a m b i e n t

This is my submission for Ambient Online’s “One Sample Dare” recurring challenge, #13.  See http://www.ambientonline.org/forum/showthread.php?1664-One-Sample-Dare-13 for more details.

I created 2 new samples from the original recording:

Sample_A:  Cropped the first 29 seconds of the recording, then mirrored it (like a single ping-pong loop).  Then I stretched it to be 8x the original length with PaulStretch, swapped the left/right channels, and added fade in/out.

Sample_B:  Cropped the first 42 seconds of the recording, then mirrored it (like a single ping-pong loop) and added fade in/out.

Then I brought those two samples into Renoise for sequencing and effects.

Track 1:  Play Sample_A 2 octaves lower.
Track 2:  1 minute later, play Sample_B 3 octaves lower.
Track 3:  1 minute later, play a second instance of Sample_A 1 octave lower.

Tracks 1 & 3 are routed to a shared effects track, which has an Exciter to enhance 500Hz and 2kHz and a reverb (native effects in Renoise).

In addition to sending audio to the Master track, that effects track also sends its audio to a second effects track, which has a high pass filter at 1kHz to filter out all the bass.  There is also a resonant bandpass filter, which sweeps up and down the frequency range via LFO with a 30 second period.  Another LFO pans left/right with a 1 minute period.

No effects on Track 2.  It sounded too glorious as-is.  I lost a few hours just listening to that…  :)

I routed everything below 100Hz to a separate effects track with a -5dB gainer to help tame some of the bass.  

For the Master track, I have a 5kHz lowpass filter to eliminate some high frequency detritus, and a bus compressor to bring up some of the quiet bits and even out some of the spiky dynamics.

Lissajous v0.50

Stream 7 Months:  https://distrokid.com/hyperfollow/tsohgeht/7-months-3

Ethereal Dreams

iamyou - Змістовно різні
III mini-album

Written and performed by iamyou: 
Martha Kovalchuck Moody Spot Eugene Podkopayev Mihan Sinkopa
iamyou@ukr.net

Змістовно різні

Зникнути мушу

This piece was written for the Winter Solstice - I performed it live at a venue in Salem, MA. My friend Phil Wyman sat in on ambient guitar....one of several improvisational jams we've done to my music.

Waning Gibbous Moon

Преломление четвертое - V'hu - ehn n'kgnath fha'gnu n'aehm'nh

I am waiting for you last summer - Nothing between us (digital moss remix)

Reka

waves

Mixing: Andrei Proniaev
https://soundcloud.com/andreiproniaev

nosa sifu

deflector

System Overdrive

ohuse

Mixed by Andrey Proniaev (@andreiproniaev)

Turn off the lights for the next 20 minutes is a kind of mechanism with a manual attached to it. Its main function is to start the listener's journey through the gates of their consciousness in search of figural, figurative and abstract artifacts. It can be fragmentary memories, moments of insight, random visual images, short bursts of sensations and feelings caused by long-forgotten events emerging from the depths of memory, places, smells, and social contacts. A short briefing tells three things: to achieve the maximum effect, the album should be listened to alone, with the lights off, with a couple of minutes in silence on top of it (this is important).

Turn off the lights for the next 20 minutes

Unknown trail

Kitland - Space Neverland

@crystal-cage @avasuproject
available on all platforms ub.fanlink.to/accursed-acolyte-evermore-casting

I am waiting for you last summer - Nothing between us (digital moss remix)

digital moss

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