Hypnotic drums! Excellent synth & sound effects & Middle Eastern strings!  Enticing persuasion of the mystic night!  🖤💙🤍⭐⭐⭐🔁❣

Excellent vibes again, can't wait to listen to your future uploads.

Very cool, great eastern elements and awesome sound

Des sonorités audacieuses et parfaitement bien maitrisées .... Beaucoup d'originalités dans ce concept.

très grande originalité  pour un résultat   bluffant.

Eastern

Half created in the summer of 2005 mastered & released in 2025

By2026

Rythm into the night

RythmIntoTheNight

A few months back, anyone landing on this page was extended an invitation to….“come set for a spell in The Blue Room…..when nobody loves you.”  Well, took a while, but I reckon the word’s getting out amongst the broken hearted - this smoky little back-alley jazzabilly joint been seeing some semi-decent crowds lately.  Might have to add a couple more tables over there in that side area where we been storing the old feltless pool table.   

I dunno, maybe there really are a lot of lonely hearts out there, looking for companionship.  But my bet is that the real draw here is the new act on stage, as the house band is now joined by two long-time Atlanta musicians - Herb Avery and his Hammond organ, and Randy Hunter with his saxophone.   

For this version of the house theme song (aka The Blue Room), not only is my fumbly-finger organ solo replaced with Randy’s stellar saxophone, but I’ve put together a new intro, much more fitting for the new instrumentation.   And btw, brother Herbert not only plays his Hammond on the song, but that’s him you’ll hear playing the background lounge piano as the track opens.

So yeah, come set for a spell (whether you're loved or not), and let Randy & Herb show you their stuff.   

(Original version is here:) https://soundcloud.com/bruceavery/the-blue-room?si=36546f88f147427aba1593bf85a7ec1f&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The Blue Room - version 2 w/sax & B3

The Lovely Blue Waves

(Music: Hans-Michael Albers, Lyrics: Terry Reeves)
Terry Reeves:  Vocals
Hans-Michael Albers: All instruments, Arrangement & Production

Today, 22nd. August 2025, marks 13 years since our dear brother Bri succumbed to the deadly combination of leukaemia and Guillain-Barré syndrome.  Watching him through 2012, unable to do anything for himself and increasingly confined to a hospital bed is something none who loved him will ever forget.  
He has never been (and never will be) forgotten, not only for the music he created but for the force of nature he most certainly was.  In 1964, our Mum & Dad bought him an entry level acoustic guitar as a Christmas present and his progress on the instrument was something to behold.  By the time he was 18, he’d bought himself a Gibson Les Paul on HP (24 payments of five pounds and thirteen shillings per month) from Selmers in Charing Cross Road, London.  He joined a band, somehow co-opting me in as lead singer at the tender age of 15 (still a schoolboy, no less) and over the ensuing ten years, formed bands of whose line-up I was always a part, graduating from singing to percussion and eventually drums.
There being guitars laying around the family home, Tel took to playing and encouraged by Bri, never stopped.  Fast forward another five years and he too started writing songs so that by ’82, the 3 of us decided to form a band (Root Division) to play them.  It’s a truly special thing to be in the same band as your brothers and recording those songs became something Tel and me still remember with an abiding nostalgia.  No wonder we still talk about those days…
This song started life as an instrumental, written by Hans and of course, it’s brilliant as is but Tel liked it so much, he asked if he could write some lyrics and a vocal melody.  Being a generous fellow, our dear friend from Hamburg said he’d love to hear what Tel had in mind.
His basic idea was to incorporate as many references as he could to Cripple Club tracks, in celebration of the firm friendship we have formed in together recording what amounts to over 50 songs.  There may be a few of you who can spot one or two…
So this is for you, Bri.  We love and miss you, sweet brother.
(Gary Reeves)

Last Summer day reasons
Hamburg always shines
Shadows of Superheroes
Another surprise will come in time
Click toward a pension
From birth but never knew
Surprised to find a blackbird
In the flames as the music grew

Touch wood for satisfaction
CC music every day
Root of strong existence 
Step off the world to feed the phrase
Another Titan message
Titanic stories past
Image of a fraying edge
Never thought hang of time would last

It’s the time, it’s the place
It’s the only performance I can show my face

Last chance for singing
Avoid resistant tide
Pleasing distant garage
Remember 4 to 3 to 5
Stars in space that linger
Soaking up the blue
Palette of sunshine yellow
Mix to green for go - but for who?

T,G & H, Two and you!

