nh7 Weekender

BARCELONER

MONA LISA

TRAYNOR

Read more about Alo Wala on THUMP: 

http://thump.vice.com/words/indian-tropical-bass-trio-alo-wala-are-new-stars-of-the-global-club-movement

https://soundcloud.com/alo-wala
https://www.facebook.com/alowalamusic
https://twitter.com/AloWala

Produced by Julius Sylvest and Copia Doble Systema

Alo Wala's Cityboy EP is out on November 10 on Enchufada 


Alo Wala feat. Jahdan Blakkamoore - Cityboy

OUT NOW ON ALL MAJOR DIGITAL STORES:
Beatport - http://bit.ly/cityboybeatport
Junodownload - http://bit.ly/cityboyjuno
Boomkat - http://bit.ly/cityboyboomkat

When the hypnotic flow of Chicago-born rapper Shivani Ahlowalia discovered the tropical sounds of Danish bass act Copia Doble Systema, Alo Wala was born. With a distinctly hybrid and colorful sound, they mashup South American rhythms and Indian sounds with galactic elements of hip¬-hop, dancehall and countless bass-driven genres to create an unique dancefloor experience. After revealing themselves to the world with a vibrant collaboration with MC Zulu and Nucleya called Little Lotto, the transnational outfit is now ready to present their debut EP ‘City Boy’ via Enchufada.

@alo-wala
www.enchufada.com

Cityboy

Timbuktu (feat. The Clerk)

Buy it on Beatport!

Alo Wala - Timbuktu (feat. The Clerk)

Badman Bible (feat. Boody)

Alo Wala - Badman Bible (feat. Boody)

From the new album "Hairball" — out everywhere on CD, vinyl and digitally April 28, 2015 through Topshelf Records.

http://www.topshelfrecords.com/artists/nai-harvest
http://www.topshelfrecords.com/artists/nai-harvest/products

Spin

Sick on My Heart

Nai Harvest - "Sick on My Heart"

I TAUGHT MY PAIN

Verse 1
The door forgot how to be closed
The night walked in on its own
Something cold was breathing
Between the floor and your bones
I left a shape on the table
Where metal learns to reflect
Truth does not need a witness
Only a surface it can bend

Pre-Chorus
I learned your hands by the space
They refused to stay in mine
Some falls begin as patience
Some walls pretend to be time

Chorus
So I let it happen
I let it speak
I let the edge decide what’s weak
If I named the end
You’d never hear
How far the echo disappears
I let it happen

Verse 2
You stood still under borrowed light
Calling absence a sound
Every step you didn’t take
Was still moving the ground
I knew the weight of the moment
Before it learned your name
Some sins are only doors
Some love looks just like blame

Pre-Chorus
You say I turned my face away
I say the room was too small
If I stood where you were standing
There’d be no fall at all

Chorus
So I let it happen
I let it speak
I let the edge decide what’s weak
If I named the end
You’d never hear
How far the echo disappears
I let it happen

Bridge
These hands are not empty
They are full of delay
Every word I didn’t say
Still chose to stay
If you felt alone
That was the cost
Of learning the difference
Between held and lost

Final Chorus
I let it happen
Even when it burns
Even when the fire learns
Your shape
If I pulled you from the dark
You’d never know
What the dark creates

Outro
The door is still open
Or maybe it’s gone
Either way
You walked

Unchained

Cuban Ballerina

Visiting Day

Pairon ki bediyan khwabon ko baandhe nahi re, kabhi nahi 
re
Mitti ki parton ko nanne se ankur bhi cheenay, dheere 
dheere
Iraade hare hare, jinke seeno mein ghar kare
Woh dil ki sune kare na darre, na darre

Subah ki kirno ko rokein jo salaakhein hai kahan
Jo khayalon pe pehre daale woh aankhein hai kahan
Par khulne ki deri hai parinde udh ke jhoomenge
Aasman aasman aasman
Subah ki kirno ko rokein jo salaakhein hai kahan
Jo khayalon pe pehre daale woh aankhein hai kahan
Par khulne ki deri hai parinde udh ke jhoomenge
Aasman aasman aasman

