right, listening to this sound feels good 

Randos

Level Up (way up)

Stay Tuned for the next Project coming mid march!  you heard?!

LETYOUKNO

OURLANE

'Good Times' is Jeremiah Jae's second mixtape since signing with @warp-records, taking inspiration and its title from the '70s TV sitcom set in a Chicago housing project. Download it free from <a href="http://www.datpiff.com/Jeremiah-Jae-Good-Times-mixtape.605534.html" target="_blank">DatPiff</a>.

The mixtape features Black Jungle Squad regulars Oliver the 2nd, Tre, Isreal and additional production contributions from Lord Raja and Stones Throw artists Jonwayne and Knxwledge.

Good Times follows Jeremiah Jae’s Bad Jokes mixtape, also available on <a href="http://www.datpiff.com/Jeremiah-Jae-Bad-Jokes-mixtape.512844.html" target="_blank">DatPiff</a>, and <a href="http://warp.net/records/jeremiah-jae/dirty-collections-vol-3-out-now" target="_blank">Dirty Collections 7"</a> series released at the end of last year.

<a href="https://www.facebook.com/pages/Jeremiah-Jae/111580498919269" target="_blank">Jeremiah Jae Facebook</a> / <a href="https://twitter.com/Jeremiahjae" target="_blank">Jeremiah Jae Twitter</a>

Download

That Nigga Feat. Tre

Hi PRIESTESS mashup - BIGGIE vs KRNE + Stooki Sound

From the album ‘These Stars’ out July 8th on Western Vinyl

Order ‘These Stars’ 
Bandcamp hyperurl.co/z8tnnb
iTunes hyperurl.co/96zo7b
Amazon hyperurl.co/b7hglb
WV http://westernvinyl.com/shop/wv142

Moon Bros.
Artist Page http://westernvinyl.com/artists/moon-bros.
Instagram https://www.instagram.com/moonbros/ 

It’s difficult to follow the fragmented life and musicianship of Matt Schneider. His twofold path has always embraced both an abiding love for Chet Atkins and Nashville session virtuosity, and a begrudging though fruitful flirtation with Chicago’s post-rock underground and middleground. In his native McHenry County as a young teenager, he was a guitar phenom, an engine of local pride who played old-timey anthems and oldies for an audience of delighted townies in a button-up shirt and short dweeby haircut. His clipping book is filled with front page praise lavished on his performances at Dobbyn’s House along the Fox River. That he made it through high school is due in part to the fact that he provided the soundtrack for many of his teacher’s drunken evenings and they let him slide through like a star athlete. In a simultaneous, parallel universe he was roped into playing with bands like Adhesive and Filament (two different bands who shared members and lovers) who had more in common with Seam and Tortoise than Chester or Les. The summer of 1998, immediately after graduating high school, Schneider went on a several week trip to Nashville, where he found more of a ghost town than a warm welcome for a burgeoning session player; Chicago’s fecund melting pot of jazz and rock was far more inviting. He moved to Wicker Park with his Adhesive band mates and participation in a succession of acts followed: The Exciting Trio, then Toe (where he and Griffin Rodriguez replaced, respectively, Jeff Parker and Doug McCombs of Tortoise), and then ex-Codeine Doug Scharin’s large fusion ensemble HiM. After touring Europe with HiM, Schneider retreated to his mother’s empty house in Marengo, Illinois and woodshedded for six months, grinding out fundamentals. He recalls “I wanted to learn the instrument.” 

Maintaining his idiosyncratic trajectory as a musician, Schneider never quite returns to the road. Rather he burrows in Chicago, creating ever more complicated methods and tunings for his acoustic guitar while otherwise focusing on his children and his carpentry. He becomes, in a classic sense, the hidden secret of Chicago musicianship. Encountering his playing, stalwart performers are consistently stunned. Without ensconcing his work in dubious spirituality he channels something somehow simultaneously poetic and mathematical, like Kepler’s “music” of the spheres. Each composition is instantaneous, improvised and launched as if fully formed, making sense only in relation to its own spontaneously formed rules of interaction… Songs aren’t so much finite concepts but endless ragas that he taps in and out of; consequently these pieces can’t be entered mid-stream. Instead the listener must participate in the universe as its created in order to live in it. His reputation is such that top collaborators need not be sought, but are intrinsically curious to participate. On these recordings, he is joined by Dan Bitney (of Tortoise), Matt Lux (Iron & Wine), and Sam Wagster (Cairo Gang). Producer and engineer Brian Sulpizio (Health & Beauty) records and mixes. It is the sixth recording by the ever-shifting entity called Moon Bros (named for turn of the century Moon Bros. Carriage Company) but the first three have all been lost, likely forever, possibly irretrievable from a broken CD-R in the bottom of a box of tools and flotsam hardware. Dancehall Sound and Frijolillo at least made the jump to internet download-ability; only These Stars has ever seen wide, intentional release. Will you hear more about Matt Schneider? Yes, but whether in the context of the great and unknown, or the at-last recognized, remains to be seen.

Ghost

Religion seperates

NEW MUSIC ALERT !!!!!
"THE MAC"
From the NEW ALBUM ~ "LINGUA FRANCA" W @cohenbeatsaredope
coming in 2020

Rap features by Denmark Vessey, Jeremiah Jae, Pink Siifu
background vocals by Nannah B & Jimetta Rose

ORIGINAL ARTWORK by @SEBER_13
Cuts by DJ Werd
Mixed by Jonwayne
Produced by Cohenbeats
Written by Oliver The 2nd

The Mac

mc, producer, dj, poet, shaman.  coming out of the chicago group young black preachers. brother, son, explorer of the esoteric. expirementing with any sound tht i can get a hold of that works...   sooo much more to come this is just the begining


Religion seperates

dirtysinatra

Recent comments

Aaron Brown 46

ARCAS

Schlot

JHen

Related tracks