Name: мин супералиса by evgeniy otchenashenko
Duration: 3 min 42 s
Description: SuperAlisa is an art grad student’s dream come true. Hailing from Tatarstan in central Russia, she incorporates traditional Tatar folk melodies with old-school electro beats, adding a blend of Tatar- and Russian-language lyrics to the mix.

soze & prasdov — кипятком, румянится

SuperAlisa is an art grad student’s dream come true. Hailing from Tatarstan in central Russia, she incorporates traditional Tatar folk melodies with old-school electro beats, adding a blend of Tatar- and Russian-language lyrics to the mix.

Tatarstan super good

мин супералиса

v tishine (в тишине) - kedr livanskiy.

Find Ⓜe

Брудне дно майбутнього 

Я тону, задушуюсь
В болоті буття  
Я і ти Допливемо до самого дна
Дно нам посміхнеться
А ми йому на 
Дно нам посміхнеться
Ми по їбалу на!

Ой брудне ти дно 
І я брудні 
Маріться мені
Що я тону лайні

Dirty bottom of the future

I'm drowning, suffocating
In the swamp of being
You and I will swim to the very bottom
The swamp bottom will smile at us
but we will...
The swamp bottom will smile at us
but we will punch its fucking face

Oh, you dirty bottom
And I'm dirty too
It seems to me
That I'm drowning in shit

THE DIRTY BOTTOM OF THE FUTURE / БРУДНЕ ДНО МАЙБУТНЬОГО

Sentimental podcast prt.2

Our third mix is coming from the Leipzig-based artist ?¿ who had her first encounters with electronic music during her young adventures through the underground nightlife of Minsk city. Not only had music taste been sharpened during those long nights, but the rebellious spirit of the one from the forever-undercover community had been once and forever awake. And now it has enough for you to say.

Lisa is taking us on an audio trip through radical emotions, nostalgia, and excessive attitudes, playing with breakcore, IDM, and experimental sounds all over the place. Let this sonic adventure take you to inner conflicts, to accept and embrace them fully.
—
Наш трэці мікс - ад лейпцыгскай мастачкі ?¿, якая ўпершыню пазнаёмілася з электроннай музыкай у час сваіх юных прыгод у начным андэграўндзе Мінска. У тыя доўгія ночы не толькі адточваўся яе густ, але раз і назаўсёды прачнуўся бунтарскі дух вечна утоенай суполкі.                                        

Ліза адпраўляе нас у музычнае падарожжа праз радыкальныя эмоцыі, настальгію і нястрымныю энергію, іграя з брэйккорам, IDM ды эксперыментальнымі саўндамі. Дазвольце гэтаму гучанню перанесці вас да самых глыбіняў вашага я, дацягнуцца да прымання і цалкам растварыцца ў ім.
–
MAF MIX is our new project with our Luhansk-born friend Kyrylo B, also known as Chris Gottschalk - DJ and promoter, co-founder of UM LAUT event series in Leipzig.
It is a series of curated podcasts aiming to fight the underrepresentation of diverse artists from Eastern Europe sharing anti-imperialist values and facing modern challenges not on the dancefloor only.

Enjoy!

Do not hesitate to follow artists and us on social media:

?¿: instagram.com/lizabeth154
SOUNDCLOUD: @lizanelizalizanetneliza

MAF CREW: instagram.com/maf.crew
KYRYLO B: @kyrylo_b

Tracklist:

1. Rắn Cạp Đuôi Collective - What Cherubs
2. Exmantera - Nerve
3. tropical interface - elements (Daniel Ruane 'biotic' recycle)
4.szodomi - o==}{_)
5. cybiko2000 - Lie
6. Sorcery - Mirrors of Perception
7. aDeAD - Amen Taiko
8. ESTHER - Carbon
9. NEIDA - Bull
10. Dj Würm - Forlorn Gang Pt1
11. DIGESTIVO - Experimento
12. Omut - Шэры гусi
13. Exploited Body - Collapsar
14. Avbvrn - Mote
15. TOGO - URTICA
16. Young Muscle - Bad Spirits
17. DJ Bazootka & Ryacet - Your Ticket Got Expired
18. Raja Kirik - ACT III. Perangan
19. Le Dom - Hanma
20. JATU - Castillos Oscuros
21. Angel EX - Cause i love you
22. BAD SLIME - AUTOMATION
23. Slikback;Osheyack - ONJA
24. tropical interface - extract (Hypna recycle)
25. Design Default - A.S.K
26. Amor Satyr & Same O - Braba
27. Ryacet - PAPI U BITE HARD
28. Cuban Chamber Of Commerce - Goofing Off

