deconstructed club / halfstep / bass / hyperglitch / postindustrial hybrids

Taken from SBKT040: Yen Tech - Assembler

Release date: 28th May 2021

With Assembler, his second full-length album, Yen Tech re emerges in ecstatic and primordial new form -- a multi-layered and interwoven work that blends futuristic production, meta-science fiction, and anthropic critique into a dizzying array of next scenarios -- a maze-like vision of our technological and exponentially oracular, full-stack future.

This imagined future becomes a construct or place in itself; one in which the record buzzes and swarms; a mechanosphere of towering melodic vocal samples and sound design - all narrated by Yen Tech's unnerving, diaristic vocals - as he channels the form of post-human techno cretin, whispering hyperbolic ASMR to no one in particular. We follow this character from one disorienting experience to the next as he recites a stream of indecipherable neologisms and hyper-descriptives, the existential residue seeping from every line. In the end though, a strange, uneasy beauty comes into focus; the metamorphic lyrics and musical euphorias revealing Assembler as a type of elegy: a wet glass reflection of the failures of what we are and were - and a jubilant celebration of what we may become.

"I imagined Assembler as a type of self imposed simulation, an invisible boundary that the narrator has to navigate out of to move forward. It was a way of looking at how we may carry the issues and failures of the past with us into the future. The psychological baggage of history, the guilt of geotrauma, the addictive melange of technology all become dealt with in this stage of acceptance and recovery. I wrote the album with this in mind, a process to find the slimy pearl of who we are" - Yen Tech

All music and lyrics written by Yen Tech
Produced and arranged by Yen Tech
Vocals by Yen Tech
Additional vocals by Katy Townsend
Mastered by Raphael Valensi
Artwork and vinyl design by Johannes Schnatmann

Assembler

Yen Tech - Leech

FROM CLAM010 | UNCAGED, UNLIMITED

https://clam-pressure.bandcamp.com/album/clam010-uncaged-unlimited

out 01/10/2021

@jennjennnnjenn

JENNN - U???

@ttristanafkap6r6r6k @chia-beauchaton

Written, recorded, produced by TTristana
Lyrics and vocals by Chia

Artwork by Camille Soulat
www.instagram.com/sltcamille/
Mixing by Lorenzo Targhetta
www.instagram.com/_allpass/
Mastering by DJ GÄP
soundcloud.com/djgapdjgap

Download

TTristana - E-Girl (feat. Chia)

Taken from SBKT049: Osheyack - Intimate Publics
Release date: 8th June 2022

Intimate Publics, Osheyack’s second album, is an homage to Shanghai, the city he has called home since 2012. Over the past ten years the producer has evolved from an avid club-goer to a key member of the vital soundscape that emerged from ALL Club and its predecessor, the now defunct club The Shelter. As hinted by the title, which draws on American social theorist Michael Warner’s work on publics and counterpublics, the album expresses a commitment to mining the utopian potential of club music, forging new worlds and generating future social relations, just as the artist bids farewell to the city at a moment of uncertain transition. While tracks like 'Edging' and 'Thrall' continue to present his signature collage of harder club music, the rest of the record reveals a shift to synthetic approximations of acoustic instruments. 'Still', the central track of the album, is a piece composed almost entirely of samples found on Vocaloid (a vocal synthesizer developed by Yamaha, commonly used to give voice to Japanese virtual idols). While echoing themes explored in previous projects, like the nature of realism and authenticity in a techno-mediated landscape, Intimate Publics is charged with an unexpected emotional candor and vulnerability, unveiling a personal side Osheyack is only beginning to explore.

Words by Alvin Li
Artwork by Xiaofei Qiu
Design by Luke Griffiths
Mastered by Raphael Valensi

Intimate Publics

Osheyack - Being Online

@katharsislabel
@jjjacob

Taken from 'Infinite Summer: Ekstase' released on @katharsislabel September 20th

Tracklist:
1. Yem Gel - Origin, Gate's Dawn
2. L3ash – Sleepover
3. dragongirl - everything will b ok
4. Comechelet - Секс під дощем (feat. Katro Zauber)
5. Hedo Hydr8 - Sweet Confusion
6. Renslink - Just Won't Do
7. Quit Life – DLB
8. Lighyer - That Place
9. Jenys – WWWater
10. Beatrice – Attempt
11. Lyra Valenza - Stunt This
12. Mang - Based Halo
13. Ice_Eyes – Hyperbox
14. bela - Diurnal Ar

