Var001 - Trastornadx y Real 
@jupiter4records

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Fragmento Feat. Yvu (LAZA Remix)

co-released with SODAA Club, 3 Swords Republic, Hard Return, HI-NRG, New Scenery, Sly Tone, and TOO MUCH INFORMATION !!

We're happy to contribute to this special release organized by SODAA Club, to support their activity with a selection of tracks from their compilation, curated by members of the Global URL Nation  (. ❛ ᴗ ❛.)

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SODAA Club is a community developing a decentralised governance model for a music & arts venue in London.

Their first release explores the foundations of their own sound - with members and friends of their commmunity, the 31-track compilation is "genreless and fluid, self-organised and bottom-up."

Inspired by the decentralised release of Alkisah by Senyawa, any label sharing similar values could release their own version : "the artists and the labels participating in this compilation believe in a more equitable and collaborative future for our scenes, one guided by principles of solidarity economy, distributed decision-making, and the rejection of capitalist notions of culture, music and space."

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The profits will be split between the artists and SODAA, as a way to raise funds for their long-term goals, with a part going to the labels for their help.

If you want to support the project further, you can also donate via Open Collective : opencollective.com/sodaaclub

++ SODAA CLUB ++

Web - https://sodaa.club/
Insta - https://www.instagram.com/sodaa.club/
Bandcamp - https://sodaaclub.bandcamp.com
Soundcloud - https://soundcloud.com/sodaa_club


++ TRACKLIST ++ 

01. PiroPiro - A Harmless Way
02. Ikävä Pii - A New Set of Tools
03. ENGLAND'S COUNCIL OF LEGISLATION AND GOVERNING BODY OF HYPER REAL SIMULATIONS AND CONSTRUCTIONS - NOKIA 2023
04. JMEG - huh?
05. Graver Ekow - Santa
06. DJ Double Oh! - Soulseeker X
07. excel dj - wifi enabled human image objectification
08. ovid - upstream
09. Klahrk - Out My Mind
10. Valeria Radchenko - drith
11. CSV - Lasers
12. Bubble People - Duplicate
13. Hard Fantasy - Trifex

++ CREDITS ++

All tracks written and produced by the artists, as credited.
Mastering by Works Of Intent.
Artwork by ROOO.

Curation by CLM + HeedLess, muein, P I T, RougeHotel & Sxmbra

DOWNLOAD

DJ Double Oh! - Soulseeker X

𝐒𝐖𝐈𝐍𝐄 𝐏𝐑𝐄𝐌𝐈𝐄𝐑𝐄 ➤ @remiseria-temperley via @santasedelabel

【 Buenos Aires-based producer Remisería Temperley made his 2021 LP debut with “Grupo Vocal Roña” (you can listen here) already showcasing from the beginning a style both personal and experimental, under the criollo overtones of "chacareras", "candomble" and "batucadas". 

【 Remisería's style is very unique, hard-hitting and intensive. If you are not familiar with Latin American music styles, and experimental, underground club music, you might not be ready for it. But when you enjoy innovative and interesting rhythms and hard club bangers, you will be amazed by his production.

● You can read more here https://swinedaily.com/remiseria-temperley ●

∎ ∎ ∎

[Swine Premiere] Remisería Temperley - USUCAPION (Santa Sede)

✤ SWINE PREMIERE ✤ Max Dahlhaus + Kronom > Domizako remix

Max Dahlhaus and Kronom team up for @unizonelabel on “Trauma Tendrils” with remixes from Domizako and @ice_eyes

“Trauma Tendrils” lands with all the diplomacy of blunt force trauma. Both veteran producers trawl the deepest and darkest recesses of their personal brands of dystopia, settling on a chaotic course of textured experimentalism and distorted broken rhythms.

We bring you in an exclusive premiere the remix of "LOSING GRIP". Prague-based producer @domizako leans into the track’s tense post-apocalyptic atmosphere with a remix that is the sonic equivalent of a rolling boil. It’s understated and it’s deadly.

[Swine Premiere] KRONOM & MAX DAHLHAUS - LOSING GRIP (DOMIZAKO REMIX)

Recordar es hermoso. Recordar es revivir aquellas experiencias que te han hecho ser quien eres hoy. Algunos recuerdos no son tan gratos, pero dejan experiencias que luego aplicas y ayudan. En esta ocasión, todos son buenos, o al menos así los veo hoy.

Este EP es una recopilación de esos recuerdos, momentos importantes de mi vida que ahora se manifiestan en forma sonora para todos ustedes.

Recordar es hermoso. Quédense con los buenos recuerdos. 

Recuerdos II
1. Pagano 
2. Consejos ft. Karen Herrera 
3. Hadas 
4. Mientras Crezco ft. Sandra Granillo
5. De noche somos pardos 
6. Pretendiendo ser otro 

Ahora disponible en todas las plataformas 
De venta en Bandcamp.