MAF MIX #3|?¿

Passed by

I Regret Everything I Have Ever Done Online

Oleksii Podat - 1000 Friends Blues

Now available for pre-order: Svitlana Nianio & Oleksandr Yurchenko's 'Znayesh Yak? Rozkazhy' ('Know How? Tell Me'). Recorded in an abandoned park in Kiev in 1995, this is the first official release of 'Znayesh Yak? Rozkazhy' outside of the duo's native Ukraine, and is presented in conjunction with Glasgow's Night School Records. 

Pre-order the 12" vinyl edition here: https://tinyurl.com/vw3lgpe

Digital only here: https://tinyurl.com/rzk2ehc

All orders will ship after 21.02.2020.

Svitlana Nianio and Oleksandr Yurchenko are musicians with a long history in the still-mysterious Kiev Underground. Nianio’s first group Cukor Bela Smert [Sugar, The White Death] were active from the late 80’s through to the early 90’s, and following an intense period of touring, collaboration, experimentation and a string of mixtapes and self-published recordings, Nianio’s first official solo album ‘Kytytsi’ was released in 1999 by Poland’s Koka Records. Oleksandr Yurchenko, a longtime collaborator and a pivotal figure in the Kiev music scene, was instrumental in creating the Novaya Scena, a loose conglomerate of artists who encouraged each other to excavate both the sounds of the West and Ukrainian tradition. ‘Znayesh Yak? Rozkazhy’ (‘Know How? Tell Me’) is the duo’s most fully realised collaboration, an enchanting, complete world in which Yurchenko’s instrumentation and playfulness with form frames Nianio’s otherworldly soprano, recalling Liz Fraser steeped in contrapuntal melody and hymnal improvisation. Originally made available on a self-released cassette in 1996 (re-issued in 2017 by Ukraine’s Delta Shock label) where the album was twinned with ‘Lisova Kolekciya’ (re-issued on LP in 2017 by Skire) this is the debut release of ‘Znayesh Yak? Rozkazhy’ outside of Ukraine.

Recorded in an abandoned park in Kiev during a fertile period for artists and musicians following the collapse of the Soviet Union, ‘Znayesh Yak? Rozkazhy’ sees Nianio and Yurchenko combine Casio keyboard, hammered dulcimer, percussion, and Nianio’s unmistakeable soprano vocalisations to create music sympathetic to the specific locations in which they chose to record. Yurchenko’s contribution is perhaps more present on this recording than anything else we have heard from the duo. His percussive dulcimer playing provides the basis on which Nianio can weave delicate keyboard lines while playfully contorting her voice, shifting from a low register reminiscent of Nico to what could be perceived as the call of a bird or an animal in distress. Whatever the intent, the effect is haunting and beautiful in equal measure.

There’s a prevailing earthiness on the recordings, found in the warm hiss of the lo-fi means of recording or the grinding, unspecified sounds that occasionally accompany the melody, like drones created on the fly by hands trying to keep warm in the ice. A prevailing mood of fragility and beauty seeps from these melodies, delicate moments of clarity spun by the two musicians. ‘Znayesh Yak? Rozkazhy’ is a dream spun in twilight, a crystalline, private world where the listener feels both alien and welcome. 

Recorded in Kiev, Ukraine, May 1995
Produced by Svitlana Nianio & Oleksandr Yurchenko
Mastered by John Hannon, 2018

Artwork by Svitlana Nianio
Design by Tom James Scott

мин супералиса

evgeniy otchenashenko

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