Electronotsopop

From Tristesse Contemporaine new EP out now !
iTunes link : http://smarturl.it/IDoWhatIWant

Includes remixes from Arnaud Rebotini, Capablanca vs Moscoman, Turzi, and a live version ! 

Follow Tristesse Contemporaine : 
http://facebook.com/TristesseContemporaine 
http://twitter.com/TristesseMusic 
http://tristessecontemporaine.com

http://recordmakers.com

Tristesse Contemporaine - I Do What I Want (Capablanca vs Moscoman Version)

Kaskade - obvious is out now on all platforms: https://monster.cat/undux
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Monstercat is one of electronic music's most influential independent record labels. With five releases a week across its Uncaged, Instinct, and Silk labels, we've topped radio and streaming charts worldwide, offering a diverse range of genres across bass, dance, pop, house, chill, electronic, and more. Backed by passionate employees, driven artists, and the dedication of fans worldwide, Monstercat proves that independent labels have the ability to reshape and reimagine the music industry landscape.
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Obvious

🎧 Stream / Download

Kaskade - obvious

Fallin' In Love

Love is the thing

Final episode in Decades, our retrospective series focusing on the work of Tolouse Low Trax.

OUT NOW

TOLOUSE LOW TRAX - METAL TENT WICKED

Out on vinyl October 2017, digital available here: https://squirrelsonfilm.bandcamp.com/album/various-squirrels-vol-2

The Squirrels from San Francisco are back and they're wearing white after Labor Day — pressing up a limited white-label 12", an Amsterdam Dance Event special, full of the throbbing electro, altered-states body music, and head-in-the-clouds techno you've come to expect from Squirrels on Film.

It wasn't long ago that a particular material girl declared that we are living in a material world, and sadly, that refrain now rings truer than ever. Thank God for the Material Squirrel, then, some unknown player (with a familiar sound…!) whose "Material World" is a devastating electro jam, elevated into the stratosphere by a bassline so big it's silly. Lokier, from Mexico City but residing in Berlin, comes after the anonymous Squirrel to present "Headless," a murky, slower tune with swirling arpeggios and whip-crack percussion that recalls the sound of Belgium and Germany circa '89-'92.  

On the B-side, Billy Bates — an old-school San Franciscan with credentials in new wave outfit The Vanishing and the more left-field Autonervous — offers up "Got It," featuring funky percussion entwined around a squirrely (no pun intended) synthesizer, like classic jackin' house on some heavy psychedelics. Last but certainly not least is head Squirrel honcho Solar, closing out with "Anoesis" (defined as 'a state of mind consisting of pure sensation without cognition'), a heady techno escapade that slowly builds and unfurls across the cosmos in seven minutes.

