B-1
"Hands of Time"
Produced by Large Professor
Recorded in 1997 @ Queens Lounge, NYC
Taken from the B-1 & Large Professor 7" vinyl/cassette/digital single on Ill Adrenaline Records

Purchase "Hands of Time" on iTunes:
http://bit.ly/HandsOfTime

"Hands of Time" available on 7" vinyl (09/03/13), cassette (limited edition of 100 copies) and digital formats.
Worldwide distribution by Fat Beats and Foundation Media.

Pre-order (pre-orders start 07/30/13) a copy of the limited opaque red vinyl 7" and/or cassette exclusively here:
http://www.illadrenalinerecords.com

Or cop the standard black vinyl 7" here:
http://www.fatbeats.com
http://www.ughh.com
http://www.hhv.de
http://www.vinylism.de
http://www.vinyl-digital.com
http://www.jetsetrecords.net


B-1 (aka One) has been in the game since the early 90's, but despite close ties to numerous well known rap artists and hip-hop luminaries his name remains relatively unknown to this day. Hailing from Queens, NY, B-1 gravitated towards hip-hop at a young age, influenced by his mother's eclectic musical tastes as well as the nearby block parties and park jams. 

Citing Kool G Rap and Lord Finesse as major influences in picking up a pen and becoming an MC, B-1 spent a long time honing his craft on the down low before being featured on two tracks on Kool G Rap's 1995 album "4, 5, 6", alongside close associate MF Grimm. However this wasn't the first time for B-1 to work with one of his former idols as he already had the chance to record alongside Lord Finesse, Grimm and Freddie Foxxx in 1992, earning him a mention in the prestigious demo section of Rap Pages Magazine.

In the late 90's, B-1 went on to become one of the first artists to sign a deal with Rawkus Records and released a handful of successful underground records, several of which featured collaborations with none other than Large Professor. In 2000 the very gifted Queens MC went quiet, but never stopped recording new music. It was already 2012 when B-1 finally made a dope comeback on the Beneficence collabo track, "Rulez To The Game (Remix)", that also featured Harlem legend Herb McGruff.

Ill Adrenaline Records proudly presents a previously unreleased gem by B-1 & Large Professor entitled "Hands of Time". This track was recorded back in 1997 and supposed to be B-1's first single on Rawkus. The "Brooklyn Side" of the 7" contains a dope demo track by O.C. & Da Beatminerz.

Keep your eyes peeled for a B-1 full length album sometime next year on Ill Adrenaline Records!


Website:
http://www.illadrenalinerecords.com

Facebook:
http://www.facebook.com/illadrenalinerecords

Twitter:
http://twitter.com/ILLADRENALINE

B-1 "Hands of Time" (prod. by Large Professor)

"The Summer Tape" is the second of The Audible Doctor's "Seasons" series. The EP is entirely produced by The Audible Doctor and features Oddisee, Hassaan Mackey, Guilty Simpson, Edo G, Kurious, Chaundon, Francesca, & Davenport Grimes, plus a bonus Cassette Exclusive track featuring Homeboy Sandman & Del The Funky Homosapien. The EP is available digitally and on Cassette. Purchase the Cassette: http://www.fatbeats.com/products/the-audible-doctor-the-summer-tape-cassette // Purchase the Digital EP: http://store.audibledoctor.com/album/the-summer-tape

Dirty Nigga Feat. Chaundon

Lyrics Born - This Is What We Fought For?

5. Murder Raps ft. Scud One

After bringing you classics like Blu and Exile's "Below the Heavens", Fashawns "Boy Meets world" and more.. Exile Does it again with his latest album teaming up with Dirty Science Rapper Johaz under the name DAG SAVAGE for their debut album E&J. With features from Blu, Fashawn, Aloe Blacc and more, this future classic is a must have.
itunes:https://itunes.apple.com/us/album/e-j/id815397010
for CD: tinyurl.com/ohhal9z
for vinyl: tinyurl.com/qjds4fb

3. Twilight.mp3

Off The Wall is off the upcoming Collaboration Album between Emcee John Robinson and Drummer/Producer PVD Entitled "Modern Vintage" on Brick Records Due out Summer 2014. Stay Tuned! www.thejohnrobinsonproject.com www.pvdmusic.com


John Robinson & PVD - Off The Wall (Cuts by Chinch 33)

The Feeling Of Flying

Kiss The Ring (feat. Elzhi & Fashawn)

Markis Precise – Kiss The Ring (feat. Elzhi & Fashawn)

BOOM BAP - AGGRESSIVE BEATS - FREE BEATS - FREEDL

Brickwall Syntax

No one confronts the abyss better than Chris Orrick. The Michigan ex-factory worker formerly known as Red Pill has spent the last half-decade documenting industrial decay, familial pain, and struggles with addiction better than almost anyone inhabiting this poisoned soil. It’s somewhere between Charles Bukowski and Michael Moore, or maybe Atmosphere if he couldn’t ignore the arsenic in the air. 

