Taking it back in the modern era, the best chill song!

@viznode <3
from "our intelligence vol. 2" by @sculptured_jp
> Now available on Bandcamp! https://sculptured.bandcamp.com/album/our-intelligence-2
> Stream it here: https://go.protonrad.io/rls_EmCM1v7gc

sculpturedは、2024年4月28日(日)に東京流通センターで開催されるM3-2024春に出展し、新譜「our intelligence 2」をお届けいたします。

スペース：第二展示場2F ク-03ab
サークル：sculptured

◆楽曲情報
01. Digital Garden / SOZEN OTSUBO (@sozenotsubo)
02. chemin / Wavfire & Sena (@wavfire, @sena_soar)
03. zenith / maezawa & icesawder (@maezawa-lab, @icesawder)
04. insomnia / NoAttribute (@noattribute)
05. redundancy / ISLTR (@isltr)
06. Clione / mybear (@mybearmusic)
07. Petrichor / NoAttribute (@noattribute)
08. wernic / abnovark (@abnovark)
09. Lux sectionem / Aniel (@anielamb)
10. Eigentones / Viznode & jian (@viznode, @jianmsic)

>> we hope you enjoy our song, make sure to check out the rest of the artists who participated as well!

General Direction, Mgmt :: Artstate (@artstate_music)
Mastering :: SOZEN OTSUBO (@sozenotsubo)
Design Direction :: Itsuki Furuya, icesawder
CG Design :: ZAZA
Special Thanks: bondbond

Eigentones

Viznode & jian - Eigentones

The Library Discord community was given two weeks to create 4-second audio clips for this chapter finale. This resembles our 1st chapter finale "vol.1 finale_chapter100", but with one key difference: this track was written entirely by our community.

featured artists (in order of appearance):
@heyitsnoveci
@by-mayren
@abirakaw
@aeonys
@heyitskitsune
@alxalinemusic
@post-melon-982871455
@haeleon
@yunokaidesu
@eyewave
@daddyyonqui
@rialasten
@dowfi
@tenko2526
@rkcsnz


arrangement, mix & master:
@xfchiba & @cash-official

cover art:
@paxenimzi

studygroup finale_chapter400

Viami Mice

With this track we celebrate 200k plays on Soundcloud! 
Thank you so much earthlings.

After Disrupted Cryonics...

Getting out of the Cryotube, we find ourselves awake in an age where nanobots have taken over:
The Age of Nano

This track is a continuation of "Disrupted Cryonics"

The fast paced synths are describing the complexity of nanotechnology and the way nanobots communicate.

Hope you guys enjoy this quirky and mystic composition of ours.

Special thanks to VHS Glitch for the cover art, Dynatron for the logo and BIG BIG thank you Maya for the inspiration!!

https://vhsglitch.bandcamp.com/
https://soundcloud.com/vhs-glitch

https://soundcloud.com/dynatronsynth

https://soundcloud.com/mj-black-1


STARFORCE - Age of Nano

Hollywood Undead - Undead

here's some atmospheric garage. all synths made in operator, and s/o to lowpassed square basses

Free Download

equilibrium

Dans La Maison - Philippe Rombi

VEXATION [ALBUM] SOON

lyrics

THEY TRY TO HOLD ME BACK

TO HIDE THE FACT THAT I'M A THREAT

MY MIND'S THE TRUTH BEHIND THE LIES

AND I DEFINE WHAT THEY REGRET

AND FACT THE MATTER IS

IT ISN'T YET A PROMISE TIL IT'S KEPT

AND HONESTLY, WE'LL SEE THE PAST

REPEAT ITSELF UNTIL THE END


I'M MEANT TO BE THE ONE TO FIX THE CYCLE

SPINNING TIL I'M DEAD

I'LL RUN INTO THE SUN UNTIL IT'S COMING

BACK BEHIND MY HEAD

I NEVER KNEW THE REASON THAT 

I WAS ALIVE, UNTIL I BLED

I KNOW I WON'T BE HERE FOR VERY LONG

I'M HANGING BY A THREAD

vexation

killstation - extinction (prod. killstation)

from 'Disasters for Piano'
Arranged by David Peacock
Performed by Augustine Mayuga Gonzales
Produced by Disasterpeace & Matthew Powell

Disasters for Piano

Title

Title (It Follows, for Piano)

'"Everything Must Change" creates a menacing atmosphere from violin plucks, synth stabs, and a heavy hip-hop drum break. You don't need the story or the visual to feel the tension in it' – Pitchfork

'In a perfect world, Erased Tapes would be the new Sub Pop, a pioneer becoming a prescriber, unavoidable and historic. 'Everything Must Change' is a prefiguration of a perfect world, where modern classic from Erased Tapes would be the norm. A really seducing fantasy…' – La Blogotheque

ORDER it on CD/Vinyl/Digital now from: http://erasedtapes.com/store/index/ERATP038

PRESS RELEASE:

Icelandic composer Ólafur Arnalds set to release his first Hollywood film score.

Ólafur Arnalds’ original motion picture soundtrack for Sam Levinson’s feature film debut ‘Another Happy Day’, starring Ellen Barkin and Demi Moore, will see a worldwide release via UK modern classical label Erased Tapes Records on February 27, 2012.

IN HIS OWN WORDS: 

‘In mid-December 2010 I was on a holiday in China when I received an email from Sam Levinson about the film. We got on the phone at like 4 in the morning Beijing time and ended up talking all through the night, instantly connecting. He told me that they had been listening to my music while making the film, so the film was already very influenced by my music. However, it was not until Ellen Barkin – the beautiful force that she is – had pestered the producers for a week, calling them every day about how I am the right one for this film, that they finally gave in. The only catch was that it had to be done two weeks later, in the first week of January. So I ended up scoring nonstop all throughout Christmas, making my mother mad in the process.’ - Ólafur Arnalds

CONTEXT:

Born in the suburban Icelandic town of Mosfellsbær, a few kilometres outside of Reykjavík, the 24-year old composer has always enjoyed pushing boundaries with both his studio work and his live-shows. Through relentless touring and determination this young artist has steadily gained recognition worldwide and continues his mission to lure an indie-generation of pop and rock fans into an emotive world of beguiling electronic chamber music and delicate classical arrangements.

'The indie kid who knows the score’ – Guardian’s Observer

'An artist who can exert power with the lightest of touches’ – BBC Music


TRACK LISTING:  

1. The Land Of Nod  2. Through The Screen  3. Before The Calm  4. Lynn's Theme  5. Alice Enters  6. The Wait  7. A Family Stroll  8. Poland  9. Out To Sea  10. Autumn Day  11. Everything Must Change

OFFICIAL WEBSITES:

OLAFURARNALDS.COM
ERASEDTAPES.COM

Viami Mice

Digsby

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