Techno

Saved release their 100th EP with a superb collection of tracks including my remix of Gary Beck's 'Say What'. 

Released on the 10th March.

Gary Beck - Say What (Adam Beyer Remix) - SAVED100

Dustin Zahn makes his album debut in March 2014 with the release of Monoliths on Adam Beyer's Drumcode label. Gestating over a period of a four years during break from releasing original solo material, Monoliths sees the Minneapolis native capturing the full breadth of his production style in the long-player format for the first time. Having become a mainstay of the Drumcode line-ups for their Berghain residency and beyond, the challenge was set for the Berlin-based Zahn to build upon the reputation he has established in the past decade-and-a-half since he first arrived on the scene, during which time he has also given a platform to artists such as DVS1, Minilogue, Psyk and Truncate via his Enemy Records imprint. 
"Adam Beyer has supported me since day one and almost all of my output has found its' way into his sets since the beginning. Aside from being a champion of my music, he has also become a good friend and has been a big help to me when times were tough. Drumcode was a major influence on me when I first started getting into techno. Getting the opportunity to do an album for an inspirational label with a massive following made choosing them an easy decision." 
The bracing retro-futurist synths of 1984 tease what's to follow: epic, ambitious, raw real techno - as imperious as the album title implies and impeccably designed for the tallest speaker stacks. When the record is at its most dancefloor-focused each cut is an amalgamation of classic techno elements that encapsulate the genre at its most uncompromising, though Zahn's skill as a producer shines through in his ability to demonstrate the range contained within this aesthetic. Whilst embodying the genre's purity of purpose, Monoliths is still able to find and explore different sonic palettes. 
"The overall tone is noticeably a bit more industrial and colder since it was written over a brutal winter in Berlin. It also marks my return to a heavy emphasis on hardware for a more raw sound. A lot of producers try to show their range on albums by writing music that isn't necessarily their strong point. In result, you get a lot of albums with mediocre 'listening' tracks and a couple of token 'club bangers' that should have just been destined for an EP anyway. I decided that I was going to focus on my strengths and write a full-on techno album that sums up my career so far."

09. Dustin Zahn - Sundays in Berlin - Drumcode

first 90mins of d-nox dj set from the legandary Tribe festival near Sao Paulo recorded on May 18th at 8 am local time!

D-Nox at Tribe #oretorno Festival Sao Paulo 2014

Bulgarian psytech genius KLIMENT leads us into the 'Depths of Delusion' on 14th June 2014 Saturday 8pm CET on the Trance channel.

Kliment Dichev solo project emerges after years of musical experiments within various electronic genres: progressive, psytrance, deep minimal, ambient, idm, drumnbass. Featuring several other music projects (Once Upon a Time, Samodelia, idmt), he works in collaboration with producers and musicians such as Moshic, Kintar, Micromattic, Skiller, Surbahar, Elitsa Todorova & Stoyan Yankoulov, Nambient, Aura Rascon, Milena Sergueeva, Veselin Mitev, Orlin Cvetanov... His releases for labels over the world - Electric Dream, Contrast, Iboga, Blue hour sounds Tribal Vision, ChillOm, Iboga Mexico, Soultribe, YSE, Absolutive, Sofa Beats - made up his name as one of the best acts from Bulgaria, with gigs across many clubs and festivals in Europe and world's progressive and scene. Along the electronic works, he is often involved in movie productions as music composer and/or sound engineer - audio for 3d outdoor video mapping projections, music for contemporary dance performances, movie score etc.

