Name: Hope/Faith by Dingle Yandell
Duration: 6 min
Description: An electronic re-imagining of Eric Whitacres moving Hope, Faith, Life, Love

The Salsoul Orchestra - Runaway (re-edit) [FREE DOWNLOAD]

September When I First Met You (REMIX) Barry White

Had this on the go for a while - got lots of random 2 beat breaks in it - now stripped back.....

Herbie Hancock  - I Thought It Was You (Pete Le Freq Refreq)

Oliver Cheatham - Get Down Saturday Night Club Version - Remastered.mp3

A VERY SPECIAL SONG FROM GEORGE DUKE, A TRUE LEGEND WHO LIVES ON FOREVER, WHAT ELSE IS THERE TO SAY......AS HEARD FIRST ON GILLES PETERSON'S BBC6. 

GEORGE DUKE ~ I WANT YOU FOR MYSELF *KON REMIX ( MIXED BY CASERTA )96KBPS TEASER

Michael Wycoff - Looking Up To You (Pete Le Freq '24 Refreq)

An electronic re-imagining of Eric Whitacres moving Hope, Faith, Life, Love

Hope/Faith

Archie Bell & The Drells - Don't let love get you down (Jonni Haus Edit)

Archie Bell & The Drells - Don't Let Love Get You Down (Jonni Haus Edit)

Taken from our opulent vinyl / CD boxed set 'The Men In The Glass Booth': https://www.bbemusic.com/downloads/the-men-in-the-glass-booth/
In May 1976 a record was released that would have an unforeseen and lasting impact on the music industry “Ten Percent” by Double Exposure was an early release on the New York independent label Salsoul Records. America was in the grip of a disco explosion with new clubs opening on a weekly basis; Salsoul saw what was happening and swiftly created a sound for their label, heavily influenced by the music then coming out of Philadelphia, aimed directly at New York’s dance-floors. Records like “Salsoul Hustle,” “Tangerine” and “You’re Just The Right Size” by The Salsoul Orchestra borrowed heavily from the beautifully orchestrated Philadelphia International records but added a more percussive, bass heavy depth that New York’s DJs loved.
So what was so special about this particular single then? Double Exposure was, after all, just another band, “Ten Percent” just another song; one of many “disco” records released that week. First of all Salsoul became the first record label to make a twelve inch single available to Joe Public - the exotic format was previously only available to DJs as promotional items or bought under the counter at certain record stores. Not only that though, the extended version was created by Walter Gibbons, a DJ at New York’s Galaxy 21 who’d built his reputation making exclusive versions of tracks to play in his sets.

In 1976 it was unheard of for a DJ to set foot in a recording studio, being seen as little more than living jukeboxes by the serious music industry. Recording studios were strictly the domain of recording artists and producers so Walter found himself in a unique position, gaining access to a world no DJ had been granted before.
Or so we thought...
The Men In The Glass Booth tells the full story. Featuring ground breaking re-edits and remixes by some of the Disco era's most influential DJs including Walter Gibbons, Bobby DJ Guttadaro, Tom Savarese, Jellybean Benitez, Tee Scott and John Luongo, this opulent release also includes a 40 page book which features exclusive photos and insights from some of the story's key figures.

Hope/Faith

Dingle Yandell

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