

The first side takes us through the confused astonishment of a newborn, unaware of itself, existing in an unwitting nirvana.  Smith’s music has always woven a youthful thread befitting of the aforementioned subject. Here she articulates it in signature fashion on the track “An Intention,” which serves not only as a soaring spire on The Kid, but on her entire output.  There is playfulness here, but it's elevated by an undertone of gravity into something compelling and majestic that is fast becoming Smith’s watermark.  The emotional focus of side two is the vital but underreported moment in early youth when we cross the threshold into self awareness.  The subject is profound enough to fill an entire album, but rarely makes its way into a single track, indicating Smith’s ambition to broach subtler and deeper subjects than the average composer.  This side offers up another highlight in the form of “In The World But Not Of The World” which serves its subject well with epiphanic, climbing strings and decidedly noisy textures over a near-Bollywood low end pulse.

Side three emphasizes a feeling of being confirmed enough in one’s own identity to begin giving back to the formative forces of one’s upbringing, which is arguably the duty that all great artists aim to fulfill.  This side ends with the exploratory album cut “Who I Am & Why I Am Where I Am” recorded in a single take without overdubs on the rare EMS Synthi 100 synthesizer. This humble piece of sound design serves as a contrast to side four’s verdant orchestral moments, all written and arranged for the EU-based Stargaze quartet by Smith herself.  This final side represents a return to pure being, the kind of wisdom and peace that eludes most of us until the autumn of life.  On “To Feel Your Best” this concept is voiced in the bittersweet refrain “one day I’ll wake up and you won’t be there” which Smith intended to be a grateful acknowledgement of life rather than a melancholy resentment of loss. The song has both effects depending on the mood of the listener, and both interpretations are equally moving.

Kaitlyn Aurelia Smith belongs to an ilk of modern musicians who are defined by their commitment to creating experiential albums despite the singles-oriented habits of modern listeners, and here she represents her kind proudly.  The subjects on The Kid are not simple to convey, and yet through both emotional tone and lyrical content, Smith does just that. There is a similar gravity to both birth and death, and rarely is that correlation as accurately and enthusiastically mapped as it is here.  As Kaitlyn Aurelia Smith explores her existence through music, she guides us in gleefully contemplating our own.

Kaitlyn Aurelia Smith - "An Intention"

This video is a personal project (fan film) created by myself and my FX-guru brother Isaac Botkin. He planned and crafted all the visuals in Lightwave 3D, and I composed the original score. The goal was to come up with an original melody, but keep it very much within the style and flavor of John William's iconic Star Wars scores. 

This piece was created with 100% virtual instruments, featuring the following libraries:

Berlin Brass (Orchestral Tools)
Berlin Woodwinds (Orchestral Tools)
Berlin Woodwinds Expansion B - Soloists (Orchestral Tools)
Berlin Strings (Orchestral Tools)
Berlin Percussion (Orchestral Tools)
Metropolis Ark 1 (Orchestral Tools)
Metropolis Ark 2 (Orchestral Tools)
Soaring Strings (Musical Sampling)
Adventure Strings (Musical Sampling)
CinePerc Core (CineSamples)
Skaila Kanga - Harp Redux (Spitfire Audio)
(a couple misc perc FX from various libraries)

My website: www.benbotkin.com
Isaac's Website: www.isaacbotkin.com

Approaching Darkness (Death Star Construction Timelapse Score)

More about KORG Collection at: www.korg.com/korg_collection/

KORG Collection - WAVESTATION Preview 2017

More about KORG Collection at: www.korg.com/korg_collection/

Music by Akira Murata
facebook.com/akira.murata.1972

KORG Collection - M1 Preview 2017

c'c music inc
MBM RECORD'S
JDFAMILY IN THE BUILDING'S
BLACK STAR RECORD'S
MICROFONO DE ORO STUDIO'S

Eyes Wide Open Eastern Mix

DheeraJ

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