for flute, baritone saxophone, violin, double bass, piano and percussion

since the descent from the mother's womb
all the failures
in prison the effort to show up at the wrong moments, 
can not be restrained. 
variable intensity 
calm, light 
tons heavy, painful 
big hills 
small mountaineers
that comes up from accustom to confusion. 
clinging to three days of calm
between two riots 
who will be and who will die 
understands these days that easy fails to exist
Dilay Doğanay

Performed by Ensemble Suono Giallo

http://www.ensemblesuonogiallo.com/

Andrea Biagini - flute
Michele Bianchini - saxophone
Chiara Franceschini - violin
Gianni Maestrucci - percussion
Simone Nocchi - piano
Giacomo Piermatti - double bass

Recorded and mixed by David Giacchè

The piece written for and premiered at the context of the 5th edition of the ilSUONO Contemporary Music Week.
www.ilsuonoacademy.com 

Artwork: In my Womb by Kavita Nayar

wisdom tooth, for six musicians (2021)

Suzaku y el mar was born as an ephemeral experiment carried out in the space of 2 hours, video, sound and editing. It reflects the closing of a ritual, a fire offering to the sea, the consummation of the parts that gave way to proclaiming a tattoo on her skin, a gift for her… @ María Emilia Perez
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Suzaku y el mar nace como experimento efímero realizado en el lapso de 2 horas, video, sonido y edición. Refleja el cierre de un ritual, una ofrenda de fuego al mar, consumación de las partes que dieron camino a pregonar en la piel un tatuaje, una regalo para ella…@María Emilia Perez
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El nombre de ‘Vermillion’ quedó como un sello o símbolo de protección a raíz de las circunstancias de encontrar un significado a lo que estaba emprendiendo en aquel momento. Años atrás antes del 2016, pasaba por momentos muy difíciles de mi adolescencia y sus transiciones entre mantener una vida social activa y también poder sentirme cómoda en mi refugio, mi habitación. Donde sentía que podía ser yo, crear y producir ideas en torno a lo visual y sonoro. Encontrar una sensación de protección y seguridad contigo misma y con el exterior me llevó a buscar en internet “algo”relacionado a la cultura asiática y sus simbologías, cosmovisiones y sin pensarlo llegué a un enlace que hablaba de las constelaciones chinas y sus cuatro monstruos divinos de la mitología japonesa / china. Al leer, caí en un artículo que hablaba de la bestia divina llamada en en varias partes de Asia como (Zhu Que, Suzaku, Ju-jak, Chu-Tước). También hablaba de sus características: Suzaku forma parte de uno de los cuatro símbolos de las constelaciones chinas. Los chinos lo llaman ave bermellón. Además de representar al sur, también simboliza a la estación del verano. Su apariencia es la de un Fénix Bermellón, que a su vez representa el elemento fuego. Y había un relato en el que interpretaba a Suzaku como una bestia que protegía a lxs habitantes de aquellos lugares donde la veneraban y creían en ese ser. Dentro de la cosmovisión asiática, se le ve al ave bermellón como una criatura que resurge entre las cenizas para salvar al universo del mal. Descubrirle me llevó a sentir que había encontrado el calor entre las llamadas protectoras del ave, coincidía con la fuerza que necesitaba para seguir mi camino, mi pacto como artista y como creadora de universos visuales y también sonoros. He ahí la iniciativa junto con Damián Alférez de realizar un ritual para plasmar en mi cuerpo, mente y alma el sello / sigilo de una de las criaturas más hermosas de la vida y quien me acompaña día a día en mis procesos creativos. Gracias por tan hermoso handpoke. Mar del Plata, 12 de Julio de 2021.

https://vimeo.com/687738025

Suzaku y el mar

- Opuss

Originally published with the title: Final coda, this song was born during the study for the live performance of the song: Fermo immagine, in the summer of 2022. It is the fourth and last of the collection: Testimoni di quel che resta, which has been the origin of all the other songs.  (If we can say so) the songs following the first are, in some ways, "processing waste" from a single harmonic cell that was born on the guitar during the winter of 2019 .. The other leitmotif of the songs is based on reflections on the concepts of death and abandonment, given that (again in the same year) I had the opportunity to deal with these issues due to a family bereavement.
Finally I managed to update the song with new small solutions found up to now compared to the previous version, I had been trying for some time since I practice playing it almost every day. 

Updated version of 10/19/2022
work in progress

il tempo dei saluti ( le esperienze finiscono qui ) © 2022 by Nadir is licensed under CC BY-NC-SA 4.0

IV. Il tempo dei saluti ( le esperienze finiscono qui )

IV. il tempo dei saluti ( le esperienze finiscono qui )

Struggles of the Working Class

better with headphones!

2 clar, 2 sax, 2 trb, 3 perc, pno, acc, e-guit, 2 cello, 2 cb, transducers & spatialization

DAIC ensemble from CNSMDP
Franck Ollu, cond.

18/03/22, Conservatoire de Paris CNSMDP
mix : J.-B. Nirascou
photo © B. Champeaux

Organum (2021-22) | 16 instruments & elec.

Disquiet Junto Project 0555: A Simple Timer
The Assignment: Simplify by a factor of 5.

