Nice work, great atmosphere, sounds really great!!

My new favorite musician. I have very few.

Rich in different textures that nicely blend together, well done

Great atmosphere! You have some really Interesting sounds in this.

Smart, storied soundscape - your music is intriguing and focused

Wow! What a great ambient soundscapes and textures! I love  when a piece makes me to close my eyes...

Sublime (Acoustic) written, composed and produced by Chris Browne BrowneProject - Hat Man Can LTD Records all rights reserved made in England. Download via my BandCamp music page today - https://browneproject.bandcamp.com/track/sublime-acoustic

Buy On BandCamp

Sublime (Acoustic)

WRITTEN, PRODUCED, ARRANGED AND PERFORMED BY: DOMINIQUE MONIQUE aka  DOMINIQUEFRENCH
INSTRUMENTAL REPLAYED, ARRANGED & VOCALS MIXED BY: JOE WEINBER aka (COtu) TREY W
MASTERING BY: MARK FELISH-NY

LOVING U LOVING ME

Loving-U-Loving-Me

In this music I have experimented with the use of special picking and percussion instruments that combine the style of oriental music with modern western electronic music. I also tried to sneak in some jazz drum elements. It turned out weird, but that was my goal.
Check please!

Your Mum's Hen Tuned The Guitar

Streaming Link !!!

Dragon Bond

A heavier version of the track from the famous game. In my opinion, more appropriate to the atmosphere of the source. All rights to the original track belong to the band Refused

Chippin' In (Samurai/Refused Cover) (Cyberpunk 2077 Soundtrack)

Some movie ideas written in Cubase using Albion One and various synths

Transcendence

The film music I work on .... is a story of standing after the end, the film name is not yet confirmed to be announced to the public

Music Notes

SONGS OF HOPE FOR A NEW REALITY.

This work consists of three songs.
 
The first song is for a baritone voice and represents that it is sung by a character who is a journalist and tries to give an overview of the many global crises and conflicts that are currently haunting us and causing "perplexity in an uncertain world".

The second song, for a contralto voice, represents that it is the reply given by a female character who is an anthropologist, to the previous journalist arguing that we can only save ourselves if we start from approaches based on ethics and anthropology to build a "critical conscience of our species" that allows us to create a new global reality where all human beings have a dignified and comfortable life.

The third song is a fugue for four voices (for soprano, alto, tenor and bass) and represents the well- meaning people who have honestly understood what the situation is: it is only possible to overcome this "perplexity in an uncertain world, creating new global reality for all.

At the end of this introduction I attach a PDF with the lyrics of the three songs. I put the original version in English and also its translation into Spanish.

The music has an initial inspiration in what we could call musical styles of modern popular music, but with the aim of reaching a final composition of a more abstract and artistic nature. Regarding the musical production, as is usual in my works, the score of the different musical parts is performed by computer software, specifically in the instrumental parts I have used the synthesizer (granular and spectral) called Padshop 2 and also samplers from the VSL (Vienna Symphonic Library) that, although in this library the instruments have acoustic timbre, I have given them an electronic music treatment. But the most peculiar part is the one corresponding to the voices in which I have used the VOCALOID 6 software that has a singing synthesis technology that produces singing voices that are very realistic and with the ability to articulate words and that has been, initially , developed to sing in the Japanese and English languages.

As for the textual content of the lyrics of the songs, I have written it myself and I wanted it to start from the current global reality and to have, as far as possible, a projection in the general interest. I have been inspired by various texts that I have read lately and, especially, the book "El porvenir de la humanidad”  written by Eudald Carbonell i Roura, a Catalan archaeologist and anthropologist who has a long and important professional career.


Lyrics of the three songs    /    Letras de las tres canciones:
https://drive.google.com/file/d/1llYNK9VUjN-zuf9jmWaPbnqsQmExWQhR/view?usp=drive_link	



Esta introducción en castellano:
https://drive.google.com/file/d/10da1T3vm8U3H2Eh0AgOBbAwz27Iv4WZp/view?usp=sharing

Aquesta introducció en català:
https://drive.google.com/file/d/1Uaq06MVT-_6ovqsne6KgW-iBGZcT58KZ/view?usp=sharing

Songs of hope for a new reality

Electric guitar is absent --- Bass and Acoustic lead the way .
-----------------------------------------------------------------------------------
I wish you were the one that could
Bring up the sun, instead
You bring out the dark and soot
Am I good enough for you? Am I good enough for you?
Put on a front, I hide
What's killing me most inside
Oh, I stay to myself, "I'm fine"
Is what I'd say to you, am I good enough for you?

Say that you'll be mine
Well you lied, well you lied
I tend to stay aside
While you try to be some kind

You were the one that would
Bring up the sun, instead
You bring out the dark and soot
Am I good enough for you? Am I good enough for you?

Say that you'll be mine
Well you lied, well you lied
I tend to stay aside
While you try to be some kind

All done, it's out there
And everything inside is just alright
Far from complete here
That's okay, I'm still alive, I fight
I fight

You were the one that could
Bring up the sun, instead
Oh, I stay to myself, "I'm fine"
Is what I'd say to you, am I good enough for you?

Some Kind

Artificial Landscapes

Solitude

“I don't remember my dreams too much. I hardly have ever gotten ideas from nighttime dreams. But I love daydreaming and dream logic and the way dreams go” - David Lynch
​
I love to express stories through music and explore the visceral space that surrounds them. Sometimes I’m interested in creating sound collages, or tapestries of sound that are varied in their nature but unified in their aesthetic aim. Other times I surrender to something lyrical. Most of the time, I feel compelled to make sense of the world, which is impossible. But, after some work, which includes frustration, and occasional eureka moments, I find deep meaning and satisfaction in my music, especially as I near the finish line and embark on a collaborative journey with fellow creatives. 

www.dikachartoff.com

Solitude

Dika Chartoff

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