d'incise - Hocchiku+Organ _ draft _ jan21

130bpruebcontzenologyhh

Hellmouth (tape part only)

Leth

"Le presbytère n’a rien perdu de son charme, ni le jardin de son éclat".

Une si longue absence

“Out of Our Hands” brings together Alvin Lucier and Jordan Dykstra who, through the hands of Ordinary Affects, have created debut recordings of two new compositions. Pressed at RTI for maximum fidelity with a full color printed inner sleeve. 

These companion pieces have similar orbits as they were not only both composed in Middletown, CT (where Alvin and Jordan lived for a number of years), but are about Middletown, at least from a starting point. Alvin’s piece — a homage to the location of the house in which he recorded “I am sitting in a room” back in 1969 — continues his study into slow-moving glissandi and carefully crafted beating patters by interweaving three string players within a minor third (voiced by two vibraphonists). The result is entrancing, almost psychedelic, and opens space where one didn’t expect. Like much of his previous work, it is conceptual and process-based; once the wheels get turning they go on and on, giving the listener time to approach the piece, sit with it, and then move back inward.

Alvin Lucier - Corner Church And High (final Mix)

Nitrocobra

TA: Serge Modular analogue synthesizer, contact microphone.

Spectro (excerpt 1)

ca9mP-1

mostly minilogue with bits of 303 and 101.

Love Horses - Sometimes It Rain (mause's puddle romping dubber)

First album, released in tape and digital formats by AASC label, from Limoges, France.
https://aasc.bandcamp.com/album/shifting-with-prisms
Notes:
depuis les vestiaires de l'aasc braga
musique, enregistrement et mixage par noxin
visuel par light on earth
impression riso par ronéo & zinette

Shifting With Prisms

909 Dubs

d'incise, drifting musician, grew up inbetween dub sound system and experimental electronic music.
Sound explorer, he has no perticular instrument, using whatever can be considered as such, softwares, recordings, objects, percussions, harmonium, etc.
He's interested in radicalism, reductionnism, repetitions and conceptual approaches, building specific set-up for each new occasion, in improvised or composed context.
He tends to extract the most tiny details of the elements, appreciates slowness and obsessive explorations of simple processes.
He's, since many years with Cyril Bondi, behind the INSUB. label, orchetra, the Diatribes duo, and many other things, and does graphic designs.