I tried different DAWs and Synths to get a nice sound and ended with Live, Stepic and Aalto (Beat Edition). The track consists of 5 tracks, all tracks are automated with 5/10/15 step sequences. Aalto does not offer triangle, but I used sine, square and saw. Some tracks change their wave form by modulation and/or automation. I allowed all 5 sequencers only to select from 5 notes (plus octaves), from which one note had to be random. The drums are very deep squarewaves with very short decays, which made noise (looking at the exported waveform this may have been a betrayal to the assignment). No effects or filters have been used but some EQ on the drums, modulated and automated panning in general and some mastering at the end. The lenght is 555 seconds (5m55s felt wrong). I think I failed on 'minimalism', on the other hand it's 9+ minutes with only five sequences which do not bore me, so I think it passes as minimal ambient. As always, it was a fun challenge!

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Track cover based on SVG pinout of 555 timer chip by Inductiveload, Public Domain https://commons.wikimedia.org/wiki/File:555_Pinout.svg

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More on this 555th weekly Disquiet Junto project — A Simple Timer (The Assignment: Simplify by a factor of 5) — at: https://disquiet.com/0555/

Thanks to Anatol Locker for having proposed this project.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0555-a-simple-timer/

album.link

555TRIG2TH8 [disquiet0555]

Pièce pour ensemble de 21 musiciens de Louis Bona
Quatuor vocal(amplifié sur scène), quatuor de saxophones, deux tubas, trois percussionnistes, guitare acoustique (amplifiée sur scène), double trio à cordes et contrebasse (amplifiés dans la salle) .

Concert publique du 5 octobre 2022 salle d'art lyrique CNSMDP

Interprétation:
Jean Deroyer, direction
Pierre Pradier, guitare
Orchestre des lauréats du conservatoire nationale supérieure de Paris
Sébastion Tondo, sonorisation (guitare, cordes et voix) 

Enregistrement: Jean Gauthier
Mixage: Dorian Seyller 
Mastering: Lorenzo Targhetta

Régression

Johanna Vargas, soprano
Ensemble Linea
Carolina Santiago Martinez, piano
Keiko Murakami, flute contrebasse
Louis Siracusa, double bass
Jean-Philippe Würtz, conductor

IV. Gradual Abruptness
ooo –– ooo –– oo –– o 
gradual abruptness 
french 		(mr., rhythm acuto intros.) 
ital 		(riposante musica, ritmo meno acuto, adattabile)   
                 o                   –– 
non avete da mostrarmi un’altra macchina? (repeat rhythm) 

[…]

(– oooooooo – )

[…]

tu pensi:   
 –  o o  –  o o o  – o o o  –  o 
ha una macchina ancora da mostrarmi? 

Un poco di buon ordine feroce
Aspettare in tempo

	Évidemment

		si tu ne peux
Poétiser
	il te faudra
Cohabiter
Rime e accenti allineati
Évidemment 
Si tu ne peux
		analyser
Il te faudra
		coaliser
Io vado di solito a letto alle undici
o – o o – o o – oo – oo
La poésie du succès 
Le succès du sexu

Bisogna sfruttare i buoni momenti
o – oo – oo – oo – o
– o oo – o ooooo –

Autumn is a season of which I am very fond [about]

Regarde
Au moins
Ce qui est
Écrit
Sur le bout
De ta langue chérie
In nous faudra
Que tu y vas
(synthèse-douleur)
tu parles en prose  

V. Allons, plongeons
Allons, plongeons dans le réel (il le faut)
l’Esthétique Jaune dans son lit de Mort 
l’Esthétique Jeune dans son Lit Subtil
ou bien  
Nous sommes 
[dans son lit de la mort subtile
dans le lit de son jeune mort
dans la mort du lit du son
dans le son subtil de la jeune mort] 
 
(dans la gaze de la réalité). 
Nous passons dans la gaze du réel. 
Arrive l’enfer. L’impératif 
de la[…]
[…]réalité
(nous sommes en communication).

4. Gradual Abruptness 5. Allons, plongeon

Sounds created with Make Noise Strega + 0-CTRL run through some NI effects. Some Reaktor and NI Hypha added. Mastering with Ozone 10 in Cubase 12.
Photo by zenbytes (2019, Austria/Kanisfluh mountain).

winter forest mistakes - Naviarhaiku 474

Made for Naviar Records' 487th Haiku Challenge, Details at https://www.naviarrecords.com/2023/05/03/naviarhaiku487-sound-of-mountain/

Made from treated elements of https://soundcloud.com/agnosturaelwar/mountain-puffs-naviarhaiku485   Thanks Ingvar!

Mountain ocean rain cycle [naviarhaiku487]

Dilay Doğanay was born in Izmir, Turkey, in 1999.
Her music evolves in an effort to understand the theatricality of sound and implicit and explicit communication. Her pieces, which she created inspired by language, literature, oral and written communication, sometimes include texts she wrote.
She studied composition in İzmir with Mehmet Can Özer, Füsun Köksal, and she is continuing her Master’s with Franck Bedrossian at KUG. Her music has been performed by different ensembles such as Ensemble Intercontemporain, RIOT, Schallfeld Ensemble, IEMA, hand werk, Next Ensemble; in different parts of the world: Italy, Germany, Austria, Turkey, Ukraine, Netherlands, Switzerland, Colombia, France (...)

wisdom tooth, for six musicians (2021)

Dilay Doganay

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