Lyra Valenza - Stunt This [Katharsis]

Fragmento (Feat. Yvu )

Taken from SBKT054: Gorgonn - Six Paths
Release date: 31st January

Artwork and layout by Akihide Monna
Mastered by Raphael Valensi

In Japanese Buddhism, it's believed that when someone dies they are ushered down one of six paths depending on the karma accumulated during their previous lives. A being might end up in the world of humans, animals, demigods, or celestials, but it's also possible to end up reborn as a pitiable hungry ghost, doomed to an existence of insatiable desire, or even worse - be sent to hell, or jigoku. Ruled over by the Japanese lord of death Emma-ō, this hell isn't quite like the Christian hell, it's closer to purgatory, and cleansing the karma can take hundreds of millions of years of excruciating torture in extreme cold or immense fire. Japanese bass alchemist Gorgonn takes these themes as the basis of his debut album "Six Paths", assembling a spiritually weighty set of futurist dubs that consider the possibility that our mortal domain might be closer to hell than we realize.

Gorgonn describes himself as a Japalien exile. He left the country of his birth almost two decades ago, and since then has been working tirelessly to formulate Jamaican dub, noise, techno, and no-wave into a sound he calls "sci-fi steppas". If you've not come across his name before, there's a good chance you've heard his reverberations. An established sound tech who's worked with The Bug, Hype Williams, Seefeel and others, he's part of G36 with Kevin Martin, Dokkebi Q with Kiki Hitomi, and a former member of Devilman with DJ Scotch Egg and Bo Ningen's Taigen Kawabe. Just last year he released the acclaimed "Disentegration Dubs" full-length alongside JK Flesh, the veteran producer who's best known for masterminding Godflesh. All this experience blesses Gorgonn's productions with remarkable sonic force, and "Six Paths" is his most crushing display yet, smelting cannonball bass and osmium beats into sharp-edged soundsystem weapons.

Look no further than opener 'Abyss' for evidence of this: psychedelic synths draw the mind away from the mortal realm, while tangled, distorted beats push us back down to earth, our faces crushed into the grit and gravel. Using tweaked sub bass and unsettling drones, Gorgonn lays out a cinematic backdrop for the album, drawing us into a world that's terrifying, viscous, and nauseatingly familiar. There's a militaristic roll to 'Without Beginning and End', a track that juxtaposes spacey halfstep thrusts with death metal distortion, footwork polyrhythms, and unearthly pads that addresses the crushing endlessness of jigoku. On 'Invisible' meanwhile, Gorgonn torches the skeletal remains of D&B, abstracting familiar rhythmic patterns into fuzzy, ritualistic cycles that sound both ancient and humming with prospective technology. But on the closing track 'Life as a Beast', it sounds as if Gorgonn has come to a conclusion, and in a flurry of acid squelches and doomy foghorn bass blasts, he seems to have accepted that being reincarnated as an animal might be the best anyone can hope for. Who knows, you might end up as a cat.

Six Paths

Gorgonn - Invisible

Max Dahlhaus and Kronom team up for Unizone on “Trauma Tendrils” with remixes from Domizako and Ice_Eyes. “Trauma Tendrils” lands with all the diplomacy of blunt force trauma. Both veteran producers trawl the deepest and darkest recesses of their personal brands of dystopia, settling on a chaotic course of textured experimentalism and distorted broken rhythms. It’s industrial techno that has dissected and reorganized its molecular structure. Tracks that simulate the experience of emerging from the primordial cyber cocoon. Caked in dirt, drenched in acid, mouth full of gristle. All that’s left to do is tear the feeding tubes out of your stomach, punch a hole through the membrane of your prison, and rush the sentinels. What’s the worst that could happen?

tracks & mix @maxdahlhaus @kronombass
remixes @domizako @ice_eyes
mastering @ancestralvision
visuals IG @_nismo95
words @carnelecarne

Pre-order

KRONOM & MAX DAHLHAUS - LOSING GRIP

https://fanlink.tv/btip005_hajj

Dive into the dark, raw, and unrelenting world of Hajj with the "Repulsive Reflections Thru This Fucking Phone Remixes" EP, a complex exploration of the sinister and the introspective. This release on Bad Tips offers a striking contrast between two distinct sonic territories, encapsulating both the chaotic energy of the club and the deeper, spiritual realms of late-night introspection.