Aazaadiyan, aazaadiyan
Maagey na kabhi, mile mile mile
Aazaadiyan, aazaadiyan
Jo cheenay wahi, jee le jee le jee le

Subah ki kirno ko rokein jo salaakhein hai kahan
Jo khayalon pe pehre daale woh aankhein hai kahan
Par khulne ki deri hai parinde udh ke jhoomenge
Aasman aasman aasman

Kahani khatam hai ya shuruwaat hone ke hai (hone ke hai)
Subha nayi hai yeh ya phir raat hone ko hai (hone ke hai)
Kahani khatam hai ya shuruwaat hone ke hai (hone ke hai)
Subha nayi hai yeh ya phir raat hone ko hai (hone ke hai)


Aane wala waqt dega panha hai
Ya phir se milenge do raahein
Khabar kya, kya 
pataa  

Amit Trivedi & Neuman Pinto ♫ Aazaadiyan

Formed in 2007, Dinosaur Pile-Up are an English alternative rock band who broke out of the thriving Leeds rock scene of the time and instantly drew favourable comparisons to the cream of 90s US college rock. Founded originally as a solo project by songwriter and frontman Matt Bigland, the line up is completed by drummer Mike Sheils and bassist Jim Cratchley. Named after Matt saw the scene in Peter Jackson’s remake of King Kong where a stampede of dinosaurs pile up at the foot of a mountain, “DPU” put out their first official release, The Most Powerful E.P In The Universe, in 2009 and have gone on to record two studio albums, 2010’s Growing Pains and 2013’s Nature Nurture. 

The project was initially a handful of demos that Bigland had recorded on an 8-track recorder in his basement and at Leeds' Brudenell Social Club, performing and recording the drums, guitars, bass and vocals himself. These demos were hosted on a Myspace profile named 'Dinosaur Pile-Up' and quickly gained interest from the local scene and soon the UK music press. Due to offers for shows Bigland enlisted the help of friends in a 'revolving door' policy and began touring in late 2007. Since then DPU have toured extensively through the UK, Europe and the USA supporting acts such as Pixies, Cage The Elephant, Feeder, Twin Atlantic, You Me At Six and Middle Class Rut. In 2010 Mike Sheils officially joined DPU on drums, after meeting Matt on tour and famously bonding over Weezer's blue album. In late 2013 long standing friend Jim Cratchley officially joined DPU on bass after his previous band Tribes disbanded.

Speaking of the band’s first EP, which was initially recorded as an experiment, Bigland said "I wanted to go into a studio and see if I could record something that actually sounded like an album, and not just some sh**ty 8-track demo's I'd recorded in my basement. I knew how I worked best and what I wanted to create, but I didn't know if I was competent enough to record an entire album, so I used recording the E.P as kind of an experiment and didn't take it too seriously, thus the stupid name." Upon successful recording and release of the 'Most Powerful E.P...' recorded with local Leeds producer James Kenosha, Bigland went in to the studio again to record DPU's debut full length album "Growing Pains", again performing all instruments and vocals himself and again produced by James Kenosha. Growing Pains was recorded over a period of a month and a half and upon its release in October 2010 received widespread critical acclaim and radio support including UK Radio 1 taste maker Zane Lowe who has continued to support the band ever since. Between 2011 and 2013 DPU toured extensively in the UK and Europe, taking in many festivals including Leeds and Reading Festival, Oxygen Festival and T In The Park. After two years solid touring Bigland went in to studio again, this time with producers Ian Davenport and Tom Dalgety to record DPU's second full length album. Again Bigland recorded all the instruments himself split between Rockfield Studios in Wales and Courtyard Studios in Oxford. The album took two months to record but what he emerged with was one of the brightest, most bruising rock records of 2013 “Nature Nurture” which was described by Zane Lowe on its release as “Nature, nurture, two of the greatest words in existence, now neatly compacted together for an album that could be one of the greatest albums ever in existence”.

Nature Nurture proved to be the band’s first inroad into the American market where their sound proved to be a perfect fit for US radio on its release in early 2014, leading to several tours including their biggest to date supporting Brand New.  With the album set to be released in Japan and the Far-East in 2014, world domination is still on the cards.


MONA LISA

DINOSAUR PILE-UP

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