LAST SUMMER'S DAY BLUES - CRIPPLE CLUB

Give It Up - Music & Lyrics by REKHA - IYERN [Fe] | Music by TexMex Shaman | Bass by Jeff Roberts | Percussion by Ken Karasek of K2 & The Three | New Revamp 2025

Final Music & Vocals Mixed & Mastered by TexMex Shaman in the USA | Vocals/Sound Design Composed & Produced, Recorded & Performed, Initial Mixing by REKHA - IYERN [Fe] at IYERN [Fe] RECORDS in CANADA

Cover Art Design: Self Photo & Graphics by REKHA - IYERN [Fe] 

Give It Up - Music & Lyrics by REKHA a.k.a. REKHA - IYERN [Fe]

Intro:
Oo Yeah
Ahn Yeah
Hey Hey
Hey Hey

Give it up Baby
Don't ya say maybe
Cuz' you know
It makes me
Totally crazy
And

You want
To give me
All of your love
You know it's true
You do me so
You do me so good
Baby I need
Your love

Give it up, Baby
Never say maybe
Cuz' you know it
Makes me feel
Totally, crazy good-good
Oh, Yeah-Yeah

You know you want to
Give me, your love, love, love
It always, makes me feel
So good, good, good
You touch my woman

Oh, Eh
Hey, Hey
Hey-Hey
Hahn, Oh
Ho, Ho, Oh

Babe, I need
Your good love
Your man-man in my
Woman-hood
Oo-Oo-Yeah





GiveItup25-final

GIVE IT UP

Give It Up - Music & Lyrics by REKHA - IYERN [Fe] | Music by TexMex Shaman | New Revamp 2025

"Let's Try Again" - Edeltraud Trncik feat. Viktor Trncik

A song about second chances, originally written in 2010, 
now remastered and reimagined in 2025 with full orchestral arrangement.

When a singer-songwriter and an engineer-musician create together,
magic happens. This is our invitation: Let's Try Again.

🎹 Piano, Strings, Guitar, Bass, Drums
⏱️ 3:14
📍 Freiburg, Germany
💙 For everyone who believes in second chances

Lyrics:
How do I know that I've loved you all this time
Does it surprise you all that we turn around and smile
And I've been waiting for an invitation to your life
I've said what's now in this note that I leave on your pillow
So why don't we try again
Why don't we try again

And if they could see us
They might say what you said last year
And if we could change them
We'd be lovers again not friends
Well I've been waiting for an invitation to your love
I said in this note I left on your pillow
What now
Why don't we try again
Why don't we try again

Yes tonight I can hear you whisper
The words you would say if we were honest
Tonight I could feel it when you were next to me
And baby it's so clear to me that we can go back
And I've been waiting for an invitation to your life
So why don't we try again
Why don't we try again
Darling take my hand I promise you it won't be like before
But darling baby we can try again

And just pretend nothing happened
Let me look into your eyes
Then we'll kiss and take it slow
But I always knew that I love you

Let's Try Again

A New wild ride with my talented friend https://soundcloud.com/billy-korg
Lyrics :-
I wonder what
I was doing
Not a lot
Before all this
I wonder what
Was my calling
Stuck in a rut
Before all this

And day by day
And year by year
It fades away
Becomes unclear

Is this the path I should be on
Now that I'm here

A midnight chancer
A moonlight dancer
A real champagner
An entertainer

Billy Korg / winkandwoo 2025

Before All This

Production & mastering by BotNikStudio2, Bottna, Sweden.

HIGH AGAINST A CLOUD

I always liked Van Morrisons Music. This is my version of Brown Eyed Girl  2025 a special tribute 

TRIBUTE " Brown Eyed Girl " (Covered by Glenny G)

Way of the Drum is a globe-walking rhythm record built almost entirely from drums and percussion, with only a few carefully chosen exceptions. Each track drops into a different circle: underground ritual pulses, marching snare on a broken battlefield line, rain-soaked forest grooves, desert caravans, and a towering taiko ceremony at the red gate.

The album moves between intimate and massive spaces—a smoky jazz club where drums and bass trade sparks, metallic found-object rhythms that clang like machinery, and mountain vigils where low drums roll like distant thunder. Melodies stay minimal or absent; the focus is on groove, texture, and how many ways skin, wood and metal can speak. By the closing heartbeat of Last Light on the Rim, the whole record feels like one long, shared initiation into rhythm.

Falling Rain

Amateur de (presque) tous les styles de musique, à mon tour de m’essayer à créer du contenu, influencé certainement par mes écoutes, ces petits plaisirs solitaires qui nous propulsent dans des mondes oniriques… 
Echos, rebonds, résonances, redondance, panoramiques… jouer avec les sons, sans prétention.
Espérant que vous apprécierez ces sons avec autant de plaisir que j’ai eu à les faire !

******************
A lover of (almost) all music genres, it’s my turn to try creating content, certainly influenced by my listening habits, those little solitary pleasures that propel us into dreamlike worlds… Echoes, rebounds, resonances, redundancy, panoramics… playing with sounds, without pretension. I hope you will enjoy these sounds as much as I enjoyed making them!

Eastern

Ipse Dixit

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