The EP opens with four explosive remixes of "Reflections on Repulsiveness," a track originally featured on Bad Tips' "Good Vibes Vol. 1." Hajj's own VIP version amplifies the hardcore and metal elements, transforming the track into a ferocious, head-banging anthem that descends into the abyss. King Doudou then takes us to the twisted streets of São Paulo, infusing the remix with nervy, repulsive funk, while Ronce delivers a corrosive, gritty interpretation that oozes with raw intensity. The duo Vina Konda & Mortal Voracity cap off the first half with a relentless mix, blending metal, bass, and Jersey influences into an indigestible yet euphoric concoction.

The second half of the EP delves into a more introspective space with four remixes of "I Tried To Tell Ya Something Thru This Fucking Phone," originally released on BFDM in 2020. Hajj's VIP reimagines the track with a darker, more nocturnal atmosphere, shifting from the original’s early morning vibes to a late-night intensity. Ukrainian producer Comechelet follows with a remix that balances progressive, militaristic rhythms with an organic, dark shimmer. Gargantuan Collapse (Gargantuan Grief x Modern Collapse) offers a raw, nihilistic take, imbued with a bleak romanticism. Toma Kami then brings the EP to a close with an abrasive yet spiritual rendition, channeling a primal sense of urgency.

This EP doesn’t shy away from experimentation, embodying the boundary-pushing ethos of Bad Tips. Though the release is rooted in a somber, pessimistic outlook, it resonates with the audacious spirit that defines the label. Available digitally and on CD via Bandcamp, this release will also be accompanied by a limited-edition T-shirt featuring artwork by tattoo artist Pepittta. To mark the occasion, a launch event will be held at Station Gare des Mines in Paris on September 21st, featuring performances from Hajj, Vina Konda & Mortal Voracity, Gargantuan Collapse (live), Ronce, Toma Kami, and label head gboi.

https://fr.ra.co/events/1962185

𝐫𝐞𝐥𝐞𝐚𝐬𝐞𝐬 𝐒𝐞𝐩𝐭𝐞𝐦𝐛𝐞𝐫 𝟐𝟎, 𝟐𝟎𝟐𝟒 𝐢𝐧 𝐃𝐢𝐠𝐢𝐭𝐚𝐥 & 𝐂𝐃

curated by gboi & Hajj
illustration by Pepittta
mastered by Perception Mastering
remixes by @kingdoudou @itsronce @vinakonda @mortal-voracity @comechelet @gargantuan-collapse @toma-kami

bandcamp

Hajj - I Tried To Tell Ya Something Thru This Fucking Phone (Gargantuan Collapse Remix)

support tai.no.a II ♡ : tsunamirecordings.bandcamp.com/album/tai…i-no-a002

"𝐷𝑜𝑒𝑠 𝑚𝑢𝑠𝑖𝑐 ℎ𝑎𝑠 𝑡𝑜 𝑏𝑒 𝑛𝑎𝑚𝑒𝑑? 𝑀𝑢𝑠𝑡 𝑖𝑡 𝑓𝑖𝑡 𝑖𝑛𝑡𝑜 𝑎 𝑔𝑒𝑛𝑟𝑒, 𝑎 𝑏𝑜𝑥? 𝑊ℎ𝑎𝑡 𝑖𝑓 𝑤𝑒 𝑏𝑟𝑜𝑘𝑒 𝑎𝑙𝑙 𝑡ℎ𝑒 𝑟𝑢𝑙𝑒𝑠 𝑎𝑛𝑑 𝑙𝑒𝑡 𝑡ℎ𝑒 𝑠𝑜𝑢𝑛𝑑𝑠 𝑠𝑝𝑒𝑎𝑘 𝑓𝑜𝑟 𝑡ℎ𝑒𝑚𝑠𝑒𝑙𝑣𝑒𝑠?

