This is an improvised piece that Patrick Leonard and I played together. Patrick was playing piano and I was playing a glockenspiel, a small tree, the Experibass and doing live sound design processing. Everything you hear has been created in real time, no synths or additional sound processing besides what was happening live. I hope you'll like it!

If you'd like to see a short video to better understand how we did it, here's the link: https://diegostocco.myportfolio.com/patrick-leonard-diego-stocco-dts-inc-neox-111

Tree Abstractism

Contact / Bookings:
wisdomwvter@gmail.com

American/Uruguayan Poet. Experimental composer.

Limited Discography (I have no interest in paying for an artist subscription to soundcloud)

Dusko: the spirit or essence of a person that is believed to live on after their death

www.duskosound.com

Labels & Features.

@InspectorDubplate
@GravitasCreate
@SlimeTime
@Forest-Biz

Booking and all other inquiries: Duskosound@gmail.com

Music Producer / DJ / Sound Designer
SoundBank https://bit.ly/2srMPwP
Education: http://bit.ly/2oGPf9b

Drenched in the unique atmosphere of stoner/doom/glitch music and the violent aesthetics, Ruby always grabs idea from literature, geometric figures and her own experiences. She also concretizes ideas, desires, pieces of memory to dedicate sound particles which are content in specified frequent, and put the particles into her music randomly. When she performs, she likes to tell a story with an industrial and cold sound, creating a anxious atmosphere. Incidentally, put some beautiful sounds from instruments in the cold, harsh background. Ruby always arranges her set dramatically to lead audiences passing through dynamic/static situation and ancient/modern ages. 

迷戀Stoner、Doom、Glitch迷詭氛圍及暴力美學的Ruby，曾獲邀於失聲祭、火人節、上帝之槌等派對組織演出。創作時，Ruby多由文學、幾何圖形及自身經驗中萃取靈感，將各種概念、情欲、乃至記憶片段具象化為特定頻率及精緻的聲音粒子，於活動中進行即興拼貼。演出時，Ruby喜用現代工業、冰冷的音色鋪陳故事，營造欲若繃斷神經的緊張氛圍，在森冷剛硬的敘述基調中，偶然穿插悠揚頹美的器樂聲，並以極具戲劇張力的段落編排，引領觀者遊走於動與靜、古與今之間。



Diego Stocco is an inventor of unusual musical instruments, music sound designer and composer.
One of his most recognizable instruments is the Experibass, a mutated double bass for which he invented a playing technique called “Sticcato”, creating an intense combination of tonal and percussive timbres. With this instrument, he was invited to be a featured soloist on the soundtrack of "Sherlock Holmes" scored by Oscar®-winning composer Hans Zimmer, the video games "Assassin's Creed" and "Darktide" with BAFTA-winning composer Jesper Kyd and as a composer and performer of his piece “Thunderous” for the film "Rebel Moon: A Child of Fire”. As a composer, he produced the music for the video game "The Conduit” and the film "Chernobyl Diaries”, where he experimented with more strange instruments and sonic approaches. 
The music and sound design elements from his Sonic Artifact label, specialized in horror, thriller, western and sci-fi genres, is distributed worldwide by BMG Production Music and have been placed on dozens of film trailers, films and TV shows.

As one of the Principal Sound Designers, Diego created numerous iconic sounds for the core libraries of Spectrasonics Stylus RMX, Trilian, Bob Moog Tribute Library and the flagship synth Omnisphere. His approach to listening and psychoacoustic microphone techniques allowed him to discover musically playable sounds in a variety of common objects, such as light bulbs, a clothes drying rack, a leather hat, and a number of odd instruments created by combining pieces of furniture and parts of appliances with traditional instruments. One of his most extreme sampling session was the Burning Piano, a piano sampled while it was on fire. He later created his own Sonic Extension for Omnisphere called Twisted Trees, where he built original sculptural instruments inspired by forest trees and the random motion of elements of nature.

Diego explored the sound of nature and trees with a series of musical videos, starting from Music from Sand, Music from a Tree, and Music from Nature. In these works, a lighter, playful and more abstract approach to sound appears, where he let the unconventional sounds inspire the composition. He also built instruments that can be seen as imaginative little places, like the Magical Butterfly Valley and the Miniature Forest Piano, where the listener is invited to listen to the instruments as if they were played by butterflies and birds.

Diego also created a unique approach to Convolution processing with his “Rhythmic Convolutions” sets, where he takes sounds produced by a variety of objects, materials and interactions to create original Impulse Responses that transfer both their rhythmic and spectral profile to drums, synths and any instrument with fast attacks. Occasionally Diego teaches workshops and masterclass where he shares his imaginative approach with other musicians and sound designers.