SOF White 01 "Various Squirrels Vol.2" clips

In  just  a  year  of  existence,  Chloé’s  Lumière  Noire  has  brought  emerging  artists  and  promising  newcomers  together  –  and  this  first  compilation  of  13  brand  new  tracks  expands  the  roster,  exposing  the  label’s  eclectic  vision  in  full  daylight.  When  Chloé  talks  about  her  label,  she  puts  forward  the  fundamental  values  that  informed  her  own  musical  journey,  her  trust  in  her  own  musical  taste  –  and,  of  course,  the  predominance  of  human  relationships:  “I  followed  my  bliss  and  only  commissioned  tracks  from  artists  that  I  respect  and  whose  music  I  love.  That  to  me  is  Lumière  Noire’s  musical  palette.”With  this  13-track,  unmixed  compilation,  Chloé  makes  a  case  for  a  label  aesthetic  that  is  based  in  open-mindedness.  Familiar,  elemental  Lumière  Noire  artists  are  represented,  as  are  new  faces,  producing  a  kind  of  group  photo  presaging  what’s  next  for  the  fledgling  label.  Lyon’s  Markus  Gibb  leads  the  track  listing  with  Kuru  with  a  deep  chiaroscuro  matching  the  label’s  ethos,  followed  by  other  mainstays  Il  Est  Vilaine’s  Farenheit  451,  which  evokes  Ray  Bradbury’s  retro-dystopic  angst  with  the  band’s  usual  electro-pop  elegance.  Sutja  Gutierrez,  who  released  in  debut  EP,  The  Legend  of  Time  on  Lumière  Noire  in  April,  pursues  his  electro-Shamanism  with  the  ceremonial  Allodoxaphobia,  while  Iñigo  Vontier  (whose  EP  Aluxes  came  out  on  the  label  in  late  2017)  brings  his  Contra  project  online  with  track  Taurus,  a  further  development  in  voodoo  house.  Elsewhere,  Suuns  lead  singer  Ben  Shemie,  who  lent  his  fascinating  art-rock  croon  to  Recall,  a  single  from  Chloé’s  Endless  Revisions  LP,  contributes  A  Million  Kinds,  a  synthy,  psych-pop  debut  that  is  as  brilliant  as  it  is  surprising.  On  to  the  freshman  class:  Dutch  producer  Drvg  Cvltvre  (who  gets  personal  kudos  from  Chloé  with  each  new  12”)  brings  the  uncompromising  dark  electro  of  his  hypnotic  and  claustrophobic  Last  Rites.  Jonathan  Fitoussi’s  airy,  minimalistic  Cercles  Polaires  brings  the  respite  of  his  recent  Versatile  Espaces  Timbrés  LP  (a  collaboration  with  Clemens  Hourrières):  “I  met  him  at  Xavier  Veilhan’s  Studio  Venezia  at  the  Venice  Biennale.  He’s  a  great  guy,  and  his  universe  is  unique,”  says  Chloé.  Benedikt  Frey’s  deep  techno  track  Iaon,  is  on  par  with  his  smash  2017  album,  Artificial,  out  on  ESP  Institute.    First-timers  are  also  part  of  the  recruits:  Bajram  Bili  with  the  ten  cerebral  minutes  of  Restart,  Théo  Muller  with  the  ultra-deep  Douce  Transe,  and  Lumi,  a  Basque  band  that  fuses  electronic  sounds  with  acoustic  instruments,  brings  the  compilation  to  a  close  with  a  track  commissioned  by  Chloé,  who  met  them  at  a  festival.  These  audacious  choices  are  anchored  down  with  the  likes  of  Permanent  Vacation  pioneer  Lauer’s  hooky,  80s-infused  Pythor  (“Just  like  him,  I  was  a  resident  of  the  Robert  Johnson,  and  he  was  a  guest  of  mine  at  one  of  my  Lumière  Noire  nights  at  the  Rex.  He  is  one  of  these  people  whose  music  I  highly  appreciate);  Aergeworc  &  Franck  Agrario,  half  of  English  duo  Swayzak  David  Brown’s  project,  weaves  an  ethno*  mood  into  Grace’s  techno.  Bringing  together  different  generations,  genres,  and  styles?  That  may  not  necessarily  be  Chloé’s  MO.  She  invokes  a  more  arbitrary,  personal  logic:  “I  like  to  mix  of-the-moment  tracks  and  more  timeless  one,  but  the  rule  is  above  all  ‘do  I  love  this  or  not?’.  That  was  my  ethos  when  I  started  Lumière  Noire.”  In  that  way,  the  label  is  definitely  in  keeping  with  its  time...

VARIOUS ARTISTS LUMIERE NOIRE

Théo Muller - Douce Transe

Alex Niggemann’s forward thinking label Aeon recently celebrated five years at the forefront of cutting edge music.
To k​ick off 2019, Kincaid makes his debut on the label: the EP is the first in a string of exceptional music to come this year.

The four track EP kicks off in style with ​On The Back Of A Serpent​. An Italo-tinged number with Kincaid's trademark live sounding drum programming. It’s an instant club rocker with trippy vocal snippets that draw the listener into an ethereal, spine tingling breakdown. ​Stare Into My Monstera begins with a driving groove and dissonant Rhodes, building subtly but relentlessly towards a euphoric Nord lead motif which reappears throughout. A track that will undoubtedly find favour with the discerning Burner crowd. ​Papoose starts with middle eastern influenced sounds and insistent Timpani accents, before locking into a groove which hypnotises and intrigues in equal measure. Finally ​It Said (feat. Sinàl) is a darker affair featuring the sinister vocals of both Kincaid and Sinàl themselves. A ‘lights off / strobe on’ growler, this is one for fans of late night trippy moments - and further displays the diverse number of styles which Kincaid is becoming well known for.

Kincaid may be a fresh face to many but those in the know will be familiar with his unique brand of diverse and genre bending sounds. Breaking through in 2018, notable highlights include a debut release on Moscoman’s Disco Halal and an EP on Sabo’s Sol Selectas plus a plethora of support from titans of the scene; Rampa and &Me, Jennifer Cardini, The Juan MacLean, Roman Flügel, all the way to Dixon and Âme, who opened their Innervisions show at London’s iconic Royal Albert Hall with his remix of Blancmange’s ​What’s The Time​.

