Our next release comes courtesy of London based Introspective Electronics founder, sound artist & DJ, Avsluta 🌀🌀🌀

Her penchant for low-swung basslines & hypnotic rhythms caught our ears at Above Below back in 2023 & we're so happy to finally be hosting her on the series. 

@avsluta

+ 𝐧𝐚𝐦𝐞 / 𝐩𝐫𝐨𝐧𝐨𝐮𝐧𝐬 / 𝐰𝐡𝐞𝐫𝐞 𝐝𝐨 𝐮 𝐥𝐢𝐯𝐞?
My name’s Lucie (she/her) and I live deeeep in South London. 

+ 𝐰𝐡𝐞𝐫𝐞 & 𝐰𝐡𝐞𝐧 𝐰𝐚𝐬 𝐭𝐡𝐢𝐬 𝐫𝐞𝐜𝐨𝐫𝐝𝐞𝐝? 𝐬𝐞𝐭 𝐭𝐡𝐞 𝐬𝐜𝐞𝐧𝐞 𝐟𝐨𝐫 𝐮𝐬…
This set was originally recorded at Goo Night in Spanners, a snug, intimate venue in South East London. Imagine a roomful of free, sweaty bodies moving to the rhythm, surrounded by dense red-tinted haze. The atmosphere was sexy and sticky that night. 

A little disclaimer regarding the recording. I had to re-record the second part of the set at home due to sound quality but the essence of it is in no way compromised 🙂

+ 𝐰𝐡𝐚𝐭 𝐰𝐚𝐬 𝐲𝐨𝐮𝐫 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐩𝐮𝐭𝐭𝐢𝐧𝐠 𝐭𝐡𝐢𝐬 𝐬𝐞𝐭 𝐭𝐨𝐠𝐞𝐭𝐡𝐞𝐫?
I wanted to put together a set focusing on spaciousness and the interplay between heady depth and liberating playfulness, exploring ways in which the two can meaningfully coexist. The idea was to allow the audience to release their body fully on the dancefloor so obviously there had to be a good amount of energy running through the veins of the set. But at the same time, I really wanted to tickle their minds, open doors to imagination, introduce depth so if one really listens in, there is a whole world of sonic magic to explore - a complexity both sonic and emotional. 

+ 𝐡𝐨𝐰 𝐝𝐨 𝐲𝐨𝐮 𝐩𝐫𝐞𝐩𝐚𝐫𝐞 𝐲𝐨𝐮r 𝐫𝐞𝐤𝐨𝐫𝐝𝐛𝐨𝐱 / 𝐫𝐞𝐜𝐨𝐫𝐝𝐬 𝐟𝐨𝐫 𝐚 𝐠𝐢𝐠?
The process always starts with digging for new music that sets the tone for the playlist or when packing my record bag. I look for a specific flavour of sounds for each gig, thinking about the context in which I will be playing and trying to understand what possible directions I can take. 

Once I select those fresh tracks, I start building the rest of the playlist around it, first more generally and as I listen back with the set approaching, I keep refining it until it feels like it has enough substance. At the same time, I make sure it is generous enough so I can cover a lot of ground if the gig goes in a different direction than what I expected. It’s always a balance of keeping one’s artistic integrity while working with the crowd to create a powerful experience for everyone. 

+ 𝐭𝐞𝐥𝐥 𝐮𝐬 𝐦𝐨𝐫𝐞 𝐚𝐛𝐨𝐮𝐭 𝐭𝐞𝐫𝐫𝐚 𝐨𝐛𝐬𝐜𝐮𝐫𝐚, 𝐰𝐡𝐞𝐧 & 𝐰𝐡𝐲 𝐝𝐢𝐝 𝐲𝐨𝐮 𝐬𝐭𝐚𝐫𝐭 𝐭𝐡𝐞 𝐞𝐯𝐞𝐧𝐭 𝐬𝐞𝐫𝐢𝐞𝐬 & 𝐰𝐡𝐚𝐭 𝐢𝐬 𝐲𝐨𝐮𝐫 𝐚𝐩𝐩𝐫𝐨𝐚𝐜𝐡 𝐭𝐨 𝐜𝐮𝐫𝐚𝐭𝐢𝐨𝐧?
Terra Obscura is a collaborative event I run together with my close friend Alicia. We started the series back in March 2022 at Ormside Project which is still our home to this day. Me and Alicia have an impressive overlap in terms of music taste but we are also quite good at challenging each other's ideas which I believe is important for a healthy growth of any project. We are both into a lot of deep, intricate music within the ambient & downtempo, techno, breaks & bass realm to give you a very rough idea about our programming. 

