What a fun mixx to listen, wax to  empty my pockets once more    \\V//

On the run

Credit 00 Live Set for Dissidanza @ Lumen Florence - Sept. 20th 2024

Tom Trago - Walk The Dog (Extended Version)
E-Freq - Hydro Train 
Client 03 - TESTBED DOT SELF
Poladroid - Psychogeographie
DJ Nthing - Taking Your Time
Client 03 - You Are A Machine
Poladroid - Para Bellum 
Alavux - Civil Rights
Electronic Witchcraft - Hi-Tek Funk (Bushby's Silver Shadow Mix) 
Client 03 - Decommission Me (x Shinra)
Poladroid - European Futurist
nasty-boxes digital-brutality 
LEONARD DE LEONARD & MODIG - Berlin by Night (CYRK remix)
Client 03 - Assimilation Inspector 
Protocolo Sysex - Notthefuture 
NASTY BOXES - Mindfuck 
COMMUTER - No Heat
Rolland Tokett - Ahead of Me

Alavux Presents Emiter V3 EP 07 Part 01 August 2025

They are always vinyl genres that predominate Electro mostly but I like to mix EBM techno without limits for a fun, dark and joyful sound that feels like a roller coaster of emotions

www.operator-radio.com

RISE BLACK - 1st August 2025

DTP#45 - Selene

And we continue with a new mix full of versatile electro the way we like it. 
Waving from Santa Fe, Selene draws from her seemingly endless pool of records. Be it her love for acid sounds and techno deeply rooted in the 90s, deep dug electro or ambient. She should be familiar to long time listeners of Intergalactic FM, where she played a beautiful ambient set at this year's festival. 

Her mix highlights electro from its more menacing side. Bass-driven, frightening vocals, tuff and atmospheric at the same time. A journey into the unknown known, perfectly fitting for dark times like ours.
https://soundcloud.com/selene-theteahouse

Tracklist:
B Calloway - Phone Home [Submerge Recordings]
Phoenecia - Odd Job (Get Fresh Version) [Schematic]
Solid Blake - Soap Cube [Seilscheibenpfeiler]
Matti Turunen - Tharsis [Vortex Traks]
Uni - Latch [Interdimensional Transmissions]
KafkaCtrl - Inertial Observer [Noise To Meet You]
Fabio Vinuesa - Numbers [Distrito 91]
Shun - Rohan [Central Processing Unit]
CYRK - Seen Unseen [Science Cult]
Alien FM - Journey's (In Dub) [430 West]
Pip Williams - Cutty Told Me [Central Processing Unit]
London Modular Alliance - Lump of Coal [20:20 Vision]
Ectomorph - Time Fold [Interdimensional Transmissions]
Carl Finlow - Conduit [Electrix Records]
Remote - Protecting My Hive [Underground Resistance]
SEM - Area 5 [Electron Industries]
Fleck E.S.C - Further Away [Science Cult]
Caron - Terra [Brokntoys]

DTP#45 - Selene

Last hour from Neukölln, Piska Power is closing out the day!

Piska Power [5.8.25]

One of the enduring powerhouses of our era returns for RA.1000 with a riotous mix.

When Helena Hauff made her first RA Podcast appearance back in 2013, she was on the eve of releasing her debut production on Actress' Werkdiscs imprint. In the 12 years that have elapsed, she's become not just a household name within electronic music, but the kind of rare talent that lives in seclusion from industry tumultt.

(Hauff, enviously, has never even owned a smartphone.)

Her calling card continues to be her penchant for rough and ready EBM, electro and new wave. Her unique ability is creating a singular listening experience from disparate or out-of-favour tracks, with a raw immediacy that functions as a redress to over-choreographed modern DJing.

Her outsider approach is on show once again for RA.1000. Threaded together by strobe-lit DIY electronica, old-school acid house and corrosive machine funk that chews up the ear, the nearly two-hour set raises the bar once again.

In the sci-fi themed first half, Hauff drops two Cybotron tracks, nodding to Juan Atkins' blueprint for electro. You'll also hear "Riot" by Underground Resistance, the definitive mission statement for a world ablaze. This is musical anarchism, executed to the highest degree.