𝑊𝑒𝑙𝑐𝑜𝑚𝑒 𝑡𝑜 𝑜𝑢𝑟 𝑙𝑎𝑡𝑒𝑠𝑡 𝑐𝑜𝑚𝑝𝑖𝑙𝑎𝑡𝑖𝑜𝑛. 𝐻𝑒𝑟𝑒, 𝑟𝑢𝑙𝑒𝑠 𝑓𝑎𝑑𝑒 𝑎𝑤𝑎𝑦. 𝑇ℎ𝑖𝑠 𝑐𝑜𝑙𝑙𝑒𝑐𝑡𝑖𝑜𝑛 𝑓𝑒𝑎𝑡𝑢𝑟𝑒𝑠 30 𝑎𝑟𝑡𝑖𝑠𝑡𝑠 𝑓𝑟𝑜𝑚 𝑓𝑜𝑙𝑘, 𝑛𝑜𝑖𝑠𝑒, 𝑡𝑟𝑖𝑝-ℎ𝑜𝑝, 𝑑𝑜𝑤𝑛𝑡𝑒𝑚𝑝𝑜, 𝑑𝑢𝑏𝑠𝑡𝑒𝑝, 𝑏𝑎𝑠𝑠 𝑚𝑢𝑠𝑖𝑐, 𝑑𝑒𝑒𝑝 𝑡𝑒𝑐ℎ𝑛𝑜, 𝑎𝑛𝑑 𝑡𝑟𝑎𝑛𝑐𝑒. 𝐼𝑡'𝑠 𝑓𝑟𝑒𝑒, 𝑏𝑜𝑢𝑛𝑑𝑙𝑒𝑠𝑠, 𝑎𝑛𝑑 𝑒𝑐𝑙𝑒𝑐𝑡𝑖𝑐. 𝐸𝑎𝑐ℎ 𝑡𝑟𝑎𝑐𝑘 𝑖𝑠 𝑎 𝑤𝑎𝑣𝑒, 𝑐𝑎𝑟𝑟𝑦𝑖𝑛𝑔 𝑦𝑜𝑢 𝑖𝑛𝑡𝑜 𝑎𝑛 𝑜𝑐𝑒𝑎𝑛 𝑜𝑓 𝑠𝑜𝑢𝑛𝑑 𝑤ℎ𝑒𝑟𝑒 𝑔𝑒𝑛𝑟𝑒𝑠 𝑏𝑙𝑒𝑛𝑑 𝑎𝑛𝑑 𝑑𝑖𝑠𝑠𝑜𝑙𝑣𝑒.

𝑇ℎ𝑒𝑠𝑒 𝑎𝑟𝑡𝑖𝑠𝑡𝑠 𝑐𝑜𝑚𝑒 𝑡𝑜𝑔𝑒𝑡ℎ𝑒𝑟 𝑙𝑖𝑘𝑒 𝑡𝑟𝑖𝑏𝑢𝑡𝑎𝑟𝑖𝑒𝑠 𝑖𝑛𝑡𝑜 𝑎 𝑟𝑖𝑣𝑒𝑟, 𝑔𝑢𝑖𝑑𝑖𝑛𝑔 𝑦𝑜𝑢 𝑡𝑜 𝑛𝑒𝑤, 𝑢𝑛𝑐ℎ𝑎𝑟𝑡𝑒𝑑 𝑡𝑒𝑟𝑟𝑖𝑡𝑜𝑟𝑖𝑒𝑠. 𝑀𝑒𝑙𝑜𝑑𝑖𝑒𝑠 𝑒𝑏𝑏 𝑎𝑛𝑑 𝑓𝑙𝑜𝑤, 𝑟ℎ𝑦𝑡ℎ𝑚𝑠 𝑝𝑢𝑙𝑠𝑒 𝑙𝑖𝑘𝑒 𝑡ℎ𝑒 𝐸𝑎𝑟𝑡ℎ'𝑠 ℎ𝑒𝑎𝑟𝑡𝑏𝑒𝑎𝑡, 𝑎𝑛𝑑 ℎ𝑎𝑟𝑚𝑜𝑛𝑖𝑒𝑠 𝑟𝑖𝑠𝑒 𝑎𝑛𝑑 𝑓𝑎𝑙𝑙 𝑙𝑖𝑘𝑒 𝑡ℎ𝑒 𝑡𝑖𝑑𝑒𝑠, 𝑐𝑟𝑒𝑎𝑡𝑖𝑛𝑔 𝑎 𝑐𝑜𝑛𝑡𝑖𝑛𝑢𝑜𝑢𝑠 𝑗𝑜𝑢𝑟𝑛𝑒𝑦 𝑡ℎ𝑟𝑜𝑢𝑔ℎ 𝑡ℎ𝑒 𝑢𝑛𝑒𝑥𝑝𝑒𝑐𝑡𝑒𝑑.𝐴𝑠 𝑡ℎ𝑒 𝑠𝑢𝑛 𝑠𝑒𝑡𝑠, 𝑙𝑒𝑡 𝑡ℎ𝑒 𝑚𝑢𝑠𝑖𝑐 𝑏𝑒 𝑦𝑜𝑢𝑟 𝑔𝑢𝑖𝑑𝑒. 𝐴𝑙𝑙𝑜𝑤 𝑦𝑜𝑢𝑟𝑠𝑒𝑙𝑓 𝑡𝑜 𝑏𝑒 𝑠𝑤𝑒𝑝𝑡 𝑎𝑤𝑎𝑦 𝑏𝑦 𝑡ℎ𝑒𝑠𝑒 𝑤𝑎𝑣𝑒𝑠 𝑜𝑓 𝑠𝑜𝑢𝑛𝑑, 𝑒𝑎𝑐ℎ 𝑛𝑜𝑡𝑒 𝑎 𝑤ℎ𝑖𝑠𝑝𝑒𝑟 𝑜𝑓 𝑎𝑑𝑣𝑒𝑛𝑡𝑢𝑟𝑒, 𝑒𝑎𝑐ℎ 𝑏𝑒𝑎𝑡 𝑎 𝑝𝑟𝑜𝑚𝑖𝑠𝑒 𝑜𝑓 𝑑𝑖𝑠𝑐𝑜𝑣𝑒𝑟𝑦.

