Disco Vol.1

Chic - Good Times

Faites vos jeux, rien ne va plus....
L’union des talents dépasse leur simple addition, bravo aux Dj’s qui ont su transcender l’original.

Wake Up EveryBody : https://soundcloud.com/asta-a-ista-aby/wake-up-everybody

Give Me Some Emotion - SOUL INGREDIENTS

Originally destined for obscurity till the only acetate in existence was discovered by  serious Northern Soul collector who also happens to run a record label...

Al kent was drafted in to "do something" with it. So he turned it into a 9 minute disco epic.

12" released on Million Dollar Disco on 24th October 2022.

House Bros. "Shake" Al Kent Disco Version

Loving You

Straight off of YouTube. Fan upload, will remove upon request.

Debbie Jacobs - High On Your Love
MCA Records Inc. - 1979
Vinyl 12" - 33 RPM - Side 1

Debbie Jacobs - High On Your Love

An edit of one of my favorite disco tracks.

Baby O - In the Forest (DJ Smudge ReTouch Version)

Sherman Hunter - Dance To Freedom (Bo Jisso Edit)

By popular demand here's my quick & dirty rework of Loredana Bertè, as previously heard on the Theme From Kaffee N°1 Vinyl (now sold out, so here is the download)

DOWNLOAD

Loredana Bertè: Ti Piacerebbe (Bottin Rework)

Black Pepper from Guyanese artists Yoruba Singers. Amazing 1984 version of a track of the same name released in 1975. Super rare original 12" reissued for the first time by Left Ear Records.

Yoruba Singers - Black Pepper

Embarquez avec Florent F et la petite bande d'Around The Wolrd en direction de l'Algérie avec cet edit de Aït Meslayen, chanteur des années 70, il faisait partie de la génération à l’avant-garde de la chanson engagée berbère.

Aït Meslayen - El Fen (ATW X Florent F Edit)

The Casino Edits series continues with more disco-inspired DJ tools. For this week's premiere we have picked the A-Side of the third instalment on the label: an early blues classic converted into an unconventional 'flamenco-italo' hybrid by London-based duo Casino Times.

Check the full feature on our blog: bit.ly/PhonicaPremieres33
Pre-order your copy here: bit.ly/CasinoEdits003

BUY VINYL

Phonica Premiere: Casino Times - 003 A [CASINO EDITS]

Thelma Houston - Don't Know Why I Love You

Disco / Funk / Dance Classics
On YouTube: https://www.youtube.com/watch?v=3F_pmZYFmu8

Chic - Le Freak (Dj ''S'' Remix)

"Get Down Tonight" - KC And The Sunshine Band

Bee Gees - Night Fever(Disco Version)

* Read More: https://boltingbits.com/jacques-renault-cant-nobody-love-me/
* Watch on YouTube: https://youtu.be/uGMCsfOoJ_c

Let’s Play House is an outstanding New York record label earning a high status for its releases in the art of house, disco & techno. Starting back in 2009 by none other than Mr. Jacques Renault and Nik Mercer, the duo have created something special that is a credit to the big apple. Before they journeyed into LPH, Jacques was doing the rounds in the clubs spinning tunes and selling records, on labels like DFA Records & Hole in the Sky. Some of you may remember back in late 2009, Jacques released a very successful 4-track EP called Favicon. That 12” was monumental for Jacques, and massively influential to his career and the formation of LPH. The classic record was an enormous hit, completely selling out. Unfortunately, with no reissue the unlucky people to have not picked up a copy were left to sing the tune buried deep in their ear canals, until today.

For World Record Store Day 2018, Let’s Play House are gifting the world of music the reissue of this phenomenal EP, and it doesn’t stop there! Back in 2009 one track didn’t make it onto the original EP and was left in Jacques’ USB as his secret weapon to send crowds into a frenzy called “Time Machine”, which, thanks to the generosity of Jacques, is featured on the release. Here at Bolting Bits, we have the huge honour of premiering one disco-weapon from the famous Favicon EP, Can’t Nobody Love Me. Wrap your ears around the funkiest bassline you’ve ever heard, this track bursts passion from every element, whether that be its soulful vocals or the euphoric strings. With limited copies available, we can guarantee that like the original these will go fast so make sure you don’t miss out on the gift that keeps on giving.

