Japanese to Airhorns

never owned a Dreamcast

there's something out there waiting for us...

Sinister

from "Richard Dawkins: The Opera" (upcoming)

DAWKINS [Comic baritone]:
I had a little jar of honey
I could not wait to taste
But they took my honey from me—
O, what a STUPID waste!
O, fie upon security
And the rules that they obey!
I had a little jar of honey
But they took my honey away.
 
No thanks to the rule-bound dundridges
In the world's airports each day;
My daughter, my son
Bin Laden has won
For they took my honey away—
They took my honey away!
 
MALE CHORUS:
No thanks to the rule-bound dundridges
In the world's airports each day;
My daughter, my son
The terrorists won
When they took his honey away—
They took his honey away!
 
DAWKINS:
I've written some marvellous theories
And seen some things in my time
(Not least of which
Was a dog and bitch
Indulging in full 6-9!)
But for all my witnessed wonders
I never thought I'd see the day
When a precious jar of honey
Would be simply thrown away.
 
No thanks to the rule-bound dundridges etc.

I Had A Little Jar Of Honey (voice memo demo)

Slow Down

"Close The Door"
60 Second Public Service Announcement
New York City Fire Department

Written & Produced: Tony Schwartz & Ken McFeeley
Voiceover: Alan Bleviss

"Close The Door"

In the latest dispatch from our St Petersburg Troll Factory (now shared by scholar of Twitter's meltiest recesses @wariotifo), Jack and Yair are joined by 'lil comrade founder Edie Miller (@multiplebears on Twitter, with the company residing @tinycomrade)to review Ricky Gervais' new six-part series for Netflix, 'After Life', which, as you might expect, we find to be a big old piece of shit by an artist in irreversible decline.

Edie is also on the show to promote RP's first ever move into the world of fashion - a new line of lil' comrade Miwk Gapes t-shirts, which carry an inspiring pro-NATO message and can be purchased at the following link: https://www.lilcomrade.com/product/reel-politik-t-shirt-miwk-gapes

This episode had tom disso on the boards, with additional production by Jack and artwork by Tom F.

To read the New York Times interview with Gervais referenced in our  conversation, go to: https://www.nytimes.com/interactive/2019/03/19/magazine/ricky-gervais-after-life-comedy-twitter.html

Reel Politik

Episode 95 - Doing Smack With Ricky Gervais (ft. Edie Miller)

Capping off a month of (compared to usual) frantic RP activity, we tie up loose ends in the Pogues canon in episode 110. Tackling the downslide of the band's career, we speed through their last two albums with Shane MacGowan as lead vocalist, pretty much ignoring the two made without him, briefly touching on Joe Strummer's brief sojourn as Pogues frontman, and devoting a sizeable amount of time to Shane's second solo album with imaginatively named backing band The Popes, The Crock of Gold.

We look at Shane's miscellaneous non-album work, including a writing contribution to the How To Train Your Dragon 2 soundtrack, and return to one of the wildest threads in forum history, where a bunch of neo-Nazis attempt to claim Shane as their own, and also address his legendarily voluminous drink & drug consumption and speculate on the general condition of his health in his sixties.

Lastly, we continue to examine MacGowan's politics, addressed in this quote we only discovered subsequently to recording the episode: "I always felt guilty because I didn't lay down my life for Ireland. I felt ashamed that I didn't have the guts to join the IRA, so the Pogues was my way of overcoming that guilt."

Produced by tom disso. Artwork by Jack.

Episode 110 - Paddy Public Enemy No. 1 (Part Two)

„I keep asking myself where they take all that brilliant music from. It’s just as if somebody had poked a bees’ nest and then it all burst out. I feel deeply connected to the Pampa Style..." (Terry Hogann, The Musical Mistress, 10/2010).

As was to be expected, Pampa is steadily developing into a platform for cross-border electronic dance music. Each Pampa release sounds different from the previous and still Pampa remains a conclusive musical planet. This is all the more surprising in the case of PAMPA005, which features two completely different artists: 

Side A: Nathan Fake - Xmas Rush
Having reportedly recorded his track „Xmas Rush“ in his London studio during a jam session, Nathan Fake (Border Community, Traum, SAW) has turned in a total brainfuck. It’s mercylessly exaggerated, psychedelic, inexorable, and at the same time sweet and heart-warming. A very rare mixture. Unique in its consistency, we haven’t heard anything like it since the 90s. It’s so nice and overwhelming to have your ears exercised the right way again. Evergreen... 

Side AA: DJ Koze pays tribute to Michael Smith - "Mi Cyaan believe it"
In the meantime, DJ Koze has moved on to completely different spheres. Once again, he astonishes his public with an extremely danceable version of Michael Smith’s "Mi Cyaan Believe It". Having originally started off as a digital error, and recorded within a single night, this tune recalls the ruthlessness, rawness and revolutionary energy of Public Enemy. You can literally see SW1 deploying on the balcony of Amnesia, shitting down diarrhea. The rough and dry beat sets the perfect scenery for the breath-taking lyrics by Michael Smith, the great dub poet, who was tragically beaten to death by political opponents in Jamaica in 1983 (the incident sadly occurred on Marcus Garvey's birthday), alongside Linton Kwesi Johnson, and Mutabaruka, who was one of the most well-known dub poets.

Nathan Fake - Xmas Rush (Dub)

tom dissonance (no capitals). i rap and make beats solo and in the group 30KB (the latter on hiatus for a bit). First solo album "Sympathetic Detonations" out now.

Sometimes i make mash-ups and whatnot for fun. Sometimes i put out other people's records as the label Amoebic Industries, Unltd.

I Had A Little Jar Of Honey (voice memo demo)

diss1

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