Name: D1DD ~~ Head Looper ~~ Les observateurs by D1DD
Duration: 12 min 4 s
Description: synthés

＊This work was made by overdubbing my guitar performance to Ray's work "Excuse Me".Thank you Ray for accepting my request.
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Ray ---- Excuse Me
https://soundcloud.com/in-the-mood-for-music/excuse-me
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＊Below is from Ray's original description.

ーーA slow and melancholic song, hope you like it.
https://www.youtube.com/watch?v=82n6jeKPRo0
Facts about this Track:
Idea, Arrangment, Audio-Editing and Midi-Programming, Guitar playing, Mixing and Mastering by Ray
Vocals: Audio-Samplesーー

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＊By the way, it's Ray, not me, who makes the chord backing that takes the rhythm with the wah pedal, the thick chord stroke with the flanger, and the pick scratch that rubs the wound strings with the pick.  Please listen to Ray's work and check it out.  From the beginning, Ray brought a sound that wasn't normally "suitable" for this piece.  The charm of this free and open work is exactly what Ray created.
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Over the last few months, we have been exposed to a lot of media coverage. A man who lived and worked with his family in Poland returned to his hometown of Lviv with his family. "I can't stand to see the destroyed city anymore. I want to regain the beautiful Ukraine," he said. "It's a beautiful country, Ukraine," said one woman proudly. She said, "It has been destroyed and polluted, but we will definitely regain beautiful Ukraine."

When the Ukrainian people talk about "Ukraine, a beautiful country", there is a vast sky and land. As I watch the news of the tragedy, I find that we are more encouraged by the strength of the people who are ready to rebuild the country.

Initially, I was planning to work on another work by Ray, but when I listened to this song again, I noticed that "the sky" appeared in the refrain part. I know the lyrics of this piece deal with a different theme, but as I hummed the refrain, I felt that it could be a "fighting song" for me to move forward with the Ukrainian people. .. The target of support is the Ukrainian people, and I myself. I secretly thought that I wanted to make it one of the "cheer songs" for everyone, who are struck by this unreasonable invasion. And I decided to put my guitar on this song.

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In addition, "Lillithe / Paploviante", including the sound source that Ray seems to have used in this work, should be called our great pioneer in that field as well. They have produced a huge collection of works using Vocals' Audio-Samples as the theme. At that time, I would like to note that they are experts who have mastered the source and lyrics of Samples by clearly stating them each time. The creators who inherit the method will be able to learn from the various usages of Samples to the usage rules by keeping in mind the reference of the works they have accumulated. It will be a great ally for each successor as they open up the future beyond SoundCloud.

Their enormous collection of works teaches us a lot. I would like to express my deep gratitude to them again for that. 

Lillithe https://soundcloud.com/lillithe
Paploviante https://soundcloud.com/paul-racle

Excuse Me

Ray - Excuse Me  ft.JUNZO on electric guitar

★Mrs Rhymes - Hideaway
https://soundcloud.com/mrsrhymes/hideaway

This piece is based on the original by Mrs Rhymes introduced above, with my guitar playing overdubbed.
A big thank you to Mrs Rhymes for agreeing to release this recording :)

Some time ago, I needed to do some thinking about my DTM system and was reviewing my music data.  At that time, I suddenly noticed this song by Mrs Rhymes.  About a year ago, I think.  I had a preliminary recording of my guitar to go along with this wonderful piece.  Remembering that, I played it back and listened.  I didn't like my guitar playing, even though it was just a temporary recording for notes.  I don't think the sounds and phrases I used at that time match the original song.  Compared to that, the original song is still great.  So I grabbed my guitar and started recording.  A few hours later, I was in the process of uploading my freshly finished work here.

The key of this song is C#, and I think that what we should be aware of as a performance style is "B♭m/C# pentatonic".
I do not mix tapping, sweeping, or other fancy playing techniques in my guitar playing with this outstanding piece. I tried to keep the accompaniment very simple. This excellent piece, which I picked up as an example this time, will be finished with two things in mind: "B♭m/C# pentatonic". However, in a blues scale song, one song uses four pentatonic forms. Therefore, first of all, I believe that it is very important to be aware of "two things" on a daily basis and to practice guitar playing repeatedly.

And before we understand it in words, what we value most is the encounter with works and artists that we can continue to enjoy playing along with our favorite music as many times as we want, even ten times if necessary. Right?