Favicon (RSD '18)

PREMIERE : Jacques Renault - Can't Nobody Love Me

"Disco Grenade EP" 4 track VINYL ONLY EP for DJ's and Collectors featuring tracks from https://soundcloud.com/osmose , https://soundcloud.com/the-funk-district & https://soundcloud.com/oldchap-2
Housed in hand stamped natural chipboard jacket.


Juno Records (UK)
https://www.juno.co.uk/products/osmose-oldchap-the-funk-disco-grenade-ep/690766-01/

Downtown 304 (USA)
http://downtown304.com/index.cfm?sID=88451

Redeye Records (UK)
https://www.redeyerecords.co.uk/vinyl/98207-scr023-osmose-the-funk-district-oldchap-disco-grenade

HHV (Germany)
https://www.hhv.de/shop/en/item/osmose-the-funk-district-and-oldchap-disco-grenade-600637?p=rU0cnx

Deejay.de (Germany)
https://www.deejay.de/Osmose_The_Funk_District_Oldchap_Disco_Grenade_SCR023_Vinyl__319360

Discogs (Worldwide)
https://www.discogs.com/Osmose-3-OldchapFunk-District-Disco-Grenade-EP/release/12040824

Bandcamp
https://osmosesound.bandcamp.com/album/disco-grenade-ep-vinyl-only-release

Jetset (Japan)
https://www.jetsetrecords.net/i/723005494059/

In retail physical retail stores such as - 
Wuxtry (Athens, GA), Vinyl Dreams (SF, CA), Bump ‘n Grind (DC)

Juno

Sheriff's horse (Preview) 12" SCR23 vinyl only

stream and buy the full reissue here:
https://fanlink.to/bwh4

https://soundcloud.com/mendel

N'Draman Blintch - Cosmic Sounds (Mendel Edit)

Bee Gees - Staying Alive/Saturday Night Fever

Excerpts from the album 'THE ULTIMATE BEE GEES'.
BUY THE DELUXE DOUBLE CD & DVD SET from Amazon <a href="http://amzn.to/1brkEjR">USA</a>, <a href="http://amzn.to/13m2yuv">Canada</a>, <a href="http://amzn.to/1aT2W9B">UK</a>, <a href="http://amzn.to/1auhjNU">France</a>, <a href="http://amzn.to/12yro7t">Germany</a>, <a href="http://amzn.to/12XkhoT">Italy</a>, <a href="http://amzn.to/12NLidu">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
BUY THE DOUBLE CD from Amazon <a href="http://amzn.to/1brikth">USA</a>, <a href="http://amzn.to/13m1yqh">Canada</a>, <a href="http://amzn.to/11ZpOAr">UK</a>, <a href="http://amzn.to/194C3hv">France</a>, <a href="http://amzn.to/13zPNZf">Germany</a>, <a href="http://amzn.to/13Qm59C">Italy</a>, <a href="http://amzn.to/12JOv2f">Spain</a>, <a href="http://amzn.to/194AqQW">Japan</a>.
DOWNLOAD THE ALBUM from <a href="http://bit.ly/11ZocXv">iTunes</a>, or Amazon <a href="http://amzn.to/15oILcH">USA</a>, <a href="http://amzn.to/17ngCEb">UK</a>, <a href="http://amzn.to/15K92lE">France</a>, <a href="http://amzn.to/18pBX4E">Italy</a>,<a href="http://amzn.to/18mu506">Germany</a>, <a href="http://amzn.to/12XiWOL">Spain</a>, <a href="http://amzn.to/13zLJrN">Japan</a>.
LISTEN ONLINE on <a href="http://www.deezer.com/en/album/422914">Deezer</a>, <a href="http://grooveshark.com/#!/album/The+Ultimate+Bee+Gees/4657434">Grooveshark</a>, <a href="http://www.last.fm/music/Bee+Gees/The+Ultimate+Bee+Gees">Last.FM</a>, <a href="https://myspace.com/beegees/music/album/the-ultimate-bee-gees-14023661">MySpace</a>, <a href="http://www.rdio.com/artist/Bee_Gees/album/The_Ultimate_Bee_Gees/">Rdio</a>, <a href="http://www.rhapsody.com/artist/bee-gees/album/the-ultimate-bee-gees">Rhapsody</a>, <a href="http://slacker.com/r/lLHTB">Slacker</a>, <a href="http://open.spotify.com/album/3JXTUy5Ccdpe79HUgUiMF9">Spotify</a>.