When we are building a line-up, we always throw around a lot of names and then try to find a common thread among the artists we want to book. We imagine how their sound would work in a particular slot and how their sets would flow into each other so there is a sense of development throughout the night. This process is usually quite long but in some ways really intuitive. 

What is very important for us is to approach the event as a whole, a night that effortlessly moves forward along a curatorial narrative, one step at a time from the start to the very end, moving from horizontal ambient to sweaty dance as it progresses. 

interview continued via our substack: https://allmovingobjects.substack.com/p/kinetic-live-04-avsluta-live-at-spanners

kinetic live 04: Avsluta live at spanners [19012024]

Priori (@priori-ties) has always explored a wide range of techno from dense and introspective to more joyous, often against the backdrop of technological possibilities. He hails from Canada and has been prolific since first emerging with two full-lengths to his name on his own NAFF label. They pair dubby undercurrents with crystalline melodies and contain the sort of unresolved tensions that keep you locked in for the ride. This weekend he plays Dekmantel Naarm 2024 but first has served up this new mi for us.

Priori says this is the first dance mix he's done in a long time, adding "It's an hour and a half of fresh rhythms and rave sounds that I recorded while on tour in Australia. It features a few tracks I have been playing a lot lately and some forthcoming bits by myself and some friends." In just over 90 minutes he works through a rollercoaster of deep techno rhythms that are firmly focused on the future and flow as fluidly as water.

Dekmantel Podcast

Dekmantel Podcast 459 - Priori

The recording of my set 9-11pm at Music Room in Naarm/Melbourne on the 6th of March 2024 with @skylab_radio 🦋

Music Room is a chic bar, with delicious wine, soft amber lighting and a tasty warm soundsystem. I really enjoyed this rare chance to slip through my playlists of dub techno, downtempo, minimal and velvety-slinky music of all kinds 🍸🪭🪶

Thanks to @simon-tk & @skylab_radio for the invitation 🫶

Sybil @ Music Room ~ Skylab Radio

The lovely French pixie @bambi-dj for #154. Based in Paris, she has a mostly show on @rinse_france & is a regular resident at both the wonderful Macadam Nantes & @@hypersoft_bln 

Her sound is textured, kaleidoscopic & unearthly - full of surprises but somehow always warm & inviting.  She has been an exciting artist to watch blossom in recent times. A. perfect fit for the Animix series.

Thanks Célia!

Animix One Hundred & Fifty Four: Bambi

Interview: https://truantsblog.com/2024/truancy-volume-327-command-d

Soundcloud: @commandd

Access the download and full tracklist (TBC) on our Patreon. However if you need anything leave us a nice comment and either us or Command D will get back to you! Your support helps cover all our costs, allows us to now pay our guests and allows Truants to continue running as a non-profit and ad-free platform.

http://truantsblog.com

Command D

Truancy Volume 327: Command D

Sub:system resident Jacques Adda steps up for Transmissions 013, providing us with a beautiful mix just over 2 hours, awashed with sumptuous deep hypnotic techno and accelerated trance.

@jacques-adda

S:S 013 Jacques Adda

Kia has a taste-making ear for digging, sophisticated knack for storytelling and bubbling energy that draws people to her whether she’s backstage, behind the decks or on the dance floor. The DJ and curator wields atmospheric and psychedelic sounds that produce entire pulsating worlds through the speakers and between global connections.

Kia @ Kiosk Radio 28.04.2024

@bambi-dj invite la DJ australienne @pjenne sur sa résidence d’Avril. Retrouvez Bambi & Pjenné ce vendredi 3 mai au Badaboum aux cotés de Jeacky Jeane, turbinaria (UKR), Nelly (PB), Avsluta (UK) et des lyonnais•es Jonnnah & Salma Rosa.

Bambi invite Pjenné - 30 Avril 2024

@dreamsoftwarecorp
No one boasts unfettered creativity like Bristol (and Narrm!) based multidisciplinary artist, DJ, label head and utopic visionary Dream Software. An expert architect in building immersive experiences in all senses of the word, Dream Software blends sonic and visual elements to generate altered states in onlookers. Known for downtempo and trance leaning sounds with an optimistic undertone, Dream Software joined me live on PBS on the 5th April 2024 to take us on an encyclopaedic journey of classic ambient trance from the 90s and beyond.

Dream Software - PN 265

Auratekh Live @Natural Order 2024

For the next Harmony podcast, we have received a special recording from our dear friend Pjenné.

Penny is a Naarm-based artist and radio host of Passing Notes show who played the following mix at a partly illegal outdoor doof run by 'Safari Park' close to Sydney, taking place last July. Blending rhythm into texture. Enjoy!

@pjenne

Auratekh Live @Natural Order 2024

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