This is from a cassette tape recorded in 1992 with my friend Charlie (2 of 2).
Ron Snyder - Lead Acoustic
Charlie Pfrang - Rhythm Acoustic

SLAVE (LIVE 1992 Rolling Stones COVER Jam #2 by Snyder & Pfrang)

Lyrics video on youtube
https://youtu.be/T94gGQsp0wA

DiaGnosis II (the second opinion)

Tears of Eucalyptus (LQ)🍃

Back in the Arizona

Aged Seventeen.
You had a dream.
But then it turned into a lie.
Now, all the summers passing by.
Are not for love.

In your despair.
You wanna care.
You're falling into disrepair.
Now you're losing all your hair.
Ah, if you could.

Now, all the hipsters stand so tall.
They're careful not to take your calls.
The brightest lights you've ever seen.
Are casting shadows in your dreams.

Your golden shrine.
Won't take it's time.
But, you don't want to waste a line.
As you pluck them from from the sky.
Boy, if you could.

The flowing tune.
Is a sand dune.
And you are sinking by the feet.
Trying to reach out incomplete.
To a golden bull.

Now all the lizards on the wall.
Might be prepared to lose it all.
But I just find this place obscene.
I guess I'll rid you from my dreams.

Hold this space.
Watch me go.
Out of time.
In the know. (x2)

Aged Seventeen.
You had a dream.
But then it turned into a lie.
All your summers pass you by.
They're not for love. 

You wanna fly.
Stuck getting high.
Oh, I can see it in your eyes.
That it's time to say goodbye.
I've got to go. 

Now all your friends have lost their way.
They flew away one sunny day.
Were barely noticed in the squall.
I'm not prepared to lose it all.


Goodbye, I've Got To Go

When The Morning Comes

Original composition….Alejandro Gonzalez M.

Welcome

“Nobody’s Groovy Anymore” is a sprawling seven-minute epic from Icelandic post-rock collective Laxá & Heima Kvartett, teetering on the edge of prog. The track builds from a foundation of shimmering guitars and insistent pizzicato strings, anchored by Bjarne Guðjohnsen’s thunderous dub-tinged basslines. There’s a restless energy in the shifting time signatures and layered instrumentation—Matthias Helguson’s drums drive the track forward while Mike Taylor’s keys offer both shimmer and shadow. The Heima Kvartett—Lisbeth Heima, Sif Árnadóttir, Natasha Guðmundsdóttir, and Ída Sigurðardóttir—pull the piece in and out of tension with sweeping strings and sudden stabs, making for a journey that feels both cinematic and deeply alive. The groove may be gone—but something stranger, wilder, and far more expansive has taken its place.

Nobody's Groovy Anymore by Laxá & Heima Kvartett

This track was originally a poem and I asked my collaborator and producer, Josh Elliott, to come up with a sound like a cross between Celtic Music and Triphop.

The Goddess  

Comely, alive, 
Share your memories;
Gliding past my window,
Muttered tones so sweet.
Psychedelic garments,
Flashback to dreams,
Speaking in Shelta—
All is not quite what it seems.

The goddess always at my door
I hesitate; I’m just not sure.
Throwin’ shapes and droppin’ hints
Her forest dweller’s third eye glints.

Renounce, surrender, 
No more maudlin times in need;
Hurly-burly mischief making
The goddess will not feed...
As she follows me closely
Through the fjords of my heart
Firewood for the soul,
Its knowledge she’ll impart.

The goddess always at my door
I hesitate; I’m just not sure.
Throwin’ shapes and droppin’ hints
Her forest dweller’s third eye glints.


Scorching and burning...
Flambé my inconsistencies
Intoxicate with love.
Take me to the mesosphere,
A pilgrimage above,
Where earthbound before too long
And in the coldness of space
With chivalry of angels
She’ll sprinkle moondust on my face.

The goddess always at my door
I hesitate; I’m just not sure.
Throwin’ shapes and droppin’ hints
Her forest dweller’s third eye glints.

The goddess always at my door
I hesitate; I’m just not sure.
Throwin’ shapes and droppin’ hints
Her forest dweller’s third eye glints.

The Goddess

the eyes are so important when you look into anothers,you can be in love or dislike but the eyes tell a story Jigs Tripping Music and Gary Hayward lyrics and vocals are really working on originallity and different scapes,mixed vocals at ramrod studio in Sydney with Herman Covacs jigs tripping Art

Iris Eyes *collab Gary Hayward lyrics and vocals+Jigs Tripping music art

COVER SONG

This is part of a live jam session held at my house on April 14, 2013.

Joe Storino - Vocal & Bass -
Joe DeBrizzio - Rhythm Guitar -
Ron Snyder - Lead Guitar -

Home base:
https://www.youtube.com/user/SnyderRon

Black Magic Woman - Santana (Peter Green) COVER - Storino/DeBrizzio/Snyder LIVE!

INDEPENDENT ARTIST
MAKING MUSIC FOR FUN<3
PREORDER TEARS OF EUCALYPTUS 4/25
TOE,PWCF,BOF,BG,DML

Tears of Eucalyptus (LQ)🍃

DILL✾DAFFA