04 SUR LA PISTE DE DANSE

An endeavour of unquenchable flare 
Scarlet ornate  In the inky hour  
Plain, Florid 
Gullible grain
To the wonders of primordials

Dawn splashed by the play of gouache
  The wind is amused 
Whirling
Grace-filled over the four-leaf clovers 
Frost-bright nights conceal among mural sceneries.

Endurance - Hidden Cities

From O Morto's diptych 'Dans la Gorge d'un Monstre (LP) Ifrits Habitent (tape)'' on Discrepant and Sucata Tapes.

out 10th March 2023

more info here: www.discrepant.net

Dans La Gorge D'un Monstre (masters)

O Morto - The Gorge (from Dans la Gorge d'un Monstre LP)

ONCE A CHURCH, LATER A MOSQUE.

https://muze.gen.tr/muze-detay/ayasofya
https://bedouindrone.bandcamp.com/album/bedouindrone-abu-ama-ayasofya

BedouinDrone - AyaSofya ( Sultanahmet )

Human Error - Cosmic Travel

Charlie Morrow - "Toot! Too" LP (R41)
http://www.recitalprogram.com/toot-too/
http://www.recitalprogram.com/purchase/

R41 Charlie Morrow - "Wave Music II – 100 Musicians with Lights (1978)" from Toot! Too LP

Joachim Nordwall &
Coppice
Gabi Losoncy
Kevin Drumm
Tim Barnes & Jeph Jerman
John Duncan

Commuication is the Key
CD (E235)

entracte.co.uk/projects/joachim-nordwall-e235/

Release date: January 2019
Limited edition of 100 copies
Mastered by Jacques Beloeil
•
Challenge, stimulation, creativity.
Admiration. Inspiration.

Communication is the Key

Joachim Nordwall (E235; 2019)

Muscut's last contribution to global warming under the 2019 quotas.

uon duh (@konstantinbessonov, @simonroessler)
EUROPE
Format: Cassette (32 copies) / DL
Release day: December 6th 2019

A1 - Sand
A2 - Hotel Verdi
A3 - Under
B1 - Endless Desire
B2 - Future

All music by uon duh.

Konstantin Bessonov – Drums, Percussion, Electronics 
Simon Roessler – Electric Piano, Organ, Synthesizers

Written and recorded by Konstantin Bessonov and Simon Roessler in Hamburg, Germany. October 2018.
Mastering by René Huthwelker
Photos by Maik Gräf

Additional text:

This music will grow out of its own structure and grains. A castle of sand falling apart, slowly. Sometimes it's like a photograph of a hotel, not translating to the present. There is an expressiveness, but more as in helplessness. A soft and steady repetition of future beliefs. Does this make the music personal? Yes, everything happens under context. Like in society positive things need to be said over and over again. An endless desire.

EUROPE

Order

uon duh - EUROPE (Cass, 2019) Excerpts

Cathedral Ranges

Aus dem Archiv, aufgenommen im Presshaus am Grund der Dinge // Sommer 2019

Kedamo

The music of Naarm/Melbourne composer Lisa Lerkenfeldt channels a unique wavelength of foreboding, interstitial electronics, incorporating strategies of musique concrete threaded with veiled currents of melody and hypnosis. Recent recordings for Vienna Press, Longform Editions and Aught Void have demonstrated different depths of process and finesse but her latest, Collagen, captures perhaps the most complete and complex manifestation of her craft to date.

Drawing on a disciplined palette of peach wood combs, contact microphones, piano, strings, and feedback, the album moves in low, looming arcs, ascending to strange purgatories of opaque atmosphere. Lerkenfeldt cites a core aspiration to “elevate the everyday,” transforming common objects into otherworldly sound sources, which colors Collagen with a beguiling tactility, like vibrations traced in sand. The tracks shift in frequency and feeling, alternately heady and bodily, acoustic and synthetic, isolated states of static, light, and undertow skirting the outer rings of ambient, noise, and modern composition.

Although each piece exists in its own rare air the composite panorama they present is striking in its sweep and subtlety. Lerkenfeldt's muse seems one of evasion as much as evocation, navigating negative spaces for their subliminal whispers of dread or beauty. It's an aesthetic both ascetic and exploratory, minimalist mirages of resonance, texture, and gravity skewed through the pensive glow of room tone.

But Lerkenfeldt is too versatile an artist for purist restraint, which Collagen demonstrates dramatically in its closing cut, “Champagne Smoke.” A quivering bowed eulogy ebbs under a flickering film of distortion, slowly swelling in sorrow until suddenly the screech goes silent, revealing a murmuring phantom haze hidden beneath the strings, like a specter lost in an abandoned house.

14 Gestures associated with this album will be performed in experimental film and online viewing room of graphic notation at 14gestures.com from 29th July to 29th October, 2020.

Collagen releases on Shelter Press in LP / DL format on August 21, 2020. LP mastered and cut by Kassian Troyer at D+M, designed by Bartolomé Sanson with art by Lisa Lerkenfeldt, housed in reverse-board inner and outersleeve, including a 16 pages limited edition score book.

LISA LERKENFELDT 'The Weight Of History'

Our aim is to deconstruct, distort and re-assemble the lore of (un)popular music. 

Discrepant: inconsistent; conflicting; at variance [from Latin discrepāns, from discrepāre to differ in sound, from dis-1 + crepāre to be noisy]
Visit us at www.discrepant.net  for more music, releases, video and general discrepancies...

O Morto - The Gorge (from Dans la Gorge d'un Monstre LP)

Discrepant

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