𝑇ℎ𝑖𝑠 𝑠𝑢𝑚𝑚𝑒𝑟, 𝑇𝑠𝑢𝑛𝑎𝑚𝑖 𝑅𝑒𝑐𝑜𝑟𝑑𝑖𝑛𝑔𝑠 𝑖𝑛𝑣𝑖𝑡𝑒𝑠 𝑦𝑜𝑢 𝑡𝑜 𝑒𝑚𝑏𝑎𝑟𝑘 𝑜𝑛 𝑎 𝑠𝑜𝑛𝑖𝑐 𝑜𝑑𝑦𝑠𝑠𝑒𝑦 𝑤ℎ𝑒𝑟𝑒 𝑡ℎ𝑒 𝑓𝑎𝑚𝑖𝑙𝑖𝑎𝑟 𝑑𝑖𝑠𝑠𝑜𝑙𝑣𝑒𝑠 𝑖𝑛𝑡𝑜 𝑡ℎ𝑒 𝑢𝑛𝑘𝑛𝑜𝑤𝑛, 𝑎𝑛𝑑 𝑡ℎ𝑒 𝑗𝑜𝑢𝑟𝑛𝑒𝑦 𝑖𝑡𝑠𝑒𝑙𝑓 𝑏𝑒𝑐𝑜𝑚𝑒𝑠 𝑡ℎ𝑒 𝑑𝑒𝑠𝑡𝑖𝑛𝑎𝑡𝑖𝑜𝑛.𝐹𝑜𝑟𝑔𝑒𝑡 𝑒𝑣𝑒𝑟𝑦𝑡ℎ𝑖𝑛𝑔 𝑦𝑜𝑢 𝑡ℎ𝑜𝑢𝑔ℎ𝑡 𝑦𝑜𝑢 𝑘𝑛𝑒𝑤 𝑎𝑏𝑜𝑢𝑡 𝑚𝑢𝑠𝑖𝑐. 𝐿𝑒𝑡 𝑡ℎ𝑖𝑠 𝑐𝑜𝑚𝑝𝑖𝑙𝑎𝑡𝑖𝑜𝑛 𝑡𝑟𝑎𝑛𝑠𝑝𝑜𝑟𝑡 𝑦𝑜𝑢 𝑡𝑜 𝑎 𝑝𝑙𝑎𝑐𝑒 𝑤ℎ𝑒𝑟𝑒 𝑡ℎ𝑒 𝑏𝑜𝑢𝑛𝑑𝑎𝑟𝑖𝑒𝑠 𝑜𝑓 𝑟𝑒𝑎𝑙𝑖𝑡𝑦 𝑏𝑙𝑢𝑟 𝑎𝑛𝑑 𝑡ℎ𝑒 𝑠𝑝𝑖𝑟𝑖𝑡 𝑜𝑓 𝑒𝑥𝑝𝑙𝑜𝑟𝑎𝑡𝑖𝑜𝑛 𝑟𝑒𝑖𝑔𝑛𝑠 𝑠𝑢𝑝𝑟𝑒𝑚𝑒. 𝐿𝑖𝑠𝑡𝑒𝑛, 𝑎𝑛𝑑 𝑙𝑒𝑡 𝑡ℎ𝑒 𝑤𝑎𝑣𝑒𝑠 𝑐𝑎𝑟𝑟𝑦 𝑦𝑜𝑢."

