Good System ! Forgottend Zouk Released 1989 Talking about Computering invasion, (System la pété tète nous) means " System explodes our head" !!!!

Support&Buy :
https://www.deejay.de/Paul_Rudder_Hurlee_RDDR002_RDDR002_Vinyl__969866

@paulrudder

Premiere : Paul Rudder - The Night We Met (RDDR02)

BUY: https://heistrecordings.bandcamp.com/album/out-the-door-ep

Up next is an undercover project of a well known house producer who decided it was time to experiment, broaden his sound and produce music without the expectations that come with an established name. Lore of the samurai - as the artist goes by - delivers an expertly crafted record with classic Chicago influences, hints of electro and uptempo technoid house.

Justifice

Lore of the Samurai - Justifice

New Start (Loose Control Band NJ Sample Version)

Jeremy - Spiritual Reality

People's People

People's People (Felix Dickinson Dub)

The wax is hot. The tunes are massive. Oath’s sub-label, Last Year at Marienbad, dispenses a foursome of punchy house tracks for its fifth release, lovingly crafted by some of the genre’s finest producers.

Link:
@oathy

APPAREL PREMIERE: Gloved Hands - She Wrote [Last Year at Marienbad]

Part Of: Da Cuckoo YaYa
Release Date: 21.07.23
Buy Link: https://reubenvaunsmith.bandcamp.com/album/da-cuckoo-yaya-2

Reuben Vaun Smith
SoundCloud | https://soundcloud.com/reubenvaunsmith

Ubiquity Records
SoundCloud | https://soundcloud.com/ubiquityrecords
Bandcamp | https://sofamovementsrecords.bandcamp.com

Release Text:
Since he made his debut three years ago with sun-soaked first album Warm Nights, Reuben Vaun Smith has grown and evolved as an artist. His aims, objectives and musical output have changed, too – something that’s evident from the opening bars of his third full-length, Da Cuckoo Ya Ya, which also marks his first appearance on Californian institution Ubiquity Records.

Whereas the summery and colourful Warm Nights was the result of time spent teaching himself music and production, not to mention over a year of daily recording, Da Cuckoo Ya Ya was recorded in less than two months. It not only showcases Smith’s sharpened musicianship and his growing love of Eastern exoticism and wide-eyed psychedelia, but also features guest spots from friends (and fellow Leeds locals) Sakura Murakami (a guitarist who also featured on 2021’s Sounds From The Workshop album), bassist Nial Deravairere (on deliciously dubbed-out and hazy closing cut ‘Beams’) and vocalist Lucy Saddler.

While it shares some sonic similarities with its predecessors – not least a greater reliance on live instrumentation and plenty of audible nods towards Malian musical culture – Smith’s new set is his most confident and dynamic yet, with the Leeds-based producer consciously moving closer to the dancefloor whilst polishing his productions further and showcasing all he’s learned to date.

Smith sets the tone with funky and flash-fried opener ‘Da Cuckoo Ya Ya’, a superbly summer-ready statement of intent rich in flanged psych-funk guitar licks, vintage synth riffs and loose-limbed drums, before subtly doffing a cap to highlife on the peak-time-ready dancefloor celebration of ‘Mama’. By the time ‘Oumbadougou’ settles in to its stride in a wave of effects-laden guitars, polyrhythmic breakbeats, lilting violin lines and dusky early evening textures, you’ll be hooked.

The album is peppered with smile-inducing highlights, from the kaleidoscopic nu-disco/Afro-disco fusion of bona fide dancefloor jam ‘The Waxing Gibbous Moon’, the synth-sporting gorgeousness of ‘Mali’ and the explosion of keys solos, psych guitars and nods to Middle Eastern musical culture that is driving club cut ‘Milano Caravan’, to the hot-stepping, piano-sporting bounce of ‘No Puedo Esperar’ and the immersive, percussive and vividly colourful ‘Help Me Ride’. Then there’s triumphant closing cut ‘Beams’, a chugging, Afro-cosmic masterpiece of the sort more often associated with Daniele Baldelli and Marco Dionigi.

There’s no needlessly clever concept here, just ten killer cuts, expertly imagined and executed, that perfectly encapsulate the evolution and quality of Reuben Vaun Smith’s attractive trademark sound. It’s the sound of an artist who is not only comfortable in his sonic skin, but also laying the foundations of a long and fruitful musical career. 

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Berlin House Music
Submit Your Music | https://berlinhousemusic.com/submission
Store | https://berlinhousemusic.com/shop
Instagram | https://www.instagram.com/berlinhousemusic
YouTube | https://www.youtube.com/c/berlinhousemusic 
Facebook | https://www.facebook.com/berlinhousemusic
SoundCloud | https://soundcloud.com/berlinhousemusic

Da Cuckoo YaYa

PREMIERE: Reuben Vaun Smith - Beams [Ubiquity Records]

Arnold Laszlo - I Never Saw

"Sistem" by Alex Rosa is the 2nd track we choose to reveal from the forthcoming Digital Zandoli 2 selected by Digger's Digest & Nico Skliris to be released on Heavenly Sweetness, the follow up of our acclaimed first volume of this compilation.

Release date : 
*CD/Digital 22nd September 2017 
*Vinyl 13th October 2017 

PRE ORDER HERE :
http://diggersdigest.com/shop/product/various-digital-zandoli-2-funky-zouk-spectrum-1984-1993-1/

Present : DIGITAL ZANDOLI 2

DIGITAL ZANDOLI 2  "Sistem" by ALEX ROSA

After numerous successful records on Ron Trent's "Future Vision" label, Volcov's "Neroli", DeepArtsound, Perpetual Rhythms, Osunlade's "Yoruba", and many others - "About U" is Trinidadian Deep's first release for Croatian label Burek.

Born and raised on the island of Trinidad and Tobago, today a place this producer calls "home" is found on various locations scattered all over the globe and a variety of influences is what is immediately evident by rich sounds and textures engraved onto this piece of vinyl.

A side, "I Want" is the most laid-back moment, in lack of a better term. Warm-sounding tribal percussions supporting the interaction of deep chords and wonderfully lush synths running thought the whole track only to get enriched with a beautiful piano line in the 2nd half. If there is track fitting to represent the sunset, that transition from day to night moment - "I Would" is the one.

B1 "Ghost" is the track on the record with the most forward-momentum. Deep tribal rhythms and lush synth lines are a sort-of a leitmotif on this record and are present here as well, with an occasional vocal snippet that only deepens the magic.

B2 "Abourisha" makes good use of those leitmotifs in a similarly effective but overall quite different manner. Broken rhythm gives it a slightly different energy, making it an ideal track for those 5 am moments when a track like this marks the night.

Buy at  JUNO

Ghost

Werk EP

Jackmate - Werk

For DJ booking : diggersdigest@gmail.com

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DIGITAL ZANDOLI 2 "Sistem" by ALEX ROSA

Digger's Digest

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