Ghostly: Productivity

DL / TEE:
https://johntgast.bandcamp.com/album/deceptive-shatter

DECEPTIVE / SHATTER

5GT022 ~ JOHN T. GAST, GOSSIWOR 2 ~ 220611-005 SHATTER

Lillerne for @postdiscos Geografía Nacional on Radio Nopal CDMX

Geografía Nacional #017 // Lillerne Tapes 29.12.22

Cleanroom beats

http://www.instagram.com/_____gank

Gank @ The Lot Radio 03-01-2024

Macro

Breathe

Music for Peace and Harmony

Everything Is Going To Make Sense In The End

Atlas of Green

Born Through

Adult Swim and Ghostly International present Ghostly Swim 2, CD version out April 28, 2015.

CD/Digital and exclusive tee available at The Ghostly Store: www.theghostlystore.com/collections/ghostly-swim-2

Ghostly Swim 2

Acemo - Futurism

Taken from 'Yu Su - Avanvera' (MFMDIGI002)
Buy Digital: https://music-from-memory.bandcamp.com/
© 2024 Music From Memory

Avanvera

Yu Su - Avanvera

Export Day

Pose Beams

Pose Beams (Gold Panda Remix)

gi - Thought Makes Music

01. 21, 22, 23
02. fold
03. laces
04. knots
05. morning
06. coil
07. feedback
08. rapture (with Marcus Whale)

Digital + Vinyl 12”
@gistrung

Absorb is proud to present ‘Thought Makes Music’, the highly anticipated long-player by gi, solo moniker of unbridled musician, performer, and lyricist Gigi De Lacy (Optic Nerve).

'Thought Makes Music' is gi’s farthest-reaching work, a conclusive vision that follows a succession of revered sketches and short-form releases on labels such as Altered States Tapes (AUS) and Beyond the Bridge (ROK). So far her work sits on the outer limits of what can be considered “dance music”, and at full-length, its singular and immersive quality is glaring. Here, gi’s familiar spacious sound design and metallic IDM percussion is refined by an intertidal palette and restrained songwriting parameters. Given a larger canvas, gi works with increasingly blurred, distorted and feedbacking sounds, enclosed by asynchronous rhythms, bent and then snapped back into grid; the album reveals its musicality in moments of overlap, where everything happens at once.

Across eight tracks, listeners find electronic music that is less concerned with narrative so much as with landscape. gi habitually uses a set of recurring samples, melodies and drums to create the murky atmosphere that permeates the record. Instances of repetition, like a re-used drum break across 'laces', 'coil' & 'rapture' reveal a practice that is constantly rearranging itself via generative drum programming and resampled modulation. This impulse for repetition snowballs into a prominent exploration into feedback on this release. From the warping harmonies on 'feedback'; screeching textures on 'rapture'; and the metronomic jolts of frequency on 'morning' and 'knots', we hear gi’s fascination with “failed” methods of capture, nodding to her history with DIY, punk and hardcore scenes in so-called Australia. Exploring “blown out” re-recorded musical qualities for the first time under the gi alias, we find overtures of amplified noise bleed into otherwise crisp arrangements.

Allowing discreet reference-points to blur, new tonal profiles and distorted intensities arise for gi. 'Thought Makes Music' draws connections with the world around it, following rolling moments of feeling. gi presents her debut confidently, but the sound remains curious, playful & protective of itself; it answers no questions.

Written by Gigi De Lacy
on Wangal and Gadigal land

Mastered by Rashad Becker
Artwork by Clara Joyce
Inner Artwork by Mackenzie Benato
Layout by J Amelie Cantrell

Thank you to Kavil, Marcus Whale, Kenzie, and to everyone who the music comes from.

08. Rapture (with Marcus Whale)

Sonic narrative meant to weave together the fragments of « L’anabase » a photography-related research around exile. Rooted in the idea of plural narration, L’anabase is a story meant to be told by each one of its characters. Episode 4 (٠٤) is a special guest mix by another of them, Ibrahim Owais. Ibrahim has been a central character in the story of L’anabase. With this mix, Ibrahim tells a fragment of the story in his own words, from his own viewpoint. Recorded at the Wonder Cabinet in Bethlehem, Palestine, his mix acts as a correspondance or letter exchange. The mix is an attempt to create a narrative through sound, exploring a journey through our current times. Death and resurrection, war and resistance, love, and human connections, are the sounds he recalled in his interactions with L&amp#39;anabase, over the past few months. 


L'anabase ٠٤ w/ Ibrahim Owais w/ Glisten w/ Ibrahim Owais (12/09/24)

RECOMP:OST with E3P + ealing - 12/09/2024

track 4/8 from Head in the Clouds

it supports me a lot if you follow me here and there :)

www.notimefortapes.com

thanks so much for listening!

credits for the cover art go to my lovely wife!

Head in the Clouds

Oak Tree

Bandcamp

look after number one

New Linear Music
Code SACEM :111604622967

Born Through

Dialect

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