Now THAT'S what I call Post-Punk !!

Car Crash

Buy Contortions 35th Anniversary (Deluxe)

Designed to Kill

Anti-glory

Slowly Seperate (Joel Wolf Alice Remix)

Slowly Separate (Joel Wolf Alice Remix)

Fairy Rust

Regular Demon

Searching for a Feeling

Searching for a Feeling (Kid Jensen Session)

Troglodyte

A Foul Form

Too Late for Suicide

Debut single of Wellington, New Zealand's post-punk/new wave act, The Pink Frosts.

Mr Big - Single

Mr Big

Fanfare in the Garden

Wonderful Offer

Post-punk is an umbrella term in music, so it makes sense that our latest love letter to it is sonically, and thematically diverse. 
At times intimate, at others, scathing. Warm melodies, bitter grunts, and crashes. A dance of harmonious rhythms, with varied lyrical delivery styles to suit different tones, and intents. 

Unremarkable Product made itself. One of us would make a noise, the rest of us would respond. The songs fell in to place. Refined through performing them to both strangers, and loved ones. 
The EP serves as a concise package that exemplifies our joyous exploration of what will happen if we keep pushing ourselves to try new things. 

We are a live band, and the EP was recorded as such. Production was utilized with the intent of conveying our live sound. 

Lyrical themes that delve in to the bittersweet territory of reminiscence, the undying struggles of just coping, and more. All found within this truly Unremarkable Product.

Unremarkable Product

A Smile Away

Yarbles

The Pink Frosts EP. Serving as both a homage to our existing body of works, as well as a farewell to our fans. The thing that sets it apart first and foremost is actually in the production process.
That is, the distinct lack of one. The EP is a recording of us performing the songs. Back to back. ONE take. Recorded straight to tape through 8 channels. Entirely analog, up until we digitized it and made sure that none of the audio levels spiked too high for streaming platforms to handle.
It was an experiment, and the production/recording method itself an extension of the prevailing sense of play that we share through The Pink Frosts.

And a sense of play, combined with the creative safe space that the members of The Pink Frosts have curated, is exactly what defines what this project has been all along.
With the safety of our creative space we’ve had the freedom to traverse musical ideas that might seem unconventional to some. The freedom to explore, and express deeply personal thoughts. Ugly thoughts. Dissatisfactions. Successes. Everything in between.
Across these 4 tracks, we double down on the extensive list of musical influences we’ve explored, and touch on new thematic, and tonal territories.

The cover of the EP acts as another distillation of what this EP is. It’s a celebration of what we’ve done, through referencing a few fan-favourite tracks. Much like the recording process itself, It’s far from over-edited. It’s an expression of us just having some fun. We take ourselves seriously, absolutely. But that does noone any good if It’s not a good time. 

And that’s all for now. In order to stay true to the sense of play, and the creative safe space, we need to leave The Pink Frosts be for now. I believe there’s something beautiful in walking from the thing you love, from a place of love, to safeguard what it is that you love about it. 
In letting go, The Pink Frosts preserves the integrity of intent. It will never be a bastardization of itself.
The Pink Frosts are dead, long live The Pink Frosts.

Hookworm

World Music

Let It bleed

Boi-Ngo

Elevator Man (Album Version)

From The Lion's Mouth

New Dark Age

A Corpse Wired for Sound

Right Back to the Start

Technodelic

Epic Garden Music

Clint

We caught up with Belfast DJ and producer Mount Palomar, AKA, Neil Kerr, ahead of his latest remix of post-punk band Enola Gay. 

Covering his experience of pandemic anxiety, Black Lives Matter, Mount Palomar shares an honest reflection on what has lead him to take his latest production down a slightly different route to remixing the excellent track titled ‘The Birth Of A Nation’, which we’re extremely honored to feature on our Soundcloud page. We’re delighted that Neil shared his story with ourselves and our readers.

Mount Palomar's remix of The Birth Of A Nation is out now, will 100% of all profits being donated to SARI. 

You can read our full feature with Mount Palomar here: https://fourfourmag.com/read-mount-palomor-reflects-on-2020-and-latest-remix-for-enoala-gay/


SC: @mountpalomar
FB: www.facebook.com/wearemountpalomar

Four Four Magazine
---------------------------
FB: www.facebook.com/FOURFOURDANCE/
IG: www.instagram.com/fourfourmagazine/
Web: www.fourfourmag.com/

Enola Gay - The Birth Of A Nation (Mount Palomar Remix)

Now THAT'S what I call Post-Punk !!

diorkhiiy