Find the tracklist and interview at ra.co/podcast/1017. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 Helena Hauff

Never-before-heard psychedelic acid techno and ambient compositions from beloved Japanese producer Susumu Yokota. Recovered from a collection of DAT tapes.

https://www.soundmetaphors.com/release/1757339415/susumu-yokota-unreleased-works-94'-97'

Susumu Yokota - Dust

Helsinki raised, Paris based Jeku is know for his trippy, psy-infused rhythms, expertly crafted to compel movement and progressively elevate the senses.

With acclaimed releases on labels like Craigie Knowes, Haŵs, and Avoidance, and his most recent EP ‘Twisted Utopia’ on Harmony Records, Jeku continues to push the boundaries of contemporary electronic music.

About the mix: "This mix is heavily inspired by my recent experiences at Pe:rsona and Ozora festivals, which I attended back-to back straight from one to the other. I found a resurgence in deeper and slowly evolving sets which felt so fresh I wanted to channel that energy into this mix. Best enjoyed outdoors or afters!"

@jeku_fin

DSS 115 | Jeku

Something different and special for Dungeon Module 008, Timothy J. Fairplay invites artists he admires both new and established for music on Working Overtime Volume One. The compilation begins with ‘Master Blaster’ by RZ-1 warrior and REALM resident Oyster, then Alex Israel keeps up the jackbeat intensity with ‘You Forgot The Briefcase’. Chupacabras is next with pressure building Thanet party electro jam ‘OFF Planet’. Hope Of The States frontman Sam Herlihy debuts his electronic project Total Mathematics with the cinematic ‘Warningcamp’ to close the side. ‘Set Phasers To Stun’ starts side B, analogue house by Computerdisco constructed in a workshop of vintage synths overlooking the Bristol Channel. Timothy first met Rebecca Goldberg playing at Tresor, ‘URNOTALONE’ is hypnotic Minimal Nation style Detroit techno featuring field recordings from her recent trip to Roswell. Alan Harman appears with ‘Blast Zone’ in his instantly recognisable and unparalleled cold wave style. Timothy J. Fairplay finishes the album with the lo-fi synth, melodica and Space Echo of ‘Night Warden Dub’.

Available on limited Cassette and digital Download.

Side A
Oyster - Master Blaster
Alex Israel - You Forgot The Briefcase
Chupacabras - OFF Planet
Total Mathematics - Warningcamp

Side B
Computerdisco - Set Phasers To Stun
Rebecca Goldberg - URNOTALONE
Alan Harman - Blast Zone
Timothy J. Fairplay - Night Warden Dub

Released September 5th, 2025

A1 Written and produced by Oyster. A2 Written and Produced by Alex Israel. A3 All sounds recorded at Studio Brodsteyr by Jeremy Rodriguez. A4 Written and Produced at Hex Library by Sam Herlihy. B1 Written and produced by James Bell. B2 Produced and arranged by Rebecca Goldberg. B3 Written and produced by Alan Harman. B4 Written and produced by Timothy J. Fairplay at Dungeon Module studio, published by House Of Klart.
Mastered by Alden Tyrell. 
Artwork by James Bell & TJF. 
©Dungeon Module 2025.

Bandcamp

Workin' Overtime Volume One CLIPS

Ron Morelli, Founder of the cult label L.I.E.S.

@l-i-e-s

Youtube streaming RRC Garage Studio - RON MORELLI  - https://youtu.be/Lx38cJ_Htwg

www.instagram.com/renegade_radio_camp
www.youtube.com/@renegaderadiocamp

Renegade Radio Camp - RON MORELLI - Mix 06-07-2025

Recording of Efdemin's set at the UFO I stage during Dekmantel Festival 2025.

Efdemin at UFO I - Dekmantel Festival 2025

Recording of Elena Colombi & Lena Willikens' set at the UFO II stage during Dekmantel Festival 2025.