As Orrick tells it, “Portraits,” his latest album for Mello Music Group is a return to form. 

“I tried to strip everything down to what I think I'm best at: simple, concise portraits of who I am,” Orrick says. “Whether that be finding myself through self-portraits, portraits of everyday workers, portraits of the current political moment or portraits of myself told through the eyes of people I encounter daily.” 

From the corroded arteries of the blue-collar heartland, Orrick emerges as one of the most incisive and savage critics of Trump’s America. If the American dream is dead, he unflinchingly lays the blame on avaricious corporations, crude demagogues, and structural racism. There’s nothing polemical about it: just warm-hearted, sad-eyed, gin-flooded depictions of a life where there are few right answers but a litany of wrong ones. 

The Michigan native is an acerbic poet, but too unpretentious and sarcastic to ever call himself that. In his love letter to his long-time girlfriend (“Lazy Buddies”), Orrick fantasizes about the pair decamping to a town an hour outside of Paris, where they can blissfully split a bottle of cheap wine. Then he mocks himself for being a little corny. But that’s part of its charm—through his ruthless honesty, we can see ourselves as we actually are—prone to idle delusions, indolence, and self-obsessed. 

“Portraits can often be overlooked, but there are so many details in the face that tell innumerable stories about what the person portrayed might have been feeling or going through,” Orrick continues. “I'm trying to find those details, within myself and within America today." 

On “Anywhere Instead,” he grouses about how most days he doesn’t want to leave his bed until noon, staring at his phone, wishing for imminent death. It’s a nothing matters, gallows humor that anoints him a laureate of existential dread. He captures the terror of the void, the ambiguity of not knowing where or when your next direct deposit will hit. He’s wise enough to understand how little he understands, allergic to cheap irony or forced symbolism. As he points out on stories, “not every story has a meaning, not every moment has a reason, sometimes you just let the music play and tell you what to say.” 

It’s obvious how loudly the music speaks to Orrick, who is rarely short of opinions or serrated observation. The somber piano-based melancholy and rugged drums of “Portraits” thump via a gifted arsenal of producers including Nolan the Ninja, L’Orange, Exile, Apollo Brown, and Onra. Only two guest rappers appear, Fashawn and Orrick’s partner in Ugly Heroes, Verbal Kent. Orrick carries the rest of the weight and you sense the Atlas burden he shoulders. 

But for the all the poignant complaints, there’s a soulful profundity at the core of the album. It goes further than stress over bills, nicotine and liquor compulsions, and a search for deeper revelation. If you can hear a song like “Mom” without slightly crumbling, you might be iron-born. It’s a eulogy for Orrick’s late mother, dead at 45 without seeing her children grow up, without the opportunity to take pride in her son’s ability to realize his dream—however flawed it can occasionally seem. It’s here where you sense the power of these Portraits. They capture the pain that too many of us feel, that manifests itself in so many distinct ways. For a little while, we understand the raw f&cked up complexity of what it means to be a human being in a lunatic world. The portrait is personal, but it’s all of us too. 
credits

Portraits Mp3

Lazy Buddies

Chris Orrick -  Lazy Buddies (prod. Apollo Brown)

CD Bonus track off of LEX's self produced album, Alex featuring Recognize Ali and Phyba Optikz.  Stream only.

Lords Of The Moment feat. Recognize Ali & PhybaOptikz

Swedish producer/deejay duo Create & Devastate present their single "Most Confident," featuring west coast mic technicians Wildchild and MED, taken from their May 21st extended play project of the same title. The eight track release also includes Mykill Miers and boasts remixes from Swedish producers Freddie Cruger and Max I Million. Original and remix instrumental passes included. This mix will also be featured on Coalmine's forthcoming 'Unearthed' compilation.

DJBooth.net Premiere: http://bit.ly/144fiVO

Create & Devastate (feat. Wildchild & MED) - Most Confident

Los Angeles based Hip Hop label. Blu and Exile, Emanon, Choosey, Dag Savage, Cashus King FKA CO$$, Pistol Mcfly, Denmark Vessey and Scud One, ADAD, Blame One, Dystopians.


For info & updates peep : http://thedirtyscience.com 
For Bookings or requests thedirtyscience@gmail.com

3. Twilight.mp3

DIRTY SCIENCE RECORDS