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Beach Fossils - In Vertigo (Feat. Kazu Makino)

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Lost

Trentemøller - Come Undone (feat. Kazu Makino of Blonde Redhead) [Clip]

In Vertigo (feat. Kazu Makino) - Beach Fossil

TYKE is entirely self-produced, self-recorded, self-mastered, and self-written. It was created over a year and a half or so, spawning from places of grief & sadness but also places of confidence & perseverance. It's a body of work that celebrates the unique musical identity of its creator and his eclectic collection of influences. TYKE is a love letter to lessons learned in hard ways.

Everywhere

Go drive 
You know you wanna just 
Come on down
Outside
You know you wanna just
Baby come on down
Baby come on down

Hello
Hello
Heaven

Go drive
Go drive

Heaven
Heaven
Heaven

Ready Mix Paint

Drive

sorry about the weird ending, some weird glitch happened when in the final recording so i just tried to fix it a little bit

Lyrics:
Momma say, momma say, momma say no 

You're my hundred dollar 
Never gonna lose you no 
Won't spent time mourning 
If I don't have to be alone 

Hold on, are you really real?
Arms around me, there's this heaven that I rarely feel 

Lips are meant for kissing, baby
Hearts meant for beating, maybe 
Your eyes are used for baiting 
And they catch me every time 
Faced with indecision 
But I always end up winning
Cuz I got a lover solely mine
Wine and dine 

Bet you fell in love with me
Because I'm not pretty 
I'm gonna show you how it really is 
Bet you fell in love with me 
Cuz this ish ain't easy 
And that makes it worth it in the end 

Lover lover can you come a little closer
Kayi baby always needs someone to hold her
You took me out, damn and we saw Axl Rose 
One night living rock n roll
I'm back in a life I chose 
Back in a life and whole 
And I guess I'm calling you home now 
But no mistake, you're doing this for me 
A boss is not a boss if she lets you treat her like a fiend 

Momma no, momma no, momma no
Momma say, momma say, momma say no

Lips are meant for kissing, baby
Hearts meant for beating, maybe 
Your eyes are used for baiting 
And they catch me every time 
Faced with indecision 
But I always end up winning
Cuz I got a lover solely mine
Wine and dine 

Bet you fell in love with me
Because I'm not pretty 
I'm gonna show you how it really is 
Bet you fell in love with me 
Cuz this ish ain't easy 
And that makes it worth it in the end

karmas lover

Moaning

Don't Go

new single by wonderful https://soundcloud.com/youknowlimbo

artwork by https://twitter.com/q_dork

#SCFIRST

the L word

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Limbo - the L word

Nosaj Thing - Eclipse/Blue Featuring Kazu Makino (Blonde Redhead)

10" Single From Home- CD/LP

Pre-Order 10":  http://www.amazon.com/Eclipse-Blue-Nosaj-Thing/dp/B008RXE5EY/ref=sr_1_1?ie=UTF8&qid=1348027237&sr=8-1&keywords=nosaj+thing+eclipse

Innovativeleisure.net

2012 Innovative Leisure / Timetable

Beach Fossils - In Vertigo (Feat. Kazu Makino)

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