Can I have a 10-minute version, please? It feels awesome.

The suspended high singing note is a very nice thread throughout.

beautiful.. I opt for the 10 minute version too ;)

Originally made for Disquiet Junto Project 0563, but abandoned (in favor of https://soundcloud.com/winterer/melodic-walking-disquiet0563 )because of having too much "magic" but no "realism" at all. But for what it is I like the track very much. 

Cover track image made with an image from DALL·E, "oil painting of a drowned rusty synthesizer inside a flooded church with windmill on it".

Time Drowning Mechanism

In the manner of moonlight

Johanna Vargas, soprano
Ensemble Linea
Carolina Santiago Martinez, piano
Keiko Murakami, flute contrebasse
Louis Siracusa, double bass
Jean-Philippe Würtz, conductor

IV. Gradual Abruptness
ooo –– ooo –– oo –– o 
gradual abruptness 
french 		(mr., rhythm acuto intros.) 
ital 		(riposante musica, ritmo meno acuto, adattabile)   
                 o                   –– 
non avete da mostrarmi un’altra macchina? (repeat rhythm) 

[…]

(– oooooooo – )

[…]

tu pensi:   
 –  o o  –  o o o  – o o o  –  o 
ha una macchina ancora da mostrarmi? 

Un poco di buon ordine feroce
Aspettare in tempo

	Évidemment

		si tu ne peux
Poétiser
	il te faudra
Cohabiter
Rime e accenti allineati
Évidemment 
Si tu ne peux
		analyser
Il te faudra
		coaliser
Io vado di solito a letto alle undici
o – o o – o o – oo – oo
La poésie du succès 
Le succès du sexu

Bisogna sfruttare i buoni momenti
o – oo – oo – oo – o
– o oo – o ooooo –

Autumn is a season of which I am very fond [about]

Regarde
Au moins
Ce qui est
Écrit
Sur le bout
De ta langue chérie
In nous faudra
Que tu y vas
(synthèse-douleur)
tu parles en prose  

V. Allons, plongeons
Allons, plongeons dans le réel (il le faut)
l’Esthétique Jaune dans son lit de Mort 
l’Esthétique Jeune dans son Lit Subtil
ou bien  
Nous sommes 
[dans son lit de la mort subtile
dans le lit de son jeune mort
dans la mort du lit du son
dans le son subtil de la jeune mort] 
 
(dans la gaze de la réalité). 
Nous passons dans la gaze du réel. 
Arrive l’enfer. L’impératif 
de la[…]
[…]réalité
(nous sommes en communication).

4. Gradual Abruptness 5. Allons, plongeon

Experimental Improvised Eurorack  Modular . Pinging a filter ( Ripples ) from Maths , processed thru Quarks (Elements clone )and Clouds.PGH LFO2 into the rise and fall of maths ch 1 and 2 . Maths Ch 2 end of cycle into Intelijel uVCA ch A ,out into TipTop  Forbidden planet Filter. FP Filter out to uVCA ch B out to MI Rings ext in .

Caution

FREELilDurkTypeBeat2023KITS4DAYS.m4a

This track was created as response to the Disquiet Junto Project 0614: Do something you often do, but differently.
Instead of improvising a piano-melody over a field-recording, this time I created a background ambiance based on pianos and improvised noise sounds to it.
The 5 different background pianos are played by the generative MIDI sequencer Transition employing high measures of randomness (free VST-plugin available at www.codefn42.com/transition/index.html).
Three different noise-sounds were improvised with the MIDI-keyboard to this piano-background.

More on this 614th weekly Disquiet Junto project, Alternate Route (The Assignment: Do something you often do, but differently), at: https://disquiet.com/0614/

About the Disquiet Junto: https://disquiet.com/junto/ 2

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0614-alternate-route/

A Piano Tempest is Approaching (Disquiet0614)

1週間DTM お題➁PLAYLIST : カフェで流れてほしい自作曲３選

カフェでの演奏をイメージしてシンプルな構成(スリーピース)で作りました
生活感満載のメロウなポップスです

#重音テト
#花隈千冬
#Korggadget
#１週間DTM

SynthesizerV 重音テト SynthesizerV 花隈千冬
ライト版を使用

ぐるぐる洗濯(GuruGuru Washing)

No hay nada allá afuera
que me haga querer más.
Aunque las alarmas suenan
no me puedo levantar.
Los segundos son muy largos
y no dejo de pensar.
Este ruido blanco
envuelve todo lo demás

Llanura De Acero

Space 1999

bass by meorkat
drums by Ryan Gosson
percs by Matt Mackenzie
guitar by Ryan Wilson

JARRINGXINCIVILITY [The Producers Corner Sample Challenge N°332]

Another experiment with electric guitar loops. The main difference between today's and yesterday's (https://soundcloud.com/disquiet/passing-waves) is that yesterday's was recorded serial, so anything coming from the first loop also appeared in the second loop. That gave it a certain density, but, well, it also gave it a certain density. This was recorded in parallel, meaning whichever looper was recording at a given moment was only recording what was being played by the guitar, not what happened to be coming out of the other looper. This means the density took quite a while longer to achieve, but also that the individual segments are much more distinct, even after density has accrued. Also, the loops are quite a bit longer. Recorded from stereo speakers into a phone (yesterday was from a mono amp), though I'm not sure if the separation is particularly apparent. Major noise reduction in Adobe Audition, and a tiny amount of reverb.

Parallel Normal

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Parallel Normal

disquiet

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