Una de las canciones mexicanas con mas fama en el Mundo , Cielito Lindo, en una version electronica diseñada para una puesta en escena del Circo Raus.
Arreglos , Ejecucion y Produccion por Lucio La Rua , Mezcla por ¨Kadu¨, grabada en el estudio de Creasom , barrio de Coyoacan , Mexico.

Cielito Lindo

Somos Todos

Inti Illimani

Velandia y la Tigra feat Dj Trucha y Lido Pimienta_Oracion(EGIPPTO)

ZamZam Sounds is proud to present a truly massive release, the first on our new longer- format vinyl label, Khaliphonic, in partnership with Llorona Records (Colombia).

Los Gaiteros de San Jacinto are Colombian cumbia roots icons, legendary in their homeland as guardians of ancient regional musical and cultural traditions. Here they are joined by another legend, On-U Sound founder and dub producer Adrian Sherwood. Alongside Llorona Records ́s Diego Gómez, Sherwood and the band have created an absolutely unique sound that seamlessly blends timeless cumbia rhythms and sonorities with powerfully restrained dub mixing.

It is no exaggeration or hyperbole to call this mystical music, a heart-centered psychogeographical journey from the Caribbean Coast of Colombia through Jamaica and UK dubscapes. The heartbeat rhythms this team explores so deftly unite musical cultures in such a natural way that the sound they produce feels almost inevitable. Vocal exhortations, massed flutes, organic bass and keys, extraordinary volleys of percussion, echo trails, reggae skanks, and truly masterful arrangements and dubbing make this a simply crucial release. Miles beyond most attempts at cross-cultural musical fusion, we guarantee you will be mesmerized by the beauty and power of Dub De Gaita. There is simply nothing else like it.
￼￼
Produced by Adrian Sherwood and Diego Gómez, mixed by Adrian Sherwood at On-U Sound. Assistant Producer: Skip McDonald . Mastered by Kevin Metcalfe at Sound Masters UK.

Special Guests: George Oban (Bass on El Fin del Mundo), Diego Gómez (Bass on Maria Solá), The Ital Horns (Brass on El Fin del Mundo and Maria Solá), Skip McDonald (Keys and Guitar on El Fin del Mundo).

Strictly limited: 650 copies for the world – hand screen printed – No repress – No digital

Release Window: Early August, 2014 

OFFICIAL TRAILER: vimeo.com/84872094

DUB MEETS GAITA: SHOCK MAGAZINE VIDEO:
www.youtube.com/watch?v=GdNykelo5C4

Los Gaiteros De San Jacinto B1 "El Fin De Mundo" (Edit)

New jckoma new beats (4).mp3

Flow

Sesion grabada en vivo con Amplificadotv en Bogota  Colombia.

GAITEROS DE SAN JACINTO / VIENE AMANECIENDO : AMPLIFICADO (COLOMBIA)EN VIVO

Canciones del primer trabajo de Rap De Luz

Luz (Beat by Plizzardd, Muluk & Jelly)

MATEO KINGMAN PRESENTS “RELIGAR” AND KICKS OFF A NEW ERA IN SOUND
 
With his new sound, Mateo Kingman turns snake and constantly sheds his skin. After the successful debut album “Respira”, he’s back with more vocal power and poetry. “Religar” is our first glimpse of a more mature, honest Mateo, searching within for new sonic destinations. Experimenting, rhyming, putting it all together to take it all apart. He moves us, he makes us move, and gets right under our skin.
 
“Religar” is the first single from Mateo Kingman’s new album, set for a 2019 release. A blend of profound, cosmic lyrics with cutting edge, eclectic production, synths exploring organic beats and melodies. “Religar” means “putting the parts back together again, returning to unity after it’s all fallen apart.” The track will be available on all digital platforms on October 30. 
 
The video was directed by filmmaker Ana Cristina Barragán. Mateo approached her because “she has a sensitive outlook when it comes to dealing with tough subjects. She’s very subtle. We connected on a very deep level when it came down to writing the script and also when we edited the material. Ana directed three and a half minutes of overwhelming, authentic feelings about getting back to the essence of who you are.” 
 
The video was shot in Quito and in Valle de los Chillos, Ecuador. Ana Cristina comments “it’s a portrayal of a group of teenagers whose faces and bodies betray an inner wound that can’t be seen, but it can be felt. Through caring for each other, through dance, disturbing games and snakes, these teens vent with a sensation of abandonment and freedom, attaining a new state of euphoria, reconnecting with each other and with their own essence.”
 
On working with Mateo, the director said “he invited me to direct this project. He’s a very sensitive, very perceptive artist. We wrote the script together and I had all the freedom I needed in the direction process. There was a strong bond of trust between the two of us. Directing a music video is different to directing a film, but I liked working with the feelings that this powerful melody and lyrics inspired in me. As well as the creation of the visual universe, there was some deep rehearsal work and a search for authentic feelings that somehow gets through to the viewer.”

