Impulsión

Electroacoustic study using impulse generators and resonators in Super Collider.

Drive & Resonance - Electroacoustic Study VII

Electroacoustic study using synthesizers, resonators, convolution and granulation with Super Collider.

Pillow Noise - Electroacoustic Study VIII

Se te va la voz - Electroacoustic Study IX

Esa voz ya no es tuya - Electroacoustic Study X

Scope V - Infinity In Finity

Electric Guitar: Hector Murrieta

V. Infinity In Finity

Scope I - Articulated Spaces

Electric Guitar: Hector Murrieta

I. Articulated Spaces

Algo para que no pasa nada: III. Volcánica 

(for chamber orchestra, electric guitar & electronics) (2018)

Inspired by the Iztaccíhuatl and Popocatépetl volcanoes, symbols of strength and hope.

III. Volcánica

Algo para que no pasa nada: II. Revuelta de voces

(for chamber orchestra, electric guitar & electronics) (2018)

Inspired by the difference in ideals between the students and the Mexican government. I used audios from secretary of state Luis Echeverría, president Gustavo Díaz Ordaz and several members of the student movement of 68.

II. Revuelta De Voces

Algo para que no pasa nada: I. Fosas

(for chamber orchestra, electric guitar & electronics) (2018)

Dedicated to the 43 forcefully disappeared students of Ayotzinapa and inspired on the impunity, cynicism and state violence in Mexico.

I. Fosas

Electroacoustic study using time stretch with sounds from a balloon.

Plastelastic - Electroacoustic Study IV

Commissioned by and composed during the Arturo Márquez Extraordinary Fellowship in Music Composition 2018, of the National Autonomous University of Mexico (UNAM), and premiered at Sala Nezahualcóyotl (UNAM), Mexico City (MX).

The piece was inspired by the myth of the "Stultifera Navis" and the homonymous chapter of Michel Foucault's "Madness in Civilization".

Nave (for orchestra)

Sound installation for the sculpture Espacio Presencia created by artist Luciano Matus presented at Explanada de le Espiga, Museo Universitario de Arte Contemporáneo (MUAC), Centro Cultural Universitario, UNAM, Mexico City.

Roberto Tercero: tenor saxophone on live performances.

Vaivén (electroacoustic)

Electroacoustic study using a sampler to process an improvisation with a steel string acoustic guitar in open D tuning.

Open Detuning - Electroacoustic Study V

Cover of Chelsea Hotel No. 2 by Leonard Cohen.

Performed, recorded, mixed and mastered by Diego Lozano.

Chelsea Hotel No. 2 (Leonard Cohen cover)

Guitar performance of Mysterious Habitats composed by Dusan Bogdanovic.

Performed, recorded and mixed by Diego Lozano.

Mysterious Habitats (Dusan Bogdanovic)

Electroacoustic study using a single sound from a tuning fork vibrating against the body of a guitar and processed with different time stretching devices.

Fuzzy Proximities - Electroacoustic Study VI

www.diegolozano.mx

18/04/1988, CDMX

Film, acoustic and electroacoustic music composer and sound designer.

Diego Lozano

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