Name: instrumental épica sonido brutal satánica bajos ala cien número 1 by diego abraham moreno sosa
Duration: 12 min 13 s
Description: extravagante instrumental me a encantado compartirlas con ustedes apoyarme deje su like y sigueme youtube diego abraham moreno sosa jugando y Facebook

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In this episode of de Verbranders, we talk to Gracie Mae Bradley about a book she co-wrote with Luke de Noronha, called “Against Borders: The Case for Abolition”. In it, they draw inspiration from prison abolitionism and the black feminist politics that shape it, and they bring that body of thought and practice to the work of organising against borders.

We talk about the harm borders do, the hierarchies they produce, and the importance of dismantling them. And we talk about how prison abolitionism teaches us to do this work of dismantling alongside the equally important work of building the worlds we want to live in, with the ultimate goal of shrinking borders into non-existence.

We also ask Gracie about what it is she loves, and the kinds of worlds she dreams of and is fighting for. We asked her to bring three pieces of art, which we weave into the conversation. 

Enjoy!



Graphic design by Thomas from Dark Roast (www.instagram.com/thomas.darkroast)

Theme music: David (guitar) and Joris (drums)

Theme music: Allen (accordion)and Neske (violin), after Doina from the Fanfare Ciocarlia

During the episode, we listen to Philip Glass' Dance No. 4, and Gracie reads from Alexis Pauline Gumbs' "Undrowned" and from a stunning poem she wrote, called "On Ending"

Ep 21: Border abolition & black feminism. With Gracie Mae Bradley (English).

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instrumental épica sonido brutal satánica bajos ala cien número 1

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instrumental épica sonido brutal satánica bajos ala cien número 1

diego abraham moreno sosa

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