All of Brahms 16 waltzes ( Only one is duplicated because od poor sound quality “no.3” )

Brahms Op.39 (16 waltzes)

Handel 'Oxford' Water Music • Corelli • Geminiani • Leclair

Violin Sonata in A Minor, H.89, Op. 4, No. 5: I. Vivace

[Piano Cover] 김광석 - 잊어야 한다는 마음으로

Chopin’s Waltz in A-flat major, Op. 42, is no ordinary dance—it’s a waltz supreme, a dance-poem where elegance collides with daring invention. On the surface, it dazzles with Parisian brilliance: swirling gowns, aristocratic pairs, a ballroom sparkling with wit and coquetry. But under the magnifying glass, it reveals Chopin’s genius for bending time itself. The left hand beats the familiar three of the waltz, while the right hand insists on two—duple against triple, particle against wave—creating an auditory illusion as if couples were gliding past each other in different dimensions.

Like a jeweler turning a diamond in shifting light, each return to this piece reveals new colors. Its interwoven themes play like refracted beams in a prism: amusement, drama, intimacy, and that unforgettable sostenuto melody blooming at the heart of the work, a melody Schumann said deserved to be danced only by countesses. Even Chopin’s humor flickers through—the sudden break in the reprise feels less like a mistake than sly stagecraft, as if a dancer had tripped, only for the music to whirl back into an ecstatic frenzy.

From a quantum lens, Op. 42 is superposition in sound: both gallop and glide, both order and abandon. Chopin carried fragments of it for years—echoes of youthful sketches, of tone-portraits of his beloved Maria, of earlier Valses Brillantes—before collapsing them into this final, mature form. The result is music that feels inevitable yet forever unstable, a ballroom spun inside a collider. It is Chopin the improviser and Chopin the architect fused into one: creating a waltz that is not just danced in time, but dances with time itself.

Frédéric Chopin Waltz in A-flat major, Op.42

だいすき

Bach: The Six Cello Suites

Suite No. 4 in E-Flat Major, BWV 1010: III. Courante

Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande

The French Connection (La Serenissima)

Antonio Lucio Vivaldi / Allegro from Paris Concerto 1 in G minor(La Serenissima)

Song by Toni Huljic, played by Maksim Mrvica

Hana's Eyes - Maksim Mrvica

태교 클래식 (브람스의 꿈꾸는 왈츠와 함께하는 태교 음악) Taegyo Classic (Brahms' Dream Waltz And Preaching Music)

Brahms: Waltzes Op.39 No.14 In A Minor

Dimanche FR

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