Elena Colombi & Lena Willikens at UFO II - Dekmantel Festival 2025

Mörk Ö / Drive

*** AGE090 · Enteit & Takomo - Mörk Ö

Moments

moments

Full Episode https://soundcloud.com/tomislavslavinski/beatscapes-1132-wwwradiocentraalbe

Beatscapes 1132

Harlamov - Perestroika (Electro Music Coalition) (2017)
James Shinra - Poppin (Shinra Electro Company) (2025)
Luke Eargoggle - All Fritid Är Stil (KONDI) (2004)
Monodroids - Epanekinisi (Tiger Weeds) (2024)
Reshio - ბასი და ცეცხლი (Oman Records) (2025)
Konerytmi - Velodromi (Central Electronics) (2024)

Snippet Beatscapes 1132 - www.radiocentraal.be

This Was Belgium 1987-89 - 2 hours of New Beat favourites

New Beat was born and initially exploded in 1987, went supernova (in Belgium) in 1988 and then the formula morphed a bit and was declared dead in 1989. It was slow and initially all about the atmosphere with industrial strength beats - the main form of rhythmic propulsion being the pounding kick and heavy snare. It was often mainly instrumental and when there was lyrical content it often became more about slogans and giving commands - "Move Your Ass And Feel The Beat!", "Let There Be Brightness!", "Shout Out Loud!". While not really New Beat, it's no surprise Technotronic's "Pump Up Jam" was produced by a crew who had produced a ton of New Beat gems.

In 1989 one of New Beat's founders, Marc Grouls said "New Beat is atmosphere, beats, no lyrics, and sure as hell not commercial!!!!!" But, it was already too late. A zillion bandwagon jumpers had diluted the music and flooded the market with too many sub standard 12" singles. New Beat temple, the legendary Boccaccio nightclub, in Destelbergen, near Ghent, had been closed down and it looked like it was all over, but really, it was just the beginning. New Beat morphed into Hard Beat (many of the tracks on this mix are from the Hard Beat era) which quickly morphed into Belgian Rave, which was huge and hugely influential in the UK and is an often overlooked part of the DNA of UK Hardcore, and all that came after. Then from Ghent, R&S Records established itself as thee European Techno label and a huge wave of incredible Techno records emanated from it and many other mighty Belgian labels, but that is another story. 

New Beat arrived just as I first started DJing and I played a lot of it in my DJ sets and built up connections with several of the leading Belgian labels who would send me 12" singles so I had records nobody else here had any idea even existed. I would compile New Beat charts for the music paper The NME which may have given the impression there was a thriving New Beat scene in Scotland. The reality was very different; people here, many of whom would embrace the rave just a little while later never really took to it in a big way.

This mix is comprised of many of my personal favourites that I have loved since they came out (and two I missed at the time and only heard later). I think the tracks have aged like a fine wine, often sounding as good if not better today as they did then. There is definitely a faint whiff of fromage and a big dollop of stoopid in several of these tracks. Of course, it is not all about the cheese and many of these adhere to the "atmosphere, beats, no lyrics, and sure as hell not commercial" rule mentioned above. Some of the best programmed 303 Acid basslines ever made can be heard here along with transcendental hypno synths and those Belgian beats going on and on....! Slow and low, from under 100bpm up to 116, New Beat doesn't chug, it swings in a very distinct way. If you get to see any videos of Belgian clubs of the era, the way people moved to this music is incredible and so different to any dancing we see today.

Many of these tracks are made by the same people under various aliases, which will perhaps be audibly evident. Most of the names have been forgotten, if they were ever even known outside their native Belgium at all, but all are legends to me. 

This mix isn't any kind of attempt to tell the story of New Beat but rather a mix 33 of my favourite 12" singles from that era showing many of the various strains of the New Beat and Hard Beat sound. A lot of love went into this and I hope someone somewhere discovers this music for the first time and falls in love with it as I did way back when. This was Belgium!

This Was Belgium 1987-89 - 2 hours of New Beat favourites

A crew by Alice in Flames and FAQ.
We host a radio show every two months on Callshop Radio and organize concerts and parties in Leipzig on an irregular basis.
There is also a mix series.
Music and people we like.
All artwork: https://www.instagram.com/cornelius.aaalt/

DTP#45 - Selene

Disposable Time

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