Name: Discodromo - Panorama Bar 31-03-13 / extract part 2 by discodromo in Panorama Bar
Duration: 1 h 14 min 53 s
Description: Second extract from our dj-set last sunday at Panorama Bar. This is circa our 3rd hour from 9 to 10 pm of the 4 hours set.

Just found out about you guys and I've been listening to your mixes on repeat. Thanks for existing 😭 It makes the sorrow of not having seen the dancefloor in 2 years a bit more bearable 😵 (greetings from Holland where events are STILL banned 😂)

I miss discodromo so much in pbar. We need  slow pace like this again

Panorama Bar

Roman Fluegel & Oliver Hafenbauer back to back behind the decks. Offenbach, 20.07.2013

6h30min. One Night At Robert Johnson. Roman Fluegel B2B with Oliver Hafenbauer.

i am not sharing sets usually. but that time i had my field recorder with me and recorded my set right at the DJ Mixer at this very special party.
have fun listening. especially those who were there and asked for this. luv u all!

H.O.S.H. @ Panorama Bar (5 years Diynamic Anniversary 02.04.11)

Immer

Michael Mayer - Immer

My Set @ Echocord Night at Globus / Tresor Berlin 02.05.24

Mathimidori @ Echocord Night At Globus : Tresor Berlin 02.05.2024

RA.155 Louderbach http://www.residentadvisor.net/podcast-episode.aspx?id=155

Troy Pierce and Gibby Miller are blurring the lines between their respective influences on this week's RA podcast.

You might not think that a hardcore punk vocalist and minimal techno producer would be the likeliest of studio bedfellows, but Troy Pierce and Gibby Miller have forged quite the partnership with their Louderbach project. Marrying Minus man Pierce's tenebrous take on techno with Miller's gothic vocals, the duo have created an electronic pop synergy that isn't afraid to get deep and dark both musically and lyrically. Miller's began his musical career in the late '90s as vocalist in Boston-based punk band The Trouble, but the turn of the century saw him become inaugurated into the techno scene after meeting up with Troy Pierce in New York. The two struck up a friendship and have been collaborating ever since, birthing the first fruits of their collective labour on a split release for Mo's Ferry Productions. 

After more collaborations with Marc Houle, Guido Schneider and Sammy Dee, Miller was formally welcomed into the Louderbach fold, and the pair set to work on what would become their debut album. Entitled Enemy Love, the record seemed to be a continuation of Pierce's previous nocturnal minimal techno outings on Underl_ne and Minus, but this year's Autumn LP is a very different beast. Miller's love of EBM, new wave and minimal synth music are clearer than ever, whilst Pierce's has found new directions to channel his love of menacing electronic sounds. This week's RA podcast sees Pierce and Miller select the pieces of music that have heavily influenced each of them, before merging them into a single genre-defying whole that represents the ingredients that make the Louderbach sound. We caught up with both members by e-mail to ask about the mix, the decision to release on Minus, and their recent video competition.


What have you been working on recently?

Troy Pierce: I have been in London a lot over the past few weeks working with my girlfriend on the sound design for an installation she is doing for her degree show. (She graduates from Central St. Martins in June.) I am also trying to finish a number of remixes at the moment: a Function remix for Sandwell District, one for my New York friend Mike Bryant's Intrinsic Design label, one for the Swayzak guys and a Louderbach cover of a Passarella Death Squad track. All of them are in various states of completion.

Gibby Miller: Working on my label, Dais Records. It's mostly experimental sounds; ambient, folk, archival, avant-garde etc... I'm also working on some new Louderbach remixes which are coming this summer.

How and where was the mix recorded?

GM: I submitted about 100 tracks to Troy for this project, and we communicated back and forth a bit about order and flow, but he did all the hard work (creating it!) and it was done in Berlin.

Can you tell us a little bit about the mix?

TP: I was in Los Angeles in January visiting Gibby, and we did a DJ gig together at this goth party there. Gibby was playing more punk/new wave/goth stuff and I played sort of dark slower techno and it worked really well together. So from that, I sort of proposed the idea that he send me one hundred tracks, his root influences—whatever you want to call them—and I would get one hundred together and try to create this snapshot of Louderbach and where we come from musically. It was really fun to do, but a lot of tedious work warping all of the tracks to make sure they would go together and could be mixed in Ableton. Musically it's all over the place with experimental tracks from William Basinski, then spaced out '70s weirdness from Silver Apples into dark techno from Jake Fairley. But there is a common thread: this murky melancholy that is running through all 35 of the tracks that brought us together and helped us to create Louderbach.

What was the weirdest submission you received for the "Shine" video contest?

TP: There were definitely a few that left us scratching our heads, but the ones I found the strangest were ones that weren't finished. Like no audio and two minutes long, as if we were supposed to fill in the blanks or something.

GM: We got some very unique submissions... I'm proud to say that all of them were amazing and all of them were weird! We wouldn't have it any other way! 

Why did you decide to release the new record on Minus, instead of Underline?

GM: We stopped working with Underline soon after Enemy Love was released, best described as personal difference...

TP: At that point I thought the project was over, I never imagined that Rich would be into releasing a record like this. I am really thankful for his openness.

What are you up to next?

GM: Working hard on the label, Louderbach, music, writing, etc...