Watch the video here:  https://www.youtube.com/watch?v=ANbp4lvzT9k&feature=youtu.be

Mateo Kingman’s second album promises to be a deep journey into sound 

With this second album, Kingman goes on a journey from the conception of the human being as a separate entity. He goes through the tough task of accepting that we have neither control over nor responsibility for our existence. And then he reaches the peak moment of the disappearance of the ego, becoming part of the cosmos, part of the whole, to finally return to the earthly realm, as a human once again, but more present, vital, and with a new knowledge: “We are an infinite thread of colors in the grand project.”

Mateo Kingman - Religar

Vinyl/Download/Stream: https://mateokingman.lnk.to/astro

MATEO KINGMAN PRESENTS HIS SECOND ALBUM, ASTRO 

Mateo Kingman conceives of his second album Astro as a cure for the healthy. It’s a journey across the constellation of the snake, a journey at once earthly and cosmic. The poetic text expressed with a multiplicity of vocal timbres drives the musical journey, starting with the decision to face up to our demons, passing through a deep sense of vertigo and sacred healings, to return us to ourselves, reconciled and grateful. 

Musically, Astro expresses an intense investigation, tying together different threads: contemporary urban song (trap, hip hop, and elements of electronic music), traditional Latin American melodies influenced by shamanic icaro chants, and the emphasis on synthesizers, resulting in a new, hypnotic kind of sound.  

The journey begins with “Umbral”, its introduction reminiscent of a prayer, a representation of the moment when we understand we need help. With each song we go further into the meaning of this introspective journey. “Puerta de Sal” is an invitation to let ourselves go, embrace the absence of control and take a leap of faith into the unknown. “Último Aliento”, made in collaboration with Gustavo Santaolalla, speaks of the acceptance of death as an indispensablepart of life. “Religar”, the first single from the record, is about reconciliation, the possibility of returning to oneself after the disintegration of the self. The journey ends with “Astro”, which gives its name to the album, and represents the learning we carry with us after a spiritual journey. 

In a world in which we increasingly need more stimuli and approval from the outside, Astro invites us to take a look inside and explore all the aspects of the self, from the darkest to the lightest. On this record, Mateo Kingman shows a strong point of view as the author, although he moves away from the sounds and themes with which he made his name, daring to mix current trends, urban rhythms and vocal experiments, forming a constellation through which we can all travel, showing a clear personal and musical evolution. 

Music composed, arranged and recorded by Mateo Kingman and Ivis Flies in Quito, Ecuador, except for "Lucero” which contains an adaptation of "Tonada de Ordeño", from Antonio Estévez. In honor of Simón Díaz.

Collaborations by Gustavo Santaolalla, voice, ronrocos and bass in "Último Aliento"; Toño Cepeda, arrangements in "Último Aliento"; Andrés Benavides, bombo tradicional, vocal sampling in "Religar" and hi hat in "Puerta de sal"; Daniel Pasquel, synths design in "Astro"; Ernesto Karolys, synths design in "Umbral"; Isaac Zeas, guitar in "Último aliento" and "Lucero"; Jesús Bonilla, harp in "Tejidos"; Diego Alberto Martinez, arrangements in "Umbral"; Martin Flies, hi hat programming in "Religar"; Nicolás Dávila, kick replacement and sub low bass in "Religar". 

Recorded by Ivis Flies; additional recordings by Daniel Pasquel, Renato Arias, Omar Miranda; Daniel Amores, production assistant; Remy Laurençon, Mix; Antoine "Chab" Chabert Mastering 

Executive Production: Alvaro Almeida.

Art: Panic Study; Concept: Maria Emilia Jaramillo & Mateo Kingman.

Copyright AYA Records 2019

Mateo Kingman https://www.mateokingman.com/
Spotify https://open.spotify.com/artist/223se9o877Y4jHzwlDcGNx 
Facebook https://www.facebook.com/mateokingmanoficial/ 
Instagram https://www.instagram.com/mateo_kingman/ 
Twitter https://twitter.com/MateoKingman 
Bandcamp https://mateokingman.bandcamp.com 
SoundCloud https://soundcloud.com/mateokingman 

AYA Records http://ayarecords.net 
Instagram https://www.instagram.com/ayarecords/ 
Twitter https://twitter.com/ayarecords 
Facebook https://www.facebook.com/AYARecordsLatAm/ 
Bandcamp https://ayarecords.bandcamp.com 
YouTube https://www.youtube.com/channel/UCLxE2uBJBkRAWsRYaNRzlAg 
Merch https://ayarecords.bandcamp.com/merch

Astro

Mateo Kingman - Lúmina

~ Designing music ~

    email 
    digitalmasterproyect@outlook.com

Inti Illimani

D.Master

Recent comments

hasrael157

Related tracks