Edits,Dubs & Re-Rubs

Its been a while since we have uploaded any edits,so here's one we did a few years ago now available for download. Italo Space Disco made in 1982 the same year Italy won the world cup!
Enjoy..

Lectric Workers - Robot is Systematic (Discomendments Edit)

Another Edit we did a couple of years back now available for download.. Enjoy

Happy Mondays - Hallelujah (Discomendments instrumental edit)

Low-bitrate snip of the B1 off The Popular People's Front's forthcoming EP on Black Ops, the 10th and final EP in the series.

Out soon, only on 12" vinyl

(SNIP) The Popular People's Front - Sweet Tooth (SBR-BO-10)

Written by LB Robinson and Shankojam.
Produced by Floating Point.
Recorded in Handsworth Birmingham UK.
Inspired by original song " Message in a Bottle."
Written and Produced by Sting, Andy Summers And Nigel Gray.
Produced and Performed by The Police.

Ends in a Bottle Ft Shankojam [Explicit]

Melting Point show on Red Light Radio with Bobby Beige 26-Jan-2017

Space Minstrel - Bobby Beige

Dedicated to my love, Melting Point show on Red Light Radio 10-08-17

Always was and always will be

Melting Point on Red Light Radio 5 October 2017, mix by Troy Dean

Furry Face, Sharp Teeth

Here's the recording of my set from the Hare & Hounds in Birmingham with the guys from Bad Practice. Such a great night, hope to be back soon!

For bookings - mail@bleepmusic.co.uk

Peza@Bad Practice - Hare&Hounds - 13.01.18

♥️ LOVE INTERNATIONAL COMEDOWN MIX 2018 ♥️ // NEIL DIABLO

Following the success of Mildlife's 'Phase', Research brings you an all-star cast delivering their take on their pick from Mildlife's debut album released early 2018 via Research Records. 

Melbourne-Berlin transplant, master producer Tornado Wallace kicks off the EP with his take on 'The Magnificent Moon'. Wallace delivers a stripped back, break infused cruiser, mutating Kevin McDowell's vocals into an unknown alien tongue whilst staying true to the originals infectious melodies. 

Joining Wallace on the A side is Melbourne's own, Butter Sessions label-bosses, beat makers and party starters, Sleep D.The duo takes you on uncharted odyssey through their version of 'Im Blau'. Psychedelic swells lurk under dubbed out chords, cosmic fragments of the original are revealed before a bounty of bongos and congas take over! 

On the flipside Swedish disco-house rockers Mount Liberation Unlimited turn 'The Gloves Don't Bite' on its head with an extended 12-minute take! A re-imagined bass line mixed with quirky Swedish vocals, and their signature drum freak-outs makes for a memorable ending to this diverse EP.

A1. The Magnificent Moon (Tornado Wallace Remix)

Invisible Sensuality - Discomendments Re-edit

Prior to the release of his second EP on Second Circle, label friend and artist Dazion (@thedazion) delivers the 6th mix in the series. Q&A (excerpt) here below.

www.musicfrommemory.com

MFM: Hey Cris, you're originally from The Hague and still live there, correct? How is the music scene over there, is it different from the rest of NL?

D: Yes, born and raised! Well, The Hague has always had a big Indie and Rock reputation. Needless to say, electronic music has always been there, but maybe not as exposed to daylight as it does right now. For me the foundation has always been the Cybernetic Broadcasting System. There used to be kind of a government issued ban on ‘house’ and ‘dance’ music, because of some stupid ass brawls in a club. Luckily there’s a whole new crew of young guns, clubs and organisations, doing amazing things for electronic music in The Hague. So I’m super stoked to be here at this time and place. I guess you can say, that there’s kind of a difference between The Hague and the rest of NL. We’re a small town hahah. 

MFM: How important is playing instruments to you in the process of producing music as Dazion?

D: I would say, it really does give me a lot more playroom, if I add more instruments to my process. I mean, it’s so sick to learn how to play a new instrument. Last year I picked up the flute, and just decided to give myself a deadline, so I have to do it in front of a live audience. Hahah I know it sounds crazy, but it really works for me! In general I feel like people tend to be a bit hesitant towards learning to play instruments. But you would be surprised, how fast it can go, once you dive into it. I can’t read notes, and most musicians would probably kick my ass, if they would ever analyse my consistency, or use of notes hahah, but I am friends with my imperfections. So buy a kazoo! Do it!

MFM: Do you have certain traditions or workflows when in the studio?

D: Oh, I’ll start anywhere….hooking up cables, and spend 30 mins looking for a power supply, or just randomly press some keys. The thing is: I have this super tiny workspace/studio, that is kind of packed with gear. I’ll probably start with my go-to tool, which is a set of Samson c-02 condensator mics, and start recording percussive stuff. Could be a piece of wood, or metal. I’ll probably end up shaping the audio file, and start tweaking with effects. I really love looping stuff through guitar pedals. It hisses a ton of white noise because of shitty connections, but that, to me, adds to the sound. Once I have something I like, I’ll start experimenting with some of my rack synths. I Have a Roland Super JV that I’m really fond of. Most of the time, some weird combinations emerge, and I’ll take it from there!

MFM: Your new EP again includes vocal contributions. Do you seek for collaborations on purpose while writing music, or do they happen spontaneously as well maybe?

D: It’s not a real ‘must’ for me, but in a certain style of production, it just gives it an extra dimension. Especially if it’s in a different language. It’s actually more like…’oh this might sound sick with a (let’s say) so and so vocal on it’! I’ll have a vocal melody in my head, and once I’m meeting with the artist, I’ll start singing it to them. As a guideline. I always get a great reaction, because I REALLY can’t sing. But I somehow manage to get my intention through. It’s always a combined effort, because they know how to approach certain steps better that I do, so I’m like: ‘lets do it your way!’ Hell, I’m the one that takes notes here haha.

MFM: Did you have any particular idea or goal in mind when preparing or making the mix?

D: Well, as far as doing a mix, I think it might be cool if it’s more of a listening thing…I love to get out the weird stuff. I’ve been making rips for like two days, so yeah let’s see how you guys like it hahah.

MFM Mix 006: Dazion

Peter Gabriel - Big Time (Discomendments Re-Touch)

Another Edit we did a while back, now available for D/L

Enjoy

Orlando Johnson - Turn the music on (Discomendments Cut 'N' Shut Edit)

Another Edit we did sometime ago,now available for download.

Enjoy ;)

Roy Ayers - Everybody (Discomendments Edit)

Birmingham based Dj/Production/Remix Duo.Follow us on Facebook & Twitter for all the latest news on gigs,releases & general piss taking..

Enjoy! 

Invisible Sensuality - Discomendments Re-edit

Discomendments

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Mark Smedley

martinstartin

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