It's time to bring the funk. Whether you're playing ska, reggae, or funk, the Bass Synth Wah™ is simply the most versatile bass envelope filter pedal on the market, with seven different bass envelope filter types to choose from. Don't just show up to the gig, make the crowds gyrate.

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Digitech Bass Synth Wah Demo 1

Digitech Bass Synth Wah Demo 2

Introducing a new addition to the DigiTech Whammy Family – Whammy DT!  We’ve taken the premier pitch shifting effects pedal added drop tuning and true bypass to bring you the ultimate Whammy pedal, the Whammy DT.   With the Whammy DT, you can modify your tuning without having to change guitars or pause awkwardly to make adjustments for the next song.  Key changes are at the tips of your toes and take just moments, which is crucial when the audience is feeling your vibe.  

Pitch shifting effects really help your guitar performance stand out and the Whammy pedal has been the core pitch shifting effect for famous artists for over 20 years.  Now add full drop and raised tuning in addition to classic Whammy shifting to your effects arsenal and find out why the Whammy DT is the premiere pitch shifting effects pedal for every guitarist.

Step down or step up 7 half steps or an entire octave: The Whammy DT gives you the latest pitch shifting technology to retune your guitar without ever touching the tuning pegs.  Step up or down in 7 half steps, or an entire octave with just one setting. 

Whammy effects capabilities: With all the new tuning capabilities, you still have your true pitch shifting effects to sweeten up all moments of your gig.  With over 20 years of leading the market in pitch shifting, Whammy effects give you the comfort of knowing the pedal you are using is a proven winner.

Momentary footswitch for “hammer-on” and “pull-off” effects: You can instantly create hammer-on and pull-off effects during your performance with the momentary footswitch.  Hold it on for quick chord shifts or note changes during your solo or a gritty bridge. 

The Whammy DT

DigiTech Mosaic

2 of the octave settings on the Bass Whammy pedal

Bass Whammy Octave settings

Fender Jazz Special played through a DigiTech Drop. The bass line is looped, and starts off in standard tuning with the pedal disengaged. Each time the loop repeats it is dropped one semitone, or a half step. The final loop is the dry+octave setting.

Electric Bass through The Drop

Electric bass through DigiTech Polara

Title says it all. To achieve this tone, set your distortion at 1 oclock, depth at 2, low outer knob at 11, inner at 1, mid outer at 11, inner at 8, high outer at 10, inner at 2

Attempt to create a cranked all tube bass amp tone with the Boneshaker

Level set to 10 oclock, and range set to 1 oclock, resulting in a "blooming" effect on the low end after the note is plucked. This pedal responds a little differently to different pickups and playing styles, and as a result you might need to mess with your settings a bit to achieve the same sound.

Bass bloom with 440 Envelope Filter

Since the DOD Boneshaker responds to volume changes, putting it after a DOD Bifet Boost in a signal chain makes for an awesome extra level of overdrive.

Bifet Boost and Boneshaker

This is Tom Cram using the Boneshaker as an overdrive to get a crunchy high gain tone. Distortion at 3 o'clock. high and low at 1 o'clock, mid at 11 o'clock.  This is with a JA90 Telecaster with Duncan P100's.

DOD Boneshaker into Marshall JCM 800

More of the Boneshaker used as an overdrive into a Marshall tube stack

DOD Boneshaker into Marshall JCM 800 2

Tom Cram playing through a JCM800 but set spanking clean.  The Boneshaker gain is set to 10:00.  This is with a Blacktop Tele with GFS Retrotron Liverpool pickups, middle position.

DOD Boneshaker lower gain tones

American Fender Telecaster into Marshall JCM 800. Settings on 280: Compression at 11 oclock, level at 10 oclock

DOD Compressor 280

American Fender Telecaster into Mesa Triple Rectifier

Low gain Boneshaker

Preset 26 "High Gain" on the RP360XP, with some scooping of the high range in the EQ.

High Gain bass tones with the RP360XP

Mangled Bass tones

Billy plays the new Ventura Vibe.  He demonstrates the "Rotary" Setting with the Drive control turned up a bit, and he also shows the momentary slow to fast foot-switch operation. 

