Woah! It's been a while since I've heard this one!

Can you remind me of the name of this track?

Festive season special podcast from Beau Wanzer himself. Just wanted to thank you all for the great 2015 we had. Enjoy!

Beau Wanzer grew up moving between the states of Texas, Oklahoma and Kansas. Dressed in black the teenage Wanzer would brave the deep southern heat visiting record stores to purchase CDs with the most whacked out album covers. This methodology led him to the works of Skinny Puppy, Sleep Chamber, Absolute Body Control and a host of other industrial, noise and punk bands. Whilst Wanzer played guitar in bands for over eight years he bought his first synthesiser, a Roland Juno-6 at the end of the 1990s and began creating his own synth music. A short while later he moved to Chicago to study molecular biology and began working at Weekend Records & Soap in 2001. It wasn’t until a couple of years later that he began to consider the possibility of releasing his music following a friendship with Melvin Oliphant III, a.k.a. Traxx. The two recorded music together as Mutant Beat Dance and Wanzer’s first solo piece, ‘F.U. Klaxon’ came out on Traxx’ Nation record label in 2008. Wanzer participates in frequent collaborations exploring various aspects of noise and sound, for example creating rhythmic techno as Civil Duty with Sean O’Sullivan and somewhat raucous synth & electro with Elon Katz under the Streetwalker moniker, a project which saw the release of an album on Cititrax in 2013. Wanzer has released a variety of music under his own name across labels such as L.I.E.S. Russian Torrent Versions and his own imprint BW, secreting grotty synth and drum machine workouts, not quite techno, not quite punk but scuzzy mutant hybrids of the two. Wanzer released his debut album on BW in October 2014. Music for the lost and the damned and those that want to be.

http://digital-tsunami.org

Digital Tsunami 090 - Beau Wanzer

Black Gloves II EP

Bogdan Dražić – Cyrk I

64kbps old shits
https://rawculture.bandcamp.com/album/vinyl-only-for-muthafucka-use-only-ep

Asymmetrical - For Muthafucka Use Only [Raw Culture]

Dirk Desaever - Collected 1984 - 1989 (EXTENDED PLAY)
Side A is a reissue of the highly sought after Disdain EP from 1988 by White House White. While it’s the most straightforward New Beat / EBM section of this Collected, Desaever’s sense of dramaturgy, his sound design, rhythmic patterns and use of film samples create a dark and mysterious ambiance at odds with the smiley atmosphere prevalent in most contemporary New Beat productions with infectious grooves focused on setting bodies in motion. 

On Side B, three previously unreleased tracks in a similar spirit to WHW’s sound with a dark and sleazy atmosphere, elegant arrangements that sound of an almost baroque persuasion, mysterious film samples and dance-inducing rhythmic sections that range from 104 to 108 BPM.

DIRK DESAEVER'S COLLECTED 1984 - 1989: A THREE FORMAT RELEASE ON MUSIQUE POUR LA DANSE.
Musique Pour La Danse is thrilled to present its latest “Collected” anthology, the label’s most ambitious release since it released an extensive anthology of music produced by New Beat pioneer Ro Maron back in 2015. 

This time label managers Olivier Ducret (Muriaux, CH) and Ed Isar (Paris, FR) have focused on another essential Belgian producer: Dirk Desaever, the man behind White House White, A Thunder Orchestra and Danton’s Voice. Rare and sought after, his records fetch high prices among collectors. Some of his productions under these aliases have appeared in crucial compilations such The Sound of Belgium series as well as Walhalla’s Underground Wave, along with edits by Mick Wills for Biorythm and Marcel Dettman for Dekmantel. 

What was initially supposed to be a simple reissue affair soon turned into a much wider project, as Desaever shared heaps of amazing unreleased material with the label. It seemed much more interesting to shed light on the dark side of this producer’s body of work, rather than to focus on content already reissued elsewhere. 

After listening to noisy tape rips over and over, Ducret & Isar opted to break this release down in three formats (EP, LP distributed via NEWS and a cassette sold by the label direct), each one with different content. They entrusted sound engineer Lorenzo Targhetta with remastering the music and it’s impressive how much he managed to polish the sound without altering the unmistakable grain of music committed to cassette tape.

Get it on vinyl / tape

Dirk Desaever - Collected 1984 - 1989 (EP Trailer)[Musique Pour La Danse ]

@sneakerdj @rvds @joshua_cordova @katrina

Katrina Fairlee, Joshua Cordova & Sneaker - Geist Bahn (FIT-022)

https://music.yuyay-records.de/album/element-8-yuy011
www.yuyay-records.de
Distributed via Bordello a Parigi (NL)

Written and produced by M. Viehweger
Mastered by Alek Stark at Fundamental Audio

“Nomenclature is an integral part of any society. E.g., today's western science can only make sense of oxygen if it is sorted into a scale as its 8th element. And because it's only a matter of nomenclature, fire can exist without oxygen. About 300 years ago in Phlogiston Theory it instead was called Fire Air. Yskay scientists called the same substance The Sun's Colonizing Soul. You see, we often talk about the same without even realising it.”

[YUY011] Carl Y. Scheele - Element #8 (Snippets) // 12" vinyl

RADIO RITUEL 21 -  KOSMIK

Peramen! A Compilation for Belarus

“Change! Our hearts demand it. Change! Our eyes demand it”, sings Kino’s Viktor Tsoi in “Peremen”. This song may now be heard on the streets of not just Minsk and Grodno, but also Babruysk, Brest, Gomel, Mogilev, Pinsk, Vitebsk and what – at least to a foreign onlooker – looks like countless Belarussian cities and towns engulfed in protest. Following years of Alexander Lukashenko’s rule, another rigged election, omnipresent violence perpetrated by the state apparatus, censorship and draconian laws, the people have taken to the streets en masse. This is not the first time the Belarusians are out to protest, but the scale of these disturbances is unprecedented. Also unprecedented is the fact the rallies are led by women, who head the peaceful marches that have spread onto the streets of Belarus. Workers, miners, teachers, employees of the media and the Minsk underground as well as artists from the Belarusian State Philharmonic have all joined the protests. They stand against lies, demand the transparency of public life, and access to power. As they rally against repression and torture, they expose themselves to the same.

The artists featured on the Peramen! compilation also demand changes. While we cannot physically join the protesters on the streets of Belarus, we want to offer them at least this form of support. Our thoughts are with our friends – and with all the people who have been arrested, beaten, and humiliated. We join in the grief of families of all those murdered in the protests.

The compilation covers a broad selection of genres: from club music, through classical and experimental classical, to noise, ambient, and rock; from pieces that were composed to ones that were improvised or inspired by folk music. Its geographical scope is similarly broad, spanning Belarus, Czechia, Poland, Slovakia, Ukraine, USA, Russia, and Hungary.

Buy - Comp for Belarus

Future Life

Facing global extinction on one side and reflecting flurring dystopia on another, @DmitryDistant and @Lowfish teamed up in utopian electronic music release on 7" vinyl.
First seven inch vinyl from labels 777 series.

EL777-1 Dmitry Distant / Lowfish - Extinction / Jagged Edged Scrap

Гараж #22 — Шифшуф

Dj Wedding spent 2020 looking for his sound and writing new music. We listen to a mix from our old friend and look forward to releases this year.

Digital Tsunami 090 - Beau Wanzer

Digital Tsunami

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