Arte: Jonas Hisk

Hadas

El irreal Veintiuno - Hadas

SORCERER'S APPRENTICE

@peligrobeatmaker
Where there’s Part 1, there’s Part 2… and sometimes even 3.

The old world is collapsing—its structures fading, its borders dissolving. We are no longer just witnessing change; we are inside it, moving through the wreckage of what was and into the chaotic birth of what’s next. A new world is emerging in real time.

As everything shifts, we turn to sound—digging through the Vol. 4 submission folders, gathering fragments of memory, rhythm, and resistance to make sense of the moment. VOL. 2 is loading.

This is music for uncertain times—where irony meets feeling, nostalgia collides with speed, and the African side of things reminds us that rhythm has always been a force of survival and liberation. Polyrhythms spiral like broken timelines, edits twist the past into something unrecognizable, and bass shakes the ground beneath us.

But through all the chaos, one truth remains: we are one. Across continents and sounds, across generations and struggles, we move together. And in the end, freedom will win.




｡ﾟﾟ･｡･ﾟﾟ｡
ﾟN0FU7UR3　 nº4 VOL. 2 is coming


ig:
https://www.instagram.com/uhhhpeligro/https://www.instagram.com/nofutureb3rl1n/
website: www.nofutureberlin.club
bandcamp: https://nofutureberlin.bandcamp.com/album/n-future-n-4-v-l-2

DON PELIGRO - BALAN SOU

dru-1’s “preshuh” was composed in the artist’s home of Trinidad during Carnival of 2024. Reflecting on the experiences and influences that shaped the record, UK-based artist Drew Lovett recalls inviting friends to stay with their family during the festivities, experiencing overproof rum, pan bands, card games, and doubles. Community and a celebration of sociality seem to shimmer through the EP’s bass-ridden tracks, evident not-least in the prominent sound bites and vocals recorded on-site from those close to the artist during the Carnival.

The project unfolds across six tracks, each composition draped in FM synthesis and layered over gritty basslines. “preshuh” builds upon the
vision realized in the artist’s debut project, a 4-track EP released on Why Be’s Yegorka in 2024. This record punches with more technical precision, making a mature statement that feels cohesive and intentional, while retaining its playful essence. Lovett collaborates with Marta Rosa on percussion for the final three tracks—“maco queen,” “palance,” and “a4s.”

Despite its moody basslines and clear roots in the UK club scene and Hard Drum, Lovett’s EP is infused with a spirit of optimism and revelry. The EP opens with echoes of “toma!” and other indistinct cries, as timbale taps gradually build alongside jerky basslines in “diastema.” The subsequent track “corbeaux,” takes a more atmospheric approach, leaning further into lush melody progressions. Breath-like chirps fade in and out of the mix, allowing different melodic and percussive elements to shine at various moments. “Libido” calls the listeners to commune on the dancefloor, led by a steady four-on-the- floor rhythm. The hypnotic chant, “We come together,” repeats with quiet assurance, woven through a backdrop of filtered basslines and dissonance. Crunchy, sputtering synths wind in and out of the soundscape, teasing a sense of chaos and rapture, grounded by the steady rhythm beneath. In “maco queen,” the record seems to reach a point of climax; jittering bass sounds overtake the atmosphere immediately. “Hey!” and “Ha!” shout over the flurries, punctuating the frenzy, while intricate low-end patterns and hand drums introduce moments of organic warmth. Percussive taps and clinks imagine an impromptu gathering of people jamming together. Here, Lovett seems to call us to let loose, to shout, to dance, to revel in excitement. The fifth track, “palance” unfolds over a steady four-on-the-floor rhythm, with intertwining synth lines that emerge and recede unpredictably, engaging in a dynamic interplay akin to an animated conversation among close friends. The EP concludes with “a4s,” a vibrant, infused with Soca and Dembow breaks track that brings key elements from earlier songs—vocals, claps, and heavy basslines—crafting a dynamic yet cohesive finale.

Experienced in full, Lovett’s EP is a call to togetherness—a sonic invitation to gather, move, and celebrate without restraint. Infused with the frenetic energy of the carnival where it was conceived, the project unapologetically embraces the dancefloor, urging bodies into motion, and spirits into communion. Beneath its pulsating rhythms lies
a deeper longing—not just for revelry, but for connection. In a world still relearning the rhythms of closeness, it asks: How do we rebuild the spaces where joy and community once thrived? 

Artwork by Lucas Owen
Mastering by TB-Mastering
Words by Manolis Elijah Sueuga

dru-1 - a4s

Eyes locked across the room

mix 11.25 tape of new music from contact high

Fragmento Feat. Yvu (LAZA Remix)

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