TP: Well, I obviously need to get my ass in gear on those remixes! Apart from that, I want to learn how to play an instrument or two. My girlfriend got me a cello for Christmas and I picked up a bass guitar in Los Angeles, so those are on the top of my to-do list. I have been making some really, really slow tracks lately, 80 BPM max. I quite like them actually, so who knows what will happen with them. Do some more projects with my girlfriend, she's amazing... Stay busy and have fun.

2009-05 Louderbach - RA podcast

"El Ro 25" is a fresh Tech House track by Spanish producer David Martzz. With pulsating grooves, ambient textures, and a fluid, progressive structure, it captures the energy of the European electronic scene. It delivers both dancefloor drive and introspective depth—an immersive journey through rhythm and emotion.

El Ro 25

Catalog number: ANK057
Artist: Loveclub, Domingo +, Julian Liander, Monojoke
Ep: Sacred Drums
Label: Anoka
Label owner: Nicolas Soria
Release date: 2025-05-09
Link Beatport: www.beatport.com/es/release/sacred-drums/5044475
Link Proton: go.protonradio.com/r/rlYECusvHL-C8

Buy/Stream

Loveclub, Domingo + - Sacred Drums (Julian Liander Remix) [Anoka]

The Detroit techno legend takes to the decks for RA's 200th podcast.

RA.200 Carl Craig

We're happy to present the recording of Sebastian Mullaert and Ulf Ericksson's live/dj set at the Labyrinth 2015. Seb and Ulf played the first night, entitled "Full Circle". It was a set where everything came together beautifully and organically, crowd and artists and music, and we all felt it was something worth sharing.

Here is the full 3.5 hour recording, together with a few words from Seb and Ulf: 

"For me, everything comes and goes in circles. And like everything else these circles are unpredictable; spiralling and reformulating like a kaleidoscope. Manifestations of patterns in this very moment; Consciousness.

I played the first edition of Labyrinth, had a few returns during the years and now returned for the 15th edition. Russ and Yasuyo, together with their Mindgames crew, have always performed their festival with a focused and radical mind; one intention, one passion - to create a psychedelic experience of dance surrounded by the Japanese nature. While the festival has grown in many ways since my first episode at Labyrinth, this radical focus on the mind-altering experience and the true love for dance have remained the same, with no sign of resignation.

This year I shared the stage together with Ulf Eriksson; a friend who has become a very special creative collaborator. To be a part of Labyrinth and to play this specific gig is the most magical experiential puzzle of moments I've shared with Ulf. This is an experience that will continue to remind us why we are doing this – why we are part of this ever shifting circle, spiralling into inspiration upon aspiration - something that never stops. I'm forever thankful to Russ and Yasuyo both for giving us the opportunity to play, sharing this recording and also creating a series of experiences and stimulations, resulting in each of us that listens as individuals becoming a part of something bigger and more all-encompassing – a circle that connects us beyond the realms of materialism, into the unpredictable.

Russ, Yasuyo and the Labyrinth are a true source of inspiration and a reminder to all of us in love with dance and electronic music that there is no end to the power of experience. 

Let us continue to remind each other, again and again, circle by circle, moment by moment into eternity."

- Sebastian Mullaert

"To play the Labyrinth festival has always been a bit of a dream of mine. Why, I do not know exactly. Maybe it's because it takes place far away, in Japan. Maybe it's because of all the stories you have heard from the festival. Maybe it's because of the unique tribal mystic that surrounds it, in combination with the nature of the location. Maybe it's because of the small group of artists, who all become like family for a few days. I do not know. But what I do know is that this dream has always been there and I am sure I share I it with a lot of musicians and DJs around the world. Anyway, 2015 I was lucky enough to be offered a slot, due in large part to my collaboration with Sebastian Mullaert, who already played there many times, both as Son Kite and as Minilogue.

So there we were behind the Labyrinth tipi, me and Sebastian, ready to go. Or, rather, not ready at all. We had prepared each to our selves but never found the time to meet up and rehearse together. I remember that Sebastian looked at me just before the set, and said something like: "I will not be sad or disappointed if things do not go well". I guess he was trying to calm me down since he knew I was kind of nervous. Anyway, off we went and thankfully, for some unknown reason, it was one of those gigs where everything just felt right.

So here is the recording. I still have not listened to it, and I do not think I will. I think I prefer to stay with the live memory of how it sounded. But I do hope that you will listen to the set, and that it will give you pleasure and meaning, just as my memory of it."

- Ulf Eriksson

Sebastian Mullaert & Ulf Eriksson - Live @ Labyrinth 2015

Super Flu@Panoramabar Berlin

♫ Read More ♫:
http://www.deephouseamsterdam.com/dha-mix-379-by-opal-sunn

https://soundcloud.com/opalsunn
https://www.facebook.com/pg/opalsunn

♫ MORE ♫

Opal Sunn - DHA Mix #379

RomanFlügel Dj set at TOYTOY, Johannesburg,  29032019

A part of my set at the Berlin launch party for my new album. "Changing days" is out on February 22nd on Permanent Vacation.

Mano Le Tough - Panorama Bar 02/02/2013

Second extract from our dj-set last sunday at Panorama Bar. This is circa our 3rd hour from 9 to 10 pm of the 4 hours set.

Discodromo - Panorama Bar 31-03-13 / extract part 2

Booking requests: matt@thepool-london.com & thomas@thepool-london.com
Contact: cocktaildamore@gmail.com

Discodromo - Panorama Bar 31-03-13 / extract part 2

discodromo

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