Introducing Dicepeople

Dicepeople Soundtrack Music

Dicepeople's last album End Of Line hinted at a new direction for the band, moving on from their electronica roots and into more defined dark electro territory. This transition is fully realised with One From Many, featuring visceral vocals front and centre for the first time within a powerful soundscape of heavy beats, distorted synths, distressed guitars, broken music boxes and ethereal strings. One From Many opens the box to a provocative and otherworldly place, immersing you in your fears and dreams, and exposing you to the darkness and light within.

One From Many

The last Dicepeople album One From Many (released July 2018) opened the box to a provocative and otherworldly sonic experience, exposing you to the darkness and light within. The new Destroyer EP, featuring four new original tracks, further distils the Dicepeople dark electro sound with their distinctive blend of EBM, industrial, post-punk and electro-goth. Destroyer takes you on an intense, disturbing journey through the twisted emotional minefield of relationships that turn to the dark side.

Destroyer

The Destroyer EP from Dicepeople was released on 17th January with four new original tracks which further distilled their distinctive blend of EBM, industrial, post-punk and electro-goth. Now they bring you the Destroyed EP, a companion release featuring six radical remixes, reworkings and reimaginings of the tracks on Destroyer - including remixes by MATT HART and Deflexity - which twist and warp the Dicepeople dark electro sound in powerfully compelling new ways. Destroyed takes you even further along the intense, disturbing journey through the dark side of relationships... and beyond.

Track 1 remixed by MATT HART.
Track 2 remixed by Deflexity.
Tracks 3 - 6 reworked and reassembled by Matt Brock.
All songs are reinterpretations of the original songs on the Destroyer EP (vocals by Zmora, and music and backing vocals by Matt Brock).
Mastered by Matt Brock at Studio 101.
Artwork by Zmora and Matt Brock with editing assistance from Darien Graham-Smith.

Destroyed

She Rides

She Rides (2022 Remaster)

Our cover of Willow's Song, from the 1973 film The Wicker Man.

Vocals: Zmora; musical arrangement and production: Matt Brock; song by Paul Giovanni ℗ 1973.

Willow's Song

Over two years in the making, End of Line is the third in a trilogy of studio albums from Dicepeople which have so far received great critical feedback: Time to Play was the explosive beginning of the journey; It Gets Darker carried us through themes relating to the dark side of humanity; and now End of Line explores endings and what lies beyond. 

Departing significantly from pure electronic music, End of Line has an organic, cinematic quality with euphoric sections, dramatic passages and disturbingly unhinged moments. This is an album which takes Dicepeople and its listeners in a strange, intense and ethereal direction unlike anything they've experienced before.

The End Of The Line

Singularity

The Doll House

Dissolution

Bruised

It Gets Darker is the second album from London-based electronica artist Dicepeople. The album is so named because it explores themes relating to the dark side of humanity, and it's had great initial feedback: 

'Dicepeople keeps a defined rhythm from start to end; an interplay of past, current and future machinery working in harmony.' - Igloo Magazine 

'Born out of a marriage between Giorgio Moroder and Portion Control ... for those who like to pick up headphones and dream away, this is it!' - Peek-A-Boo Magazine 

'A sound of august darkness.' - Free Lab Radio on Resonance FM

More

Dangerous Game

I'm a Machine

100 Suns

This four-track EP based around the dark synthpop single "Synthetic" expands our sound further, with a dynamic video to accompany the song, and remixes included by Ventenner and Little Death Machine.

Synthetic (Pneumatic Mix)

Synthetic (Little Death Machine Remix)

Synthetic (Ventenner Remix)

Synthetic

Time to Play is the first album from London-based audiovisual electronica group Dicepeople.

Time to Play

Ghost

Invaded is a varied and thrilling selection of remixes, reworkings and collaborations from London-based audiovisual electronica group Dicepeople. It contains three very different reinterpretations of Invader from Time to Play, the first Dicepeople album; it has five remixes of tracks from It Gets Darker, the second Dicepeople album; and one original collaboration.

Invaded

More (Dicepeople 'For Ever More' Reimagining)

This is a specially re-recorded version of the track "The End of the Line" from the Dicepeople album "End of Line" released July 2014. This 2017 version features Atashi Tada on vocals, with re-recorded and rearranged music and an improved mix.

The End Of The Line 2017

Released 31st July, the Strangelove single features Dicepeople's cover of the Depeche Mode song, originally released in 1987. The "Stripped Mix" on the B-side is a more raw, stripped-down remix of the song. Also includes sci-fi themed promotional video for the song Strangelove.

Strangelove

Strangelove (Stripped Mix)

Multiplicity

Collaboration EP with The Brooklyn Foundation featuring versions of the Fad Gadget cover "Love Parasite" and reworkings of Dicepeople track "Control" originally from the album "It Gets Darker".

Love Parasite / Control

Dicepeople featuring The Brooklyn Foundation - Control (Trump 45 Version)

Dicepeople Featuring The Brooklyn Foundation - Control (Dump The 45 Mix)

The Brooklyn Foundation - Love Parasite

The Brooklyn Foundation - Love Parasite (Dicepeople Vampire Stripper Re-Vox Remix)

Photo by Mark Smith. Dicepeople's last album End Of Line hinted at a new direction for the band, moving on from their electronica roots and into more defined dark electro territory. This transition is fully realised with One From Many, featuring visceral vocals front and centre for the first time within a powerful soundscape of heavy beats, distorted synths, distressed guitars, broken music boxes and ethereal strings. One From Many opens the box to a provocative and otherworldly place, immersing you in your fears and dreams, and exposing you to the darkness and light within.

Duality

Addiction

Nitro

Celestial

Gone

Void

An atmospheric and immersive ambient mix of instrumental versions of several Dicepeople tracks:

1. Void 
2. Death Drone 
3. It Gets Darker 
4. Oubliette 
5. The World I See 
6. Wormsign 
7. I'm A Machine 
8. Borderline 
9. Bruised

Instrumental versions of Dicepeople tracks - atmospheric ambient mix

Don't Save Me

Siren Song

Rollercoaster

Caged

Dream After Dream

Siren Song (Deflexity Remix)

Destroyer (MATT HART Remix)

Who Justifies (feat David M)

Dicepeople is a dark electro band from London consisting of Zmora (vocals) and Matt (music). Originally founded by Matt, with their first studio release in 2009, the band has been going strong since their first official live performances in 2013. Dicepeople’s music consists of intricate, immersive, modern electronic productions, uniquely and seamlessly blending a broad range of genres from industrial and EBM, through darkwave and post-punk, to synth-pop and electronica.

Dicepeople have an extensive back catalogue with great reviews and feedback, and they are known for their intense, atmospheric live performances which leave audiences mesmerised and spellbound.

Dicepeople were chosen by the fashion designer John Lawrence Sullivan to play at their 2020 men’s fashion show as part of London Fashion Week in 2019. They were put forward for the 2014 Glastonbury Emerging Talent Competition shortlist by judge and music journalist Mark Muldoon, who said “I’m nominating this dark electro-gothy outfit mainly for their full SoundCloud collection … there’s a remarkably high standard being maintained here”. Dicepeople have supported acclaimed artists such as Android Lust and Zanias at various venues including Electrowerkz and Islington Academy, as well as being on the bill for several festivals and a range of alternative nightclubs such as AntiChrist and Reptile.

Dicepeople

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