CRAZY TUNE!!! CAN YOU DANCE ON THE FLOOR?? AUWWW

First live session I made with a lot of midi toys. Recorded in my studio with Ableton 9, Live NanoKontrol2, Xponent M-Audio and Axiom 49. You can hear some live touches by me which I think is much more ''Magical'' kind off than a prepared set with all kind of fixes. Some mistakes here and there make it really sound like music. In this session You will hear some released and a lot of unreleased(!!) stuff from me, lots of Digital Structures music and my favorite tunes for the moment. As usual - we start deep tech style and getting higher and higher. Have fun!

Tracklist:
1. N'to - The Sand Dealer (Original Mix)
2. Youri Donatz, Bjorn Wolf - The Indian (Original Mix)
3. Raffaele Rizzi - Step One (Original Mix)
4. Diamandy - Blame The Government (Original Mix)
5. Perfect Stranger & Gabi 2B - Pick & Roll (Original Mix)
6. Pleasurekraft, Jaceo, Vedic - 313 (Detroit Calling) (Original Mix)
7. Diamandy - Geometric (Original Mix) ((Unreleased))
8. Diamandy - TBA ((Unreleased))
9. Diamandy & Michael Tsukerman - Dysnomia (Original Mix) 
10. Diamandy - Belief System (Perfect Stranger Remix)
11. Diamandy & Kulten Yeuk - Human Puppets (Original Mix)
12. Luke Kosmas & Ruiz Sierra - Like This! (Diamandy Remix)

Structures Live Session #1

Bookings Sweden/Worldwide: 
djdiamandy@gmail.com
hybridxbooking@gmail.com
For General Inquiries:  djdiamandy@gmail.com
Diamandy's musical path has been one of academia, dedication, passion, and discipline. One of listening, preparation, and courage to explore.
His story begins as a humble disciple in the vast realm of music, acquiring a robust classical music education and then continuing his quest for knowledge in Israel as a teenager. There, he was exposed to a massive electronic music culture and became hooked on the profound philosophical dimensions it offers the mind.
This obsessive exploration led him to experiment and blend melodic, progressive, and minimalistic compositions together - leading to paving his identity within two genres that are symbolic of his music: Psychedelic techno/minimal house and progressive, melodic techno/house. Today, he is characterized by others as a pioneer and a mover within the Psychedelic tech and minimal sound space within Scandinavia - which has been his home for the last decade. Diamandy is humbled to have collaborated with those he has idolized. A stroke of dedication and good fortune led him to discover that one of his inspirations, Perfect Stranger (Yuli Fershtat) played his track in the USA, to which Diamandy rapidly expressed his gratitude. Yuli's response was 'Good track, bad sound, let's meet' encapsulated the essence of their relationship, recognizing a spark of genius while keeping it grounded in reality. It has become a lesson and value that Diamandy lives by - one of nurturing one's craft through consistent learning and pushing norms. 
Today, Diamandy can name-drop an impressive list of collaborations, labels, gigs, and achievements, but they have all come through his approach of study and respect for the craft. Collaborations with the likes of Stan Kolev, D-Nox & Beckers, James Monro, GMJ, and MVMB have led him to chart with almost every release, including Elegant Sadness EP incl. Stan Kolev remix reached number 1 in the Progressive House Beatport worldwide chart. He's played across the world at music hotspots in Israel, France, Mexico, Thailand, Spain, and Guatemala as well as being a regular player within the Scandic scene in Sweden, Norway, and Denmark. He's a welcomed guest in the houses of leading labels such as lboga Records, Alpaka Records, Digital Structures, Sprout Records, and Techgnosis Records. The list of achievements continues, but at the sentiment of it all, is Diamandy's dedication to meaningful narrative creation. His music is reflective of his approach and his process - thoughtful, intrinsic, and evolving. His dance floors hold deep pulses of energy, where people are given an opportunity to encounter their emotions in full vibrancy. Learning, pushing boundaries, and making people feel something is what Diamandy cares about. 'Music gives people the opportunity to experience their emotional range and allow it to be stretched. No matter if the feeling is ecstatic or melancholy, it's a moment to just simply ... feel. If my music awakens something in them - I'm happy.' Diamandy also possesses the emotional maturity to understand the context of his gigs. His dance floor, space, and audience need their own dedication to preparation- which Diamandy does meticulously.
So, underneath a glossy page of credentials, we have a dedicated lifelong music student, who has armed himself with knowledge, world travel, and respect, so that he can create and experiment with innovation - and ultimately showcase what it is to feel.

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