Name: Jamie Tiller – Oktoberakel at Robert Johnson, 20 October 2018 by Die Orakel
Duration: 1 h 55 min 2 s
Description: Listen to Jamie Tiller live recorded at the Oktoberakel clubnight at Robert Johnson in October 2018.

R.I.P... Your mixes will last. Extraordinary special!

rip, the one dj on my love list i'll never get to witness

Trushmix 195 presents Melbournes own Myles Mac! 
The man behind the now longs running mix page Melbourne Deepcast, check it out for a lot of fun interviews and mixes from a great variation of DJ's.

For this mix Myles serves us a three hour mix exploring house related music from the late eighties to mid nineties. Slower mellow house sounds, street soul, hip-house, balearic infused tunes, and much more. This a perfect mid summer mix to feel the vibe!

Enjoy music from the top!

Trushmix.com

Trushmix 195 - Myles Mac

A very special recording from our 10 years of MFM event at Fairfield Amphitheatre last September between Jamie and Lauren. It was beautiful to see two close friends throwing down tracks, lost in the music and the thing that they love. You know things are going well when an hour into their set, Jamie and Lauren both asked if we were recording the set. Yesterday was Jamie's birthday and we and Lauren felt it was the right time to release this mix, as a celebration of Jamie and his music. Jamie Tiller b2b Lauren Hansom, live from Fairfield Amphitheatre ~ 4 hours of bliss ~ Jamie Tiller forever.

Jamie Tiller b2b Lauren Hansom (10 Years of MFM)

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Recorded live at 宀 in Hong Kong on November 2022

Bergen-Rimini-Chicago-Honolulu-Detroit-Jupiter-Manchester is a rough cut of the sonic map on which Telephones travels. Renowned as a DJ for his freespirited curveball-mix of ranging from balearic tutti- frutti, proto-house and percussion-workouts to cosmic techno, discokraut-gymnastics and outerworldly explorations.

Starting with primitive PC-software and DJing in the late 90s, he has since equally focused on production and DJing, now with more than 20 years experience behind decks and knobs. 

A firm believer in quality over quantity, Telephones has released a sparse, but highly sought after discography on acclaimed underground-lables like Running Back, Sex Tags UFO, Acido, Love On The Rocks, Klasse Wrecks and Full Pupp, as well as production work and remixes for legends like José Padilla, Joan Bibiloni and Vangelis Katsoulis to mention some.

In 2016 he released his debut album, "Vibe Telemetry" on Running Back, taking his eclecticism and sound one step further, expanding the palette with influences from early Norwegian club-roots, Ambient House, NY House and Disco, 90s UK Balearic, Italo House, Underground Resistance and Detroit Techno. The album received praise and reviews from publications such as XLR8R, Mixmag, iDJ, Future Music, Resident Advisor, DJ Mag and Testpressing.

2019 saw the birth of his new label, European Carryall, kicking off with the archival-series "From The Vaults 1998-2018 Vol 1 & 2", all 12"s selling out within days, and getting both one and two represses. Since then he has followed up with a string of sold out releases ranging from banging house, downtempo hip-hop and breaks-inspired excursions and balearic techno.

The recent years has taken Telephones across the globe with frequent tours in Asia, Australia and the Americas, playing in over 35 different countries and as diverse locations as Sao Paulo, Taipei, New York, Mexico City, Hanoi, Tokyo and Melbourne, as well as frequently laying it down on his Berlin/EU home-turf at some of the best underground clubs, such as Berghain/Panorama Bar, Bassiani, Corsica Studios, Griessmuehle, Jaeger and festivals like Love International, Dimensions, Pitch Music and Arts, The Garden and Bahidora.

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Sound Metaphors (@sound-metaphors) is Nemo Ripoll and Castro Moore, but it is also the name of their famously well-curated label and record shop in Berlin. As such the pair has been helping to define the sound of the underground on many different fronts - electric DJ sets, cult events and even through the custom-made sound systems built for customers worldwide. With a vast musical knowledge between them and a never-ending supply of their own unreleased edits and DJ tools, they are able to tell musical stories that draw from all across all genres and many different eras.

That plays out in the superb mix they have put together for us this week. It's a full-bodied selection that shows off their love of contrasting styles - loose, percussive house music brushes up with deep and dubby cuts, dark acid grooves sit next to '80s synth sounds before a disco finish goes from stomping to funky. The exuberance of it all is infectious and leaves you wanting more.

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"Code124" is an auditory journey that captivates your senses. With a blend of vibrant rhythms and innovative sounds, this track awakens your inner energy and transports you to a fascinating world of music. Perfect for moments of relaxation or to motivate you throughout the day. 🎵✨💥

Code124

Groovebom Records proudly presents another killer release from our very own Italian producer Luis Radio.
Royal Express is a powerful Afro House track with his impactful groove and exhilarating percussions solo surely to have any dancefloors on fire.
Unique energy to Get Your Groovebom On!

Luis Radio - Royal Express

Listen to Jamie Tiller live recorded at the Oktoberakel clubnight at Robert Johnson in October 2018.

Jamie Tiller – Oktoberakel at Robert Johnson, 20 October 2018

Die Orakel is a Frankfurt based music platform run by Oliver Hafenbauer.

Die Orakel (Engl. the oracles) might not know it all but has the capacity to observe and sense it: Oliver Hafenbauer's imprint operates as an experimental field for electronic music on the playfully indecisive end where it exceeds genre-specificity to focus on tunes that function beyond. This is not to say that there are no four-to-the-floor productions. The Frankfurt-based label features contributions by artists like Reptant, Poly Chain, Edward, Roman Flügel, upsammy or O-Wells, all known as dance floor doyens. The releases yet encompass what can slip the attention on a traditional dance label. Uplifting and downtempo appear here as two categories that do not exclude each other. The visual representation of the venture is undertaken by Stefan Haag and label boss Oliver Hafenbauer himself, who have a clear approach to communicating Die Orakel’s standards.

Jamie Tiller – Oktoberakel at Robert Johnson, 20 October 2018

Die Orakel

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