releases June 28, 2024

Curation by Lisa More
-
Mastering by Benoit D. / Perception Mastering

Alice Anyway - La Cavale

@personalbrand
https://personalbrand.bandcamp.com

Through a sharp selection of experimental electronics, post-club compositions, and hip-hop, personalbrand crafts a mix that feels both dystopian and deconstructed. This set offers a stark vision of the contemporary world, delving into its failures, frenetic intensity, and hyper-accelerationism. The bold juxtaposition of avant-garde sounds and rap-infused tracks creates a potent artistic experience, immersing the listener in an atmosphere of social anticipation, urging them to feel the underlying urgency before it becomes reality.

Aguja - propulsor
Only Now & Suega - Cold Front
Lloydfears - Selling England
Jaeho Hwang - DAEBOOK
AKA HEX - Do The Rite Thing
Parzubanil - Liquid ft. Kotrina 
Abstracttet - Uroboros
HP-925 MP-463 - Thug Pro Infinite Combo
Two Shell - be somebody
Proto Animalia Project - Tempat Tenggelamnya Sang Ratu
Scotch Rolex - Lapis Lazuli ft. Lord Spikeheart
Randomer - Bring
El Irreal Veintiuno - Me caga pensar tanto como hacer las cosas
Jennifer Walton - Throat Doxx
rapala700 - BELIEVEINME
Yen Tech - Armored Core (Tzusing's 偶像 RMX)
cybiko2000 - TOMA PAU
Shapednoise - Rayleigh Scattering
Trey Songz - Can't Help But Wait
fransia 98 - DIABLA
MUNGUUGNUM - #000000 HORSE
Overmono - Gfortune
Paigon Bard - Bowerbird
SINERAW  - PHANTOM YOWL
xmyri - ◇.elysian;-reflecti0n


personalbrand

The Pattern Sound - Buster Pattern (Samay Records)

feel my wrath🚷🚷🚷🚷🚷🚷🚷🚷🚷🚷🚷🚷

running & running #h8 {skorm}

He didnt pay me ( it was shit anyways )

Taken from SBKT024: Mun Sing - Scissor

Mastered by Raphael Valensi
Release date: 14th December 2018

For the final release of 2018, SVBKVLT are excited to announce the new EP from Mun Sing, the juddering solo project of Giant Swan‘s Harry Wright. 3 original tracks + remixes from Flora Yin-Wong and Osheyack

Mun Sing’s uncompromising ingenuity of sonic weaponry explores bone rattling, fragmented cyber grime and radioactive trap templates. An attack of fluctuating polyrhythms that pan from left to right creating a delirious effect. Amplified dissonant noise. Syncopated and visceral neo-EBM drum patterns that disintegrate, dissolve and accelerate then starkly shrink with an adrenaline fuelled industrial intensity.

Mun Sing is Wright’s tool to challenge the conventions and aesthetics of modern day club culture. To experiment with ideas of inclusivity and positivity, influenced by mainstream pop music by injecting pop’s marketing methods into the more serious, austere club world. Dance routines, obnoxious visuals and brash costumes all feature in the live show, where Mun Sing uses these elements as a means to highlight inclusivity, movement and fun.

@munsing
@giantswan

Scissor

Mun Sing - Fantasy OD

Taken from SBKT037: Hyph11E - Aperture
2 x LP / Digital - October 16th 2020

Artwork by Wang Newone
Mixed by Raphael Valensi
Mastered by Miles Whittaker
Text by megakira✧◝(⁰▿⁰)◜✧

Aperture is the debut album from Hyph11E.

Holes are ontologically parasitic - they are always within something else and cannot exist in isolation. Holes accompany us throughout our lives, dilative and devoured, fillable but indispensable. On one hand, they are the driven force for evolution, on the other hand, holes are also the layer of scab that signals growth. Without tearing, cutting and gluing, we cannot create or eliminate a hole. Topologists use the number of holes to distinguish geometric objects. In the same method, in the closed circuit of Encrust and Erosion, we became idiographic individuals.

In her new album, Hyph11E guides the light to travel within and through the hole, and it becomes Aperture.

Aperture

Hyph11E - Doppelgänger

Music lover & collector. Art, technology, design and fashion fan, futurist.

Fragmento (Feat. Yvu )

DIGESTIVO

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