Experimental, IDM, Noise, Drone, Ambient, Power Noise, Industrial, Psychedelic, Abstract

El Chaleco

El Chaleco (BachaBow)

Se Ve Que No Me Han Visto Kimbando

12 Historias

El abrigo (con la participación de Ricky Martin)

Ala jaza-goza la vida (en vivo

Taken from the upcoming album 'DAZE'.
Released February 19th via Tri Angle Records.
LP & Digital.

Brood Ma - Nrg Jynx (Daze End Version)

Autechre-Feed1

La Pegadera

Los Desiguales - La Pegadera

Yomil y El Dany - Dime Lo Que Cuesta

OPTIMO - Tentacion - DJ T@TO LZD - Edit Intro 132 Bpm - PRT

PACK BACHATA VOL:04

Betrayal (1-09/1-14)

A.M.

Damage

DJ LOBO DEMBOW MIX CLASICO DECEMBER 2018

Amnesia Scanner & Bill Kouligas
Format: LP / Digital
Cat.No: PAN 83
Release Date: 5 April 2019
Buy: https://bit.ly/2OMcSsJ / https://bit.ly/2UivhmG

Lexachast is an ongoing collaborative work by Amnesia Scanner, Bill Kouligas & Harm van den Dorpel.

Initially birthed as a joint, improvised performance between Amnesia Scanner and Kouligas at the ICA, London in 2015, it was later recreated and extended with visual artist van den Dorpel into a 15-minute online-only audiovisual work – known simply as Lexachast.

Since then, it has expanded into a live show that has been performed at Transmediale, CTM Festival, Unsound Krakow & Adelaide, Next and LEV Festival and during Paris Fashion Week in collaboration with the brand Ottolinger. Now to be released on PAN, is a new document of Lexachast in its current, full-grown form.

Whilst broadly inspired by the experience derived from and exposure to algorithmic patterns as generated by visual artist Harm van den Dorpel’s specially-devised program, the work is a sonic reference to the fallouts of avant-EDM and cyberdrone. This in turn is simultaneously mirrored by the perturbing visuals, created by a unique algorithm that sources and blends various filtered imagery from DeviantArt and Flickr in real time – with a bias towards the NSFW, extreme banality, and ornamental melancholia. The results were a perfect fit for the deliberate intention of non-intent, an anti-video of sorts, which ended up as a defining element for the project.

The artwork is created with Harm van den Dorpel’s ever-evolving, image-sourcing algorithm and it is mastered by Rashad Becker at D&M, Berlin

Damage

Divan

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