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Constructs of Still (feat. KMRU)

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Radiant Futur – Hypersensitive

Artist: Radiant Futur @radiantfutur
Title: Hypersensitive
Format: C35 cassette, DL
Catalog: Muscut 25C
Release date: October 14, 2022
File under: Electronica, Ambient, New Age

Tracklist
A1 Journey In The Deepest Of The Eyes
A2 Unspoken Loneliness
A3 Etiam Transeat
A4 Life Amplifier’s Modulation 
B1 Pipe Dreams
B2 Hypersensitive
B3 When I Touched The Sky
B4 Transistor Love
B5 Forgiveness

Mastering by Gennadiy Boychenko
Artwork by ai.vava
Riso print by Hands on press
Muscut, 2022

Hypersensitive

Pre-order

Radiant Futur - Journey In The Deepest Of The Eyes (Muscut 25C, Cass, 2022)

Advanced Myth

Hung Rose

A song is a hype new drop every time you sing it. There’s no expiry date on a song, you just need to keep singing. I sang these songs over and over again this past year when I needed words that weren’t my own. 

Every song I write is the sum of every song I’ve ever heard. This album appropriates and shines new lights on songs that mean heaps to me. 

The local woman universe exists between synth, decks, ableton, bass, and voice. It’s informed by a constant conversation I have as a working DJ, with the places I play and the people I play for. Thanks to everyone who has ever come out and heard me play, you are in this too.

Hater & Hey You!

Still My World

The Crescents

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If you are a rights holder and wish to have this content removed, please contact me and I will take it down immediately.

—
Track Title: Acid / Answered Prayer
Artist: Flora Yin Wong
Duration: 7:02
Release Date: February 2, 2023
Label: Doyenne (UK)
Release: Part of D‑01 (Split EP with Susu Laroche)
Official Release Page: https://doyenne-books.bandcamp.com/album/d-01-susu-laroche-flora-yin-wong

Rights: All rights reserved

Flora Yin Wong - D-01- Susu Laroche - Flora Yin Wong - 03 Acid - Answered Prayer

Gravity

HTRK is an Australian duo of Jonnine Standish and Nigel Yang. @htrk
Artwork: Renee Jaeger

••• yourcomicbookfantasy.com/ •••

Tracklist:
Loraine James - Lonesome
K-Lone - In the Pines
Nelson Angelo - Harmonia de Agua
Autechre - krib
Dean Blunt - Benidorm 5
CS + Kreme - Time is a Bozo
Dale Cornish - Somewhere Better
My Bloody Valentine - Lose My Breath

ÂUGHT mix - HTRK [Jonnine]

'Blues Alif Lam Mim' is available at https://blankforms.org/publication/chorassan-time-court-mirage-blues-alif-lam-mim-2xlp/

Having already unearthed three collections of archival ‘70s recordings by Catherine Christer Hennix, Blank Forms continues our annual illumination of the visionary Swedish composer’s music by turning to more recent work with this first-time vinyl edition of Hennix’s “Blues Alif Lam Mim in the Mode of Rag Infinity/Rag Cosmosis,” a 2014 piece first released as a CD in 2016.

The double album captures the April 22, 2014 premiere of Hennix's composition by the Chora(s)san Time-Court Mirage, her expanded just intonation ensemble, featuring a brass section of Amir ElSaffar, Paul Schwingenschlögl, Hilary Jeffery, Elena Kakaliagou, and Robin Hayward; live electronics by Stefan Tiedje and Marcus Pal; and voice by Amirtha Kidambi, Imam Ahmet Muhsin Tüzer, and Hennix herself. Intended to reveal the blues’ origins in the eastern musical traditions of raga and makam, “Blues Alif Lam Mim in the Mode of Rag Infinity/Rag Cosmosis” has its roots in Hennix’s 2013 realization of an “Illuminatory Sound Environment,” a concept developed in 1978 by anti-artist Henry Flynt on the basis of Hennix’s own “The Electric Harpsichord.”

As Hennix explains in Other Matters, Blank Forms’ 2019 collection of her writings:

“Rag Infinity/Rag Cosmosis presents fragments of 'raga-like’ frequency constellations following distinct cycles and permuting their order, creating a simultaneity of ‘multi-universes.’ When two such ‘universes’ come in proximity of each other and begin unfolding simultaneously along distinct cycles, there is a kaleidoscopic exfoliation of frequencies as one universe is becoming two, but not separated—the effect of cosmosis is entrained, binding two or more frequency universes into proximity where their modal properties interact and blend, creating in the process entirely new microtonal constellations in an omnidirectional simultaneous cosmic order with phenomenologically ‘transfinite’ Poincaré cycles (cyclic returns to initial conditions).”

As with Hennix’s best work, the organic unfolding of this quivering drone belies a precision that opens onto the infinitesimal. Upon its mesmerizing ebb and flow, the vocalists incant a devotional poem written in Arabic by Hennix and featuring quotations from the Quran. Also reproduced on the album’s gatefold jacket, Hennix’s reduction of the sacred text to its most elegant formulation invites the contemplator to bring their inner knowledge to the composition for use as a prompt for meditation. Yet the piece offers depth to even the most secular listener willing to immerse themselves in music brimming with such serene intensity.

Hung Rose

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