Monstera EP [AEON037]

Kincaid - On The Back Of A Serpent

READ > inverted-audio.com/premiere-russian-chandeliers-kosmonauten-aceed

Russian Chandeliers “Kosmonauten Aceed” @samorecords is a discordant dance floor romper that keeps afloat amongst an industrious structure; steadying a beat that builds alongside an ear worm of a acid bassline, caked with carefully-placed claps and krautrock klaxons that will inject some life onto the dance floor at any given situation.

Worm In / Worm Out

Russian Chandeliers - Kosmonauten Aceed [Samo Records]

It was the height of summer but inside the wood panelled dining room an icy chill could be felt in the air. The dinner had been a formal affair, filled with the highest aristocracy and an overwhelming sense of privilege. She pretended to be one of them, but it was all a facade, fuelled by fierce hatred. However, things would all change this evening. She had a plan. It had taken a lot of time and patience but finally everything had come together. Tonight would be the night of reckoning. 

Berlin-based duo Local Suicide team up with Curses for the newest release on Tusk Wax. On our pick, new wave meets Italo laced with signature low strung guitar and wistful vocals. A great collaboration that we hope to see more of in future.

PREMIERE: Local Suicide and Curses - It All Sounds The Same [Tusk Wax]

"A few years have passed and we are still in love with Vox Low's original track.

Figuring out who'd do the remixes wasn't an easy task. After a long wait we can now announce that a new 12 inch will be out on Rotten City Records with a newer version of the original (previously released in Born bad Records), plus 2 brand new remixes from the infamous Marvin & Guy and the Franco-Spanish duo Holographic Planes, formed by no others than Damon Jee and label owner Alvaro Cabana.

We are adding to this release a remix of Vox Low of "Black Lake" from My broken frame, track that came out only on digital on Gimme Shelter. This is a unique chance to get your copy of this amazing 12" limited release. 200 x 12" in solid white (numbered), and 100 x 12" in black, so you better be quick!"

https://soundcloud.com/rotten-city-records
https://soundcloud.com/voxlow
https://soundcloud.com/marvin-and-guy

PRÈMIÉRE: Vox Low - "Now, We're Ready To Spend" (Marvin & Guy Version)[Rotten City]

Curses - Surrender

www.facebook.com/sidlerock
www.facebook.com/damonjee/
www.facebook.com/hafendisko
www.youtube.com/hafendisko
www.twitter.com/hfn_music
www.hfn-music.com/hafendisko
www.instagram.com/hafendisko/

‘Hiraeth’ is the second single release of Sid Le Rock’s upcoming album on hafendisko, foreshadowing the dance-floor oriented brilliance of indie electronica he presents on Scenic Route.

Sid Le Rock resides in Berlin right now, but grew up under the maple trees of Northern Ontario, Canada, where he began to amaze the world as a prolific producer, DJ and live performer. My Favourite Robot, Kompakt, Mute Records and hafendisko are only a few big time labels
on which he has released on. Likewise, he continuously releases music on his own imprint - Beachcoma. 

‘Hiraeth’ is drawing attention on how Sid Le Rock authentically represents his underground-credebility.

The track plays with the sonic charm of a broken down arpeggio which evolves throughout the etherealsynth pads and scapes. It has a great vibe, that goes deep and fits into the sunset moods of a late
summer festival as likely as it heats the dance-floor during a club night.

French producer Damon Jee (Correspondant, Sinopat, Rotten City) breaks down the original to its initial elements, creating a monster of a remix that goes under the skin. What has been light-headed and moody before, now becomes a tool for an absolute club-banger that is
going to leave its marks!

The artwork has been created by Alex Solman, “the man behind the distinctive drawings for the Golden Pudel and one of the best visual artists working in music today” (Resident Advisor)

Sid Le Rock - Hiraeth (Damon Jee Remix)

Off Kapitan's debut solo album on Malka Tuti.
Out now!
https://malkatuti.bandcamp.com/album/alaska

Kapitan - America

Lines and Shadows by @black-light-smoke is the debut EP of Death Decay Magic records. It tells a story of war, internal and external. Death Decay Magic records and podcast are the brainchild of Jordan Lieb.
Available now on Bandcamp: https://deathdecaymagic.bandcamp.com/album/lines-and-shadows

Lines and Shadows

Black Light Smoke - Shadows #13

Ongoing enterprise of Jen Cardini

Contact : anna@ctrlaartists.com

Expert in smooth spacy transitions, tasteful bangers and bringing it down whenever needed.

Part of lovely @palanga_street_radio team. 

Host of the radio show Operatorinė: 
https://soundcloud.com/cosmo_operator/sets/operatorin

Curses - Surrender

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