ABOUT THE BEE GEES
Formed: 1958 in Brisbane, Queensland, Australia
Years Active: '60s, '70s, '80s, '90s, '00s

No popular music act of the '60s, '70s, '80s, or '90s attracted a more varied audience than the Bee Gees. Beginning in the mid- to late '60s as a Beatlesque ensemble, they quickly developed as songwriters and singers to create a style of their own that carried them from psychedelia to progressive pop. Then, after hitting a popular trough, they reinvented themselves as perhaps the most successful white soul act of all time. What remained a constant throughout their history is their extraordinary singing, rooted in three voices that were appealing individually and melded together perfectly.

The group was also music's most successful brother act. Barry Gibb, born on September 1, 1946, in Manchester, England, and his fraternal twin brothers Robin Gibb and Maurice Gibb, born on December 22, 1949, on the Isle of Man, were three of five children. The three of them gravitated toward music, encouraged by their father, who saw his sons at first as a diminutive version of the Mills Brothers. The three Gibb brothers made their earliest performances at local movie theaters in Manchester in 1955, singing between shows. The family moved to Australia in 1958, resettling in Brisbane. Now known as the Brothers Gibb — with Barry writing songs — they attracted the attention of a local DJ, and eventually got their own local television show. It was around this time that they took on the name the Bee Gees (for Brothers Gibb). The trio was astoundingly popular in the press and on television, but actual hit records eluded them.

By late 1966, they'd decided to return to England — which, thanks to the Beatles, was now the center of the world for rock and popular music. The group had sent demo recordings ahead of them, and "Spicks & Specks" — which became their first Australian hit while they were in mid-ocean — had attracted the interest of manager Robert Stigwood. The trio was signed by Stigwood upon their arrival, and began shaping their sound in the environment of Swinging London. Barry and Robin Gibb alternated the lead vocal spot, harmonizing together and with Maurice. Barry played rhythm guitar, while Maurice played bass, piano, organ, and Mellotron, among other instruments. Their first English recording, "New York Mining Disaster 1941," an original by the group with a haunting melody and a strangely surreal, almost psychedelic ambience, was released in mid-1967 and made the Top 20 in England and America. They had successful follow-ups with "Holiday" and "To Love Somebody," the latter actually written for Otis Redding to record, and "Massachusetts," which topped the U.K. charts.

After Bee Gees' 1st, the Gibb brothers took over producing their own records. It was easy, amid the sheer beauty of their recordings, to overlook the range of influences that went into their sound, which came from a multitude of sources, including American country music and soul music. At this point in their history, they were most comfortable deconstructing elements in the singing and harmonies of black American music and rebuilding them in their style.

In 1969, the trio split up in a dispute involving the Odessa album. A lushly orchestrated double LP, it was their most ambitious recording to date, but they were unable to agree on which song would be the single, and Robin walked out. Barry and Maurice held on to the Bee Gees name for one LP, Cucumber Castle, while Robin released Robin's Reign. Without a group to promote it, the Odessa album never sold the way it might have, even with a hit, "First of May." Cucumber Castle generated several successful singles in England and Germany, including the gorgeous, African-influenced "I.O.I.O.," while Robin had a hit with "Saved by the Bell."

In 1970, almost two years older and a good deal wiser, they decided to get back together. They related to each other better and had also evolved musically, now creating a progressive pop/rock sound similar to the Moody Blues. They came back on a high note with two dazzling songs: the soulful "Lonely Days," the group's first number one hit in America; and the achingly lyrical "Morning of My Life," which proved so popular with fans that the group was still doing it in concert decades later.

Their success began to ebb, however, after another huge international hit with "How Can You Mend a Broken Heart" in 1971. The single "Run to Me" made the Top 20 in 1972, but the album To Whom It May Concern was forgotten almost instantly after a brief chart run. Their fortunes continued in reverse during 1973 withLife in a Tin Can and the single "Saw a New Morning" — despite a move to America and a heavy promotional push, the song never made the Top 40 and the album stalled out.