Discography (albums):

• Empty Space (Zenon records 2013)
• 2 upcoming EPs - 6 deep tech & prog tracks, (Electrick dream 2013)
• upcoming psytrance album (Blue Hour Sounds 2013)
• EP 'Freedom Elevator', (Iboga Mexico, MX, 2009)
• 'The Perpetual Ritual' (Ambient album), (Electrik Dream, UK 2009)
• EP on Vinyl - Micromattic vs Kliment, (Absolutive Records, FR 2009)
• EP 'Secondary Motion', (Iboga Records DK, 2008)
• EP 'Origins' incl. Moshic remix, (Contrast records IL, 2008)
• EP 'Memories of a picture', (Iboga Records DK, 2007)
• Ar Kane - 'The eerie prophecy', (Farfield records UK, 2003)

Facebook: https://www.facebook.com/pages/Kliment/14839263538?fref=photo
SoundCloud: https://soundcloud.com/kliment
Zenon Records: https://www.facebook.com/pages/Zenon-Records/286570021721?fref=ts

Kliment "Depths Of Delusion" 14/06/2014

Adam Beyer’s new EP titled ‘Teach Me’ is an accomplished piece of work that highlights Beyer's year thus far. 'Teach Me' starts with some eerie chords before the distinctive vocal kick in and the track drops into a rumbling techno track. ‘Darlek’ uses rhythmic beeps and huge synth stab to create a funky rhythm before the atmospheric pads create a beautiful setting for this incredible techno track. ‘Stop Talking’ is a deeper offering from Beyer using weird and unusual noises to create and interesting piece of work that is helped along by the throbbing bass underlying in the track. ‘Spaceman’ uses a rhythmic vocal, percussion and sub bass to turn this track into a funky techno piece.

Adam Beyer - Teach Me - Drumcode - DC132

Luigi Madonna returns to Drumcode a year after his superb single ‘Primo’ using familiar hooks, huge stabs and monstrous drums that storm across the dance floor which, are common with Mr Madonna. The hard hitting raw vibe of this EP gives Luigi an edge, with fluttering high’s and saturated lows, Luigi’s tracks are a mainstay in all DJ sets. The EP encompasses different emotions throughout that can be felt within the track ‘Singer One’, offering a more mellow side to Luigi’s already expansive catalogue.

Luigi Madonna - Unconditional Beauty - Drumcode - DC135

Gregor Tresher kicks off 2015 looking to break new soil with his first ever full release for John Digweed's Bedrock Records.   

Last year was as hectic as ever for the Gregor and he came into it on high from the success of his artist album Nightcolours and having closed out 2013 by releasing an astonishing Laurent Garnier remix of the title track, on his own imprint.   Time to relax a little maybe? Not a chance. January saw the remixed version of the album hit the stores and this was backed within a few weeks by 'Taurus', Gregor's enticing collaboration with Petar Dundov. The summer saw him remix the Chymera classic 'Shadowdancer' and he closed 2014 with the superb 'Midas / Disturber' double-header.   

Somewhat of a musical chameleon, Tresher is as at home creating deeper shades of house for the likes of Moon Harbour and Ovum as he is techno rhythms for Music Man, Cocoon and Drumcode.   With label boss Digweed a huge fan, Bedrock is yet another perfect fit for the German and he opens his account with the mighty, melodic and Kraken'esque 'Goliath' and the razor-sharp lightning bolt that is 'Stormblade'.

Gregor Tresher - Goliath (Bedrock)

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

Adam Beyer is back on Drumcode with an impressive array of tracks that will get the senses tingling and shows us what Drumcode is all about. These 4 tracks are deep and almost melancholic in their approach to techno, using effects to really help enforce an ambience only Beyer can achieve within his productions. The under lying throbbing of the drums drives this EP into the forefront of the heads down Drumcode sound and have been heard in many of Beyer’s phenomenal sets throughout the year.

Adam Beyer - What You Need - Drumcode - DC141



A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration.

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint.

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014.


For An Endless Night (Jel Ford Remix)

DC140 For An Endless Night (Jel Ford Remix)[Drumcode]

CELESTE

Midfield EP

Luigi Madonna, Roberto Capuano - Midfield

Catarse

Wehbba - Catarse

Artist: Alan Fitzpatrick
Title: Skeksis For An Endless Night
Genre: Techno
Date: 07 November 2012


Alan Fitzpatrick - For An Endless Night

Roberto Capuano - Vertigo (Original Mix)

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Roberto Capuano - Vertigo (Original Mix)

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