Guitar Organ Riff

Billy plays the new Ventura Vibe.  Here he demonstrates the "Modern" Setting on a fast speed.

Fast Vibrato Riff

Based upon my first clip there were people worried that the Carcosa was too raw and couldn't sound smooth, this clip is to show that the Carcosa has a smooth side.

Hagstrom Swede M > Carcosa Fuzz > clean JCM 800, 4x12 w/V30's

Carcosa Single Notes

I was asked if the Carcosa can cop a certain tone and riff, the answer is yes, yes it can...

Carcosa Big Phat Riff

Clip showing how the Carcosa handles having a buffer in front of it.  You can hear a slight change in high-frequency detail with the buffer engaged, but it is easily compensated for with the Hi-Cut control.

Hagstrom Swede M > BiFet Boost > Carcosa > Vox AC30

Carcosa w/Buffer

Gibson SG on bridge pickup into Looking Glass clean > Rubberneck > CabDryVr set to British 4x12.

Clean Rubberneck

Fender Jazz Special (P-Pickup) > FreqOut > CabDryVR (1x15).  I have the FreqOut set to Nat Low, and at the end you can hear it shift from one feedback frequency to another - kinda cool!

Bass FreqOut

FreqOut 3

FreqOut 2

FreqOut 1

Yamaha Weddington Classic Bridge pickup > FreqOut > Looking Glass > CabDryVR (4x12 Greenbacks)> DAW.

FreqOut Gain @ 11:30, Onset @ 1:30 set to latching so it is always on, that way I just hold a chord and it goes into feedback automagically.

FreqOut with Chords

In this clip I'm throwing some odd chords and chromatic runs at the FreqOut, I'm also doing some slow full-step bends to show how the FreqOut tracks.

 Hagstrom SwedeM Bridge Pickup > FreqOut > DOD Gunslinger > CabDryVR (4x12 Greenbacks) > DAW

FreqOut mixed chords and single notes

Jonni compares 9v vs 12v operation on the DOD Gunslinger.  He tries three different gain ranges Low/Med/High.  You can really hear a difference on the Medium and High gain ranges.  The increased headroom also has a more "open" feel.

Les Paul Standard > Gunslinger > Polara (Room) > CabDryVR (4x12 Greeback)

DOD Gunslinger 9v To 12v Low Gain To High Gain

DOD Rubberneck Analog Delay set clean with a little bass rolloff (tilt EQ set to ~2:00) and slight modulation.  The little bit of grit is provided by the DOD Looking Glass.

Fender JA90 > DOD Looking Glass (Low-Gain) > DOD Rubberneck > DigiTech CabDryVR (Greenback 4x12)

Rubberneck Clean w/Bass Rolloff

Here is a demo of the Rubberneck with a long delay time tapped in.  I have the tone set to ~1:30, no gain, no modulation, and I increase the repeats from 1 to oscillation.  There is also some Rubbernecking at the end as well as switches between oscillation on the knob and on the switch.

Fender JA90 > Rubberneck > CabDryVR (Greenback 4x12) > DAW

Rubberneck Long Delay Time

Long Delay time, 4-ish repeats, light modulation, tone control at maximum (for full bass rolloff)

Hagstrom SwedeM > Rubberneck > CabDryVR (Greenback 4x12) > DAW

Rubberneck Delay with modulation and bass rolloff

This is showing how the DOD Rubberneck Analog Delay's Momentary Oscillation footswitch can control runaway oscillation with high repeats and high gain settings.  Turning down the Knob/LED all the way counter-clockwise kills all regen, and anywhere from there to noon, it makes it fade-out.

Hagstrom SwedeM > Rubberneck > CabDRyVR (4x12 Greenback) > DAW

Rubberneck Oscillation Cutoff_Fade

DigiTech is the original pioneer of floor-based multi-effects for guitar and bass. Today we're proud to feature a full-line of effects including rack and floor multi-effects, stompboxes in every flavor and specialty pedals like the Whammy, JamMan, Timebender and more.

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