The trio was falling into a deep creative and commercial hole. Rescue came from a suggestion by Eric Clapton, that they try recording at Criteria Studios in Miami, Florida, where he had just cut an album. The Bee Gees took his advice and came back with Mr. Natural (1974), produced by Arif Mardin. This record was a departure with its heavily Americanized R&B sound, and the following year they plunged headfirst into the new sound with Main Course — the emphasis was now on dance rhythms, high harmonies, and a funk beat. And spearheading the new sound was Barry Gibb, who, for the first time, sang falsetto and discovered that he could delight audiences in that register. "Jive Talkin'," the first single off the album, became their second American number one single, and was followed up with "Nights on Broadway" and then the album Children of the World, which yielded the hits "You Should Be Dancing" and "Love So Right." Then, in 1977, their featured numbers on the soundtrack to the Robert Stigwood-produced Saturday Night Fever, "Stayin' Alive," "How Deep Is Your Love," and "Night Fever," each topped the charts, even as the soundtrack album stayed in the top spot for 24 weeks. In the process, the disco era in America was born — Saturday Night Fever, as an album and a film, supercharged the phenomenon and broadened its audience by tens of millions, with the Bee Gees at the forefront of the music.

It was a profound moment although, ironically, there wasn't that much difference in their sound. Amid the dance numbers, the Bee Gees still did a healthy portion of romantic ballads that each offered memorable hooks. They'd simply decided, at Arif Mardin's urging, to forget the fact that they were white Englishmen and plunged into soul music, emulating, in their own terms, the funkier Philadelphia soul sounds that all three brothers knew and loved. In one fell swoop, the group had managed to meld every influence they'd ever embraced, from the Mills Brothers and the Beatles to early-'70s soul, into something of their own that was virtually irresistible. Spirits Having Flown was their crowning commercial triumph, topping 30 million in sales and yielding three more number one singles.

By the end of the '70s, however, the disco era was waning from a combination of the bad economy, political chaos domestically and internationally (leading to the election of Ronald Reagan), and a general burnout of the participants from too many drugs and profligate sex (which would precipitate an epidemic of sexually transmitted diseases and herald the outbreak of AIDS in the United States). There had already been an ad hoc reaction against the group's dominance of the airwaves, with mass burnings of Bee Gees posters and albums organized by DJs. The group itself helped contribute to the end of the party with their participation (at Stigwood's insistence) in the film Sgt. Pepper's Lonely Hearts Club Band, "inspired" (if that's the word) by the Beatles' album. The movie was a commercial and critical disaster, and an embarrassment to all concerned.

In America, the Bee Gees were virtually invisible for most of the '80s. Instead, Barry Gibb pursued work as a producer for other artists, creating hits for Barbra Streisand and Diana Ross. By 1987 and the E.S.P. album, their sales had rebounded everywhere but the United States, yielding a number one single (outside of the U.S.) in "You Win Again." Their 1989 album One got a good reception around the world and generated a Top Ten U.S. single. And in the '90s, Polygram Records released the four-CD anthology Tales from the Brothers Gibb, which sold well around the world. The trio's 1997 induction into the Rock & Roll Hall of Fame led to a resurgence of interest, which heralded the release of the live album One Night Only (1998), cut at their first American concert in almost a decade.

The Bee Gees remained active until the death of Maurice in January 2003, from cardiac arrest during surgery. Following his death, Robin and Barry decided to cease performing as the Bee Gees. Their recorded legacy, however, subsequently became more visible than it had been in decades with the move of their catalog to Warner/Reprise. The latter company began the long-awaited upgraded CD reissue of the Bee Gees' post-1966 library, including the first-ever release of outtakes and rehearsal versions of songs. Robin was diagnosed with and underwent treatment for cancer in 2011. He died in London in May 2012 due to complications from cancer and intestinal surgery; he was 62 years old. Given the previous deaths of Andy (who had several number one hits and who died of an inflammatory heart virus in 1988) and Maurice Gibb, Robin was the third Gibb brother and second member of the Bee Gees to pass away.


Music ℗ & © 2009 Barry Gibb, Robin Gibb and The Estate of Robin Gibb under exclusive license to Warner Strategic Marketing Inc. a Warner Music Group Company.


Buy CD at Amazon USA

Bee Gees - Night Fever (excerpt)

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Disco Vol.1

DISKOSM 🔊