the second and final installment in my UGK anthology. 

download at : http://www.mediafire.com/download/nave8k9gxxost2s/ugk2hype.zip

UGK  V.  HYPE WILLIAMS  (full album)

Grabado en ENTE estudio. 
Produccion: Javier Szyfer - Federico Maqui
Edicion: Javier Szyfer - Federico Maqui
Musica: Federico Maqui
Guitarras: Juan Leborans


Predecible

a movie type theme
Bass guitar and image Simon Pierce

Album

Valentine's day

a bouncy instrumental
Cover image and bass guitar - Simon Pierce

See-saw (part 2)

For sale on our online shop:
https://invisiblecityeditions.com/products/tommy-mandel-mello-magic

Also available on Bandcamp:
https://invisible-city-editions.bandcamp.com/album/mello-magic

Tommy Mandel’s “Mello Magic” on Invisible City Editions is a compilation of personal synth-laden pop songs created between 1980-87 in NYC. His professional work as a keyboardist and vocalist found him on stage and in the studio with many of the 80s greats from the Clash, Todd Rundgren, B-52s, Violent Femmes, The Ramones, Tina Turner, Mark Ronson, Dire Straits and Bryan Adams. While offstage and out of the major studio sessions, Tommy wrote in little books, made animation films and hooked up a massive amount of synthesizers, sequencers,microphones and recorded songs like diary entries. He self released almost 20 CDs, cassettes and one Self Titled 12” Ep. Each song selected here is stunningly simple, lush, desperate, playful, and harmonic, touching on disparate trangents like Brian Wilson, Egyptian Lover, Michael Shrieve,Holger Czukay,  Ariel Pink, YMO, AOR FM West Coast Rock, Arthur Russell, Martin Denny, Peter Gordon, Drexciya, Prince and Private Issued New Age Boogie. Tommy recently jokingly coined his music “corporate ambient” and and it all shouldn’t work, but somehow he manages to effortlessly make each song a Tommy Mandel song - DIY, homespun,personal, stunning, and not too serious. This is perfect pop, charming, sincere, infectious and the work of a humble, good hearted, romantic savant. Tommy Mandel’s “Mello Magic” will be out on limited LP Vinyl release and available Spring 2018. Be sure to check his ambient new age LP from his cassette “Music For Insomniacs”also out soon on ICE/Intelligent Instruments. Designed by Marko Vuleta-Djukanov.

©℗ Invisible City Editions
ICE 014

BUY NOW

Tommy Mandel - Haunted (By The Girl He Always Wanted) (ICE 014)

From 'Hyper Super Mega,' out now: http://hyperurl.co/HyperSuperMega

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Twitter: https://twitter.com/HolydrugCouple
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Website: https://theholydrugcouple.bandcamp.com/

The Holydrug Couple - I'll Only Say This

Crevette Records Radio Show #015 w. ALFRED ANDERS - live.
Red Light Radio Amsterdam
23/07/2018

CREVETTE RECORDS
FB: goo.gl/qX4jSb

ALFRED ANDERS
FB: https://goo.gl/RhSiiG
SC: https://goo.gl/dpVDXd

Crevette Records w. ALFRED ANDERS  - Red Light Radio

Pre-order Vinyl & Digital:
http://www.rushhour.nl/store_detailed.php?item=105520
https://antinoterecordings.bandcamp.com/album/miniatures-de-auto-rhythm

August 2018: It’s already been three years since Domenique Dumont made its entrance in the music world with a debut EP named Comme Ca. Despite a seemingly very quiet musical activity (the opening song to Antinote’s compilation Five Years Of Loving Notes was the only song released by the band in 3 years) a few things have changed in-between these two summers: Domenique Dumont is no more the mysterious lone French producer we introduced last time but a Latvian duo, Arturs Liepins and Anete Stuce, which has been collaborating with “an enigmatic French artist whose existence cannot be confirmed nor denied” (sorry, but it sounds like there’s still some mystery in the air, and, again, we’re just as clueless as you might be), the duo have been touring live and, most importantly, they kept on broadening their musical palette experimenting in a definitely pop field. Eight of these experiments are now tied together in Miniatures de Auto Rhythm.

The record probably begins where Comme Ca ended: frantic but light drum programing backbones a solar and slightly melancholic melody on Le Début De La Fin (“the beginning of the end”). However, the scope gets enlarged as soon as one reaches the second tune, Quasi Quasi, or Quand, on the flip side, perhaps the most overtly pop-rock oriented song on the record with its Mediterranean guitar and emotional bridge.

The road towards the apex of the record, Le Soleil Dans Le Monde, is a narrow and windy one, punctuated by toy instrumentals like Ono Mambo Haiku or the Donkey Kong Country-friendly Message Of The Diving Bird; however it never departs from its original tongue-in-cheek attitude. It’s quite pleasant to imagine these eight “miniatures” as field recordings from an enchanted world of pop music designed by some Pierre & Gilles’ disciples – or are there
musical interpretations of half-mechanical, half-organic creations from a certain Otto Rhiesem (who might have inhabited the Locus Solus villa)? There might be no definitive answers to this second set of riddles by Domenique Dumont.

DOMENIQUE DUMONT - LE DEBUT DE LA FIN

Order Vinyl & Digital:
https://antinoterecordings.bandcamp.com/album/miniatures-de-auto-rhythm

August 2018: It’s already been three years since Domenique Dumont made its entrance in the music world with a debut EP named Comme Ca. Despite a seemingly very quiet musical activity (the opening song to Antinote’s compilation Five Years Of Loving Notes was the only song released by the band in 3 years) a few things have changed in-between these two summers: Domenique Dumont is no more the mysterious lone French producer we introduced last time but a Latvian duo, Arturs Liepins and Anete Stuce, which has been collaborating with “an enigmatic French artist whose existence cannot be confirmed nor denied” (sorry, but it sounds like there’s still some mystery in the air, and, again, we’re just as clueless as you might be), the duo have been touring live and, most importantly, they kept on broadening their musical palette experimenting in a definitely pop field. Eight of these experiments are now tied together in Miniatures de Auto Rhythm.

The record probably begins where Comme Ca ended: frantic but light drum programing backbones a solar and slightly melancholic melody on Le Début De La Fin (“the beginning of the end”). However, the scope gets enlarged as soon as one reaches the second tune, Quasi Quasi, or Quand, on the flip side, perhaps the most overtly pop-rock oriented song on the record with its Mediterranean guitar and emotional bridge.

The road towards the apex of the record, Le Soleil Dans Le Monde, is a narrow and windy one, punctuated by toy instrumentals like Ono Mambo Haiku or the Donkey Kong Country-friendly Message Of The Diving Bird; however it never departs from its original tongue-in-cheek attitude. It’s quite pleasant to imagine these eight “miniatures” as field recordings from an enchanted world of pop music designed by some Pierre & Gilles’ disciples – or are there
musical interpretations of half-mechanical, half-organic creations from a certain Otto Rhiesem (who might have inhabited the Locus Solus villa)? There might be no definitive answers to this second set of riddles by Domenique Dumont.

Predecible

Dinastia

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