Mrs Rhymes' page is below.
https://soundcloud.com/mrsrhymes

02Mrs Rhymes - Hideaway ft.JUNZO on electric guitar

Mrs Rhymes - Hideaway ft.JUNZO on electric guitar

All Of A Sudden

I’m so happy to play Bass on this track with these guys 🤩🥳🙏

https://on.soundcloud.com/eNgbX6fxQaB5X8867

https://on.soundcloud.com/DE2gBJdBZbSE8MK59

Lunatics 83 Monday Feeling// L.Menta - Joerxworx- ©️osmic ®️atzzz

Head Looper ~~1001 ~~

Head Looper ~~ 1001 ~~

three of nine

D1DD ~~ Head Looper ~~ Les observateurs

&copy;Junzo KOWASHI
Chord(simple)
intro
G#  │Gsus4 G7 │Cm  │G7   │

(A)
Cm  │Fm    │Cm  │Cm    │
Fm   │Fm    │Cm  │Cm    │
G#   │Gsus4 G7 │Cm  │G7   │

Cm7  │Fm7    │Cm7  │Cm7  │
Fm7  │Fm7    │Cm7  │Cm7    │
G#  │Gsus4 G7 │Cm  │G7   │

(B)
D#7  │G#7    │D#7  │D#7  │
G#7    │G#7      │D#7  │D#7   │
G#    │Gsus4 G7 │Cm  │G7   │

(A)
Cm  │Fm    │Cm  │Cm    │
Fm   │Fm    │Cm  │Cm   │
G#   │Gsus4 G7 │Cm  │G7   │

(B)
D#7  │G#7    │D#7  │D#7   │
G#7  │G#7     │D#7 │ D#7   │
G#    │Gsus4 G7 │Cm  │G7   │

In The Rain (Etude for Minor Blues : Cm)

This work is also a collaboration with Marco Turrini following the previous work. We tried what happens if I play "MEMORIES OF THE PAST" which is one of Marco's masterpieces together with him.How I would add my interpretation to this work while making full use of Pink Floyd's flavor and Marco's honed sensibilities, that was my problem.A big fan of Pink Floyd can not defile the honor of Pink Floyd.  :)
I sincerely thank Marco Turrini again. Also, I would like to confess that I'd like to express my respects to the many musicians who gave me a lot of musical influences, involved in this work.
And thank you for listening to this work from the bottom of my heart.

The key:Gm , C

When I listened to the sound source of Marco's "MEMORIES OF THE PAST ... TRIBUTE", the first thing I came up with was  "Breathe" by Pink Floyd. It is one song in the album "THE DARK SIDE OF THE MOON". Then, on "Shine On You Crazy Diamond" (included in  "Wish You Were Here ")A famous performance came back in my mind. This may be better known.
Both are masterpieces. There are a lot of name performances left. I will introduce it below.
By listening to that songs again, why I remembered that songs, I could find something in common between them, and at the same time you will be noticing something completely different.
What Marco drew for this song is Marco's "Pink Floyd", not Pink Floyd itself. Indeed, I feel an exceptional talent to him. For example,I'd like you to check the chord progression of the second part of this song. Mr.Marco treats it so that it is not cleverly noticed immediately,You will notice that the essence of a famous song nicely included. There should be many people who understood by just listening.Therefore, the title of this song is "MEMORIES OF THE PAST ... TRIBUTE", I do not ask Marco, I imagine arbitrarily and enjoying it. :)

You can listen to the original sound at Marco's page.
https://soundcloud.com/marco-seekx/memories-of-the-past

Pink Floyd - Breathe(London Live 8 - 2005)
https://www.youtube.com/watch?v=0dYMQA5_KcA
Pink Floyd - Shine On You Crazy Diamond(Wish You Were Here)
https://www.youtube.com/watch?time_continue=349&v=54W8kktFE_o

MEMORIES OF THE PAST...TRIBUTE (with Marco Turrini Orch.)

Thanks from both of us 
Jazz & Blues Chart No.1
(2020.11.10---12.25)
https://soundcloud.com/discover/sets/charts-top:jazzblues:jp
＊Thanks to everyone, this work was able to maintain the number one position for a long period of one and a half months.  I would like to express our sincere gratitude to all of you for your great support.

——————————————
This recording is an overdubbing of my guitar on the work "SET ME FREE" of "Paploviante".
https://soundcloud.com/paul-racle/set-me-free-paploviante

One day, I suddenly start to think that this wonderful song is blues.  I checked the chord progression on the guitar.  I started to be confident that the blues three chords would be a perfect fit for this song.  After finding the three chords that fit this song, I checked the melody line.  I thought it would be good to grasp the vocal melody line in order to confirm the scale that fits this work.  I decided to record the process.  I want you to forgive me for this recording being pretty rough.  Because this recording is just a quick note for confirmation. 
I'm sure it will help you practice your guitar.  Those practicing guitar need to know that blue note chord progressions and scales are quite different from Western music.
Please take this opportunity to check the relationship between the blues chord progression and the blue note scale.

Three Codes
C7 F7 G7

Postscript.  (2020.12.24)
*To me, this song sounds like singing the following lyrics.  I applaud it.I'm hoping that if a lot of people like this appear, maybe this world will last a little longer, and maybe a little better.  

——————————————
1. He dressed me in exaggerated numbers and turned me into a shining girl.
 Even for a moment, it made me appear shining.
 But it was all a phantom.  No matter how big the numbers, I could never chart in.
The big numbers they put on me weren't the result of their promotional ability.  They were just forgery of numbers, they were just forgery.  They just wanted to make themselves look bigger to everyone.
 So, Set me free.

2. Their fake act was detected by everyone.  As a result, I also fell miserably.  
Those who were in a good mood had glory for a while, but now they have fallen to the ground, changing their names and hiding.  But I'm not like them.  
I'm already out of the forged world they created.  I don't need a fake number.  I'll start over.  At last that time came to me.
 What makes me different from them is that I love music.  So, Set me free. 

——————————————
**I always hope that the quality of music in SoundCloud will improve and that fair and creative relationships between users will be built and maintained.  And I pray for the further prosperity of SoundCloud.

***I would like to express my heartfelt gratitude to those who have long wished to solve this problem, and to the many people with great courage and intelligence.  And I give my respect to those people.  I've heard that the "they" who pointed out the problem repeated acts that were suspected of continuing to damage the SoundCloud system for a long time.  And it has long hindered the formation of a normal community by its users.  That alone is already a big criminal act, but it has left an endless number of problematic behaviors.  I don't think the agencies involved will easily forgive them.  If you're still unaware of the significance of that, but have enough musical knowledge and skills, you should at least suspect that you're in Stockholm Syndrome.   Others should think twice about the possibility that you assimilated with them and made some mistakes.  If you ever think you've violated a rule or committed a criminal offense, I suggest you hurry and start compensating for it the way you think it's appropriate.

Set Me Free - 💑💑💑 Paploviante And JUNZO

This recording is an overdubbing of my guitar on the work "Taking It Back feat. IPG" of "Paploviante".
https://soundcloud.com/paploviante-and-friends/taking-it-back-feat-ipg1

When I first heard this work on the "IPG1" page, I still didn't understand how wonderful it was. I realized that when I heard "Lillithe" make it into a work. I once again admired the musical talent of "Lillithe". I thought there was no room for me to get in there. But that wasn't the end of the story. This is because "Paploviante", a partner of "Lillithe", finished it in another work. The work was also a wonderful finish. As I listened to it many times, one day I suddenly began to wonder, "I think this is blues." I chose a blues three-code that matches the work of "Paploviante". I checked whether the scale derived from it fits the Vocal of "IPG1". It matched exactly. The three chords are introduced below, so if you are practicing playing the guitar, please play the guitar with our recording.Please take this opportunity to check the relationship between the blues chord progression and the blue note scale.

Three Codes
A7 D7 E7

Vocals and Verses: IPG1 - Ian Greaves
https://soundcloud.com/ipg1/taking-it-back-vocals-95-bpm
PAPLOVIANTE and FRIENDS --- Taking It Back feat. IPG1 
https://soundcloud.com/paploviante-and-friends/taking-it-back-feat-ipg1

Lillithe --- Taking It Back feat. IPG1
https://soundcloud.com/lillithe/taking-it-back-feat-ipg1
Various"Taking It Back"
https://soundcloud.com/ipg1/sets/taking-it-back

Taking It Back - IPG1 , Paploviante And JUNZO

Toulouse - France 
Programmations/Automations/Synthés/Ableton

D1DD Head